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The Duchesse dAiguillon had obtained leave to have a thimble, needles, and scissors, with which she worked. Josphine read and worked; Trzia told stories and sang.
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ONE:

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TWO:

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TWO:Lisette was in despair when she saw it, but fortunately some friends of her mothers came one Sunday to dine there with them, and were so shocked that they used often to fetch her away and take her out with them on long excursions to all the parks, chateaux, and delightful places in the neighbourhood.A fashionable promenade was the boulevard du Temple, where every day, especially Thursdays, hundreds of carriages were to be seen driving up and down or standing under the shade of trees now replaced by houses, shops, and cafs. Young men rode in and out amongst them, notorious members of the demi-monde tried to surpass every one in the splendour of their dress and carriages. A certain Mlle. Renard had her carriage drawn by four horses, their harness studded with imitation jewels. It was not an age of imitation. In those days as a rule lace was real lace, jewels were real jewels, and if tawdry imitations and finery were worn it was by women of this class. Respectable people would never have dreamed of bedizening themselves with the sort of cheap rubbish with which the modern women of the lower classes delight to disfigure their houses and their dress.

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TWO:I envy my successors!

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TWO:

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TWO:No, General, with Mme. He gave Lisette lessons in oil-painting for which his wife used to come and fetch her. They were so poor that on one occasion when she wished to finish a head she was painting, and accepted their invitation to stay and dine, she found the dinner consisted only of soup and potatoes.
FORE:Like all other nations, the English were horror-stricken at the crimes and cruelties going on in France, and exasperated against their perpetrators, more especially against the Duke of Orlans, who was regarded with universal hatred and contempt.

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FORE:Paris without the wide streets of enormous houses, the broad, shady boulevards, the magnificent shops and crowded pavements, the glare and wealth and luxury of the nineteenth and twentieth centuries; Paris of old France, of the Monarchy, with its ancient towers and buildings, its great h?tels and convents with vast gardens above whose high walls rose stately trees; its narrow, crooked, ill-paved [34] streets, mostly unsafe to walk in after dusk, through which troops of cavalry clattered in gay uniforms, scattering the foot-passengers right and left, and magnificent coaches drawn by four, six, or eight horses lumbered heavily along.I MADAME VIGE LE BRUN CHAPTER I

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FORE:Pauline understood, fetched her jewel-case, hid it under her cloak, and sending away her two maids, threw herself into her sisters arms. Rosalie clung to her in a passion of tears and sobs, they exchanged a lock of their hair, and Pauline, tearing herself away, hurried to the carriage in which her husband and child were waiting.[317]

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FORE:

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FORE:CHAPTER IX

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FORE:Mme. Le Brun painted a remarkable portrait of Mlle. Fries, the great bankers daughter, as Sappho, she being an excellent musician. Also of the Baron and Baroness Strogonoff with whom she became very intimate.

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FORE:It is perfectly simple, replied the Count. Madame being the only woman at the ball whom I did not know, I concluded she had just arrived from the provinces.

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FORE:There was a moments silence, then Tallien spoke.Louis XVI. was the most unsuitable person to rule over the French, a nation more than any other alive to, and abhorrent of, any suspicion of ridicule or contempt. And to them the virtues and faults of Louis were alike ridiculous. When he interfered in the love affairs of the Prince de Cond, and ordered the Princesse de Monaco to retire into a convent, the Prince de Cond became his enemy, and people laughed. When he spent hours and hours shut up alone making keys and locks they shrugged their shoulders, and asked if that was a diversion for the descendant of Henri IV. and Louis le Grand.

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TWO:Je jouerai du violon.Mme. de Clermont had been married at fifteen to the Comte de Choisi, who was much older than herself, and of whom she was dreadfully afraid; but he was killed at the battle of Minden, and she had just married the Comte de Clermont, who was deeply in love with her. She was young, pretty, very capricious, and a friend of Mme. de Montesson, and with all her faults never dull or tiresome, but full of merry talk and amusing stories; the Comtesse de Polignac and the Marquise de Barbantour were also among the ladies of the household [387] with whom Flicit was now associated; two much older ones were the Comtesses de Rochambault and de Montauban.

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THREE:He commanded every one to salute his palace, even when he was not there. He forbade round hats, and sent police about with long sticks to knock off any they met.

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THREE:I am certain, sire, I answered hastily; that nobody about me will be able to make me deviate from the line my own reason has already marked out. But as your Majesty has introduced the subject, may I be permitted to suggest that my sister-in-law has already near her some one who is scarcely calculated to maintain a good understanding in the family; I fear the partiality of the Abb de Vermont for the House of Austria.The executioner? You have guessed it, Monseigneur, and that fearful name explains the state of mind in which you see me.

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THREE:I bowed with a half-smile that seemed to amuse the King. But resuming his usually grave and majestic air, he added

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THREE:The long galleries of pictures and statues, the lovely churches filled with gems of art, the stately palaces and gardens, the cypress-crowned heights of San Miniato, and the whole life there, were enchanting to Lisette. She had been made a member of the Academy at Bologna; she was received with great honour at Florence, where she was asked to present her portrait to the city. She painted it in Rome, and it now hangs in the Sala of the great artists in the Uffizi. In the evening she drove along the banks of the Arnothe fashionable promenade, with the Marchesa Venturi, a Frenchwoman married to an Italian, whose acquaintance she had made. Had it not been for her anxiety about what was going on in France she would have been perfectly happy, for Italy had been the dream of her life, which was now being realised.
TWO:Mme. Le Brun painted the portrait first of Madame Adla?de, then of Madame Victoire.The liaisons of Mme. Tallien had nothing doubtful about them.

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Her winters were spent at Paris, where her house was still the resort of all the most distinguished, the most intellectual, and the pleasantest people, French and foreign; the summers at her beloved country home at Louveciennes.God gives me strength, she wrote to him, and He will support me; I have perfect confidence in Him. Adieu; the feeling for all I owe you will follow me to heaven; do not doubt it. Without you what would become of my children? Adieu, Alexis, Alfred, Euphmie. Let God be in your hearts all the days of your lives. Cling to Him without wavering; pray for your father: do all for his true happiness. Remember your mother, and that her only wish has been to keep you for eternity. I hope to find you again with God, and I give you all my last blessing.You are Mme. Le Brun, who paints with such perfection, and we are all very glad to know that you are far away from those wicked people.
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