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ONE:On examining the apologue of Prodicus, we find it characterised by a somewhat similar style of reasoning. There is, it is true, no reference to physical phenomena, but Virtue dwells strongly on the truth that nothing can be had for nothing, and that pleasure must either be purchased by toil or atoned for by languor, satiety, and premature decay.81 We know also that the Cynical school, as represented by Antisthen��s, rejected all pleasure on the ground that it was always paid for by an equal amount of pain; and Heracl��s, the Prodicean type of a youth who follows virtue in preference to vice disguised as happiness, was also the favourite hero of the Cynics. Again, Plato alludes, in the Phil��bus, to certain thinkers, reputed to be ��great on the subject of physics,�� who deny the very existence of pleasure. Critics have been at a loss to identify these persons, and rather reluctantly put up with the explanation that Antisthen��s and his school are referred to. Antisthen��s was a friend of Prodicus, and may at one time have shared in his scientific studies, thus giving occasion to the association touched on by Plato. But is it not equally possible that Prodicus left behind disciples who, like him, combined moral with physical teaching; and, going a little further, may we not conjecture that their opposition to Hedonism was inherited from the master himself, who, like the Stoics afterwards, may have based it on an application of physical reasoning to ethics?During the two centuries that ended with the close of the Peloponnesian war, a single race, weak numerically, and weakened still further by political disunion, simultaneously developed all the highest human faculties to an extent possibly rivalled but certainly not surpassed by the collective efforts of that vastly greater population which now wields the accumulated resources of modern Europe. This race, while maintaining a precarious foothold on the shores of the Mediterranean by repeated prodigies of courage and genius, contributed a new element to civilisation which has been the mainspring of all subsequent progress, but which, as it expanded into wider circles and encountered an increasing resistance from without, unavoidably lost some of the enormous elasticity that characterised its earliest and most concentrated reaction. It was the just boast of the Greek that to Asiatic refinement and Thracian valour he joined a disinterested thirst for knowledge unshared by his neighbours on either side.5 And if a contemporary of Pericles could have foreseen all that would be thought, and said, and done during2 the next twenty-three centuries of this world��s existence, at no period during that long lapse of ages, not even among the kindred Italian race, could he have found a competitor to contest with Hellas the olive crown of a nobler Olympia, the guerdon due to a unique combination of supreme excellence in every variety of intellectual exercise, in strategy, diplomacy, statesmanship; in mathematical science, architecture, plastic art, and poetry; in the severe fidelity of the historian whose paramount object is to relate facts as they have occurred, and the dexterous windings of the advocate whose interest leads him to evade or to disguise them; in the far-reaching meditations of the lonely thinker grappling with the enigmas of his own soul, and the fervid eloquence by which a multitude on whose decision hang great issues is inspired, directed, or controlled. He would not, it is true, have found any single Greek to pit against the athletes of the Renaissance; there were none who displayed that universal genius so characteristic of the greatest Tuscan artists such as Lionardo and Michael Angelo; nor, to take a much narrower range, did a single Greek writer whose compositions have come down to us excel, or even attempt to excel, in poetry and prose alike. But our imaginary prophet might have observed that such versatility better befitted a sophist like Hippias or an adventurer like Critias than an earnest master of the Pheidian type. He might have quoted Pindar��s sarcasm about highly educated persons who have an infinity of tastes and bring none of them to perfection;6 holding, as Plato did in the next generation, that one man can only do one thing well, he might have added that the heroes of modern art would have done much nobler work had they concentrated their powers on a single task instead of attempting half a dozen and leaving most of them incomplete.