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THREE:She asked what he had thought of doing about it.The chances of detection would certainly be less if he should go back of the officers' quarters, instead of the barracks. But to do that he would have to cross the road which led from the trader's to the quadrangle, and he would surely meet some one, if it were only some servant girl and her lover. He had observed and learned some things in his week of waiting in the postthat week which otherwise had gone for worse than nothing. He took the back of the barracks, keeping well away from them, stumbling in and out among rubbish heaps. He had no very clear idea of what he meant to do, or of why he was going in this particular direction; but he was ready for anything that might offer to his hand. If he came upon Landor or the adjutant or any of them, he would put a knife into him. But he was not going to the trouble of hunting[Pg 206] them out. And so he walked on, and came to the haystacks, looming, denser shadows against the sky.
THREE:[See larger version]Brewster stood in his own window, quite alone, and watched them all crowding down to Landor's quarters. The beauty of the Triumph of Virtue did not appeal to[Pg 157] him. He was very uneasy. Countercharges were looming on his view. To be sure, he had not lied, not absolutely and in so many words, but his citizen witnesses had not been so adroit or so careful. It would not have taken much to make out a very fair case of conduct unbecoming an officer and a gentleman. Practical working texts, anent looking before leaping, and being sure you are right ere going ahead, occurred to him with new force. His morality at the moment was worthy the law and the prophets. He was Experience in person, and as such would have been an invaluable teacher, if there had been any seeking instruction. But there was none. They were all with Landor, drinking his wine and helping success succeed, than which one may find less pleasant occupations.
THREE:With "The Battle of the Books" appeared "The Tale of a Tub;" and though these were anonymous, it was soon well known that they were from the hand of Jonathan Swift, a friend of Harley and Bolingbroke, who now assumed a position in the public eye destined to be rendered yet more remarkable. Swift was of English parentage, but born in Dublin in 1667. He was educated at Kilkenny and the University of Dublin. In early life he became private secretary to Sir William Temple, and at this time he wrote his "Tale of a Tub," which cut off all his hopes of a bishopric. He edited a selection from the papers of Temple, and then accompanied Lord Berkeley to Ireland as chaplain. Disappointed of the preferment which he had hoped for, he went over from the Whigs to the Tories in 1710, and thenceforward was an unscrupulous adherent of Harley and Bolingbroke, defending all their measures in the "Examiner," and pouring out his vengeance on all opponents with unflinching truculence. In his political[148] character Swift has been styled the great blackguard of the age, and certainly with too much truth. In spite of rare intellectual power, wit, and sarcasm, no principle or tenderness of feeling restrained him in his attacks on his enemies. If Harley and Bolingbroke are guilty of inflicting the disgraceful peace of Utrecht on the nation, simply to avenge themselves on the Whigs, no man so thoroughly abetted them in that business as Swift. His "Conduct of the Allies," his "Public Spirit of the Whigs," and other political tracts and articles, bear testimony to his unscrupulous political rancour. His "Drapier's Letters," and his treatment of Wood in the affair of the Irish halfpence, show that no means, however base and false, came amiss to him in serving the objects of his ambition. The great work of Swift is his "Gulliver's Travels," a work characterised by a massive intellect and a fertile invention, but defiled by the grossness that was inseparable from his mind, and that equally pollutes his poems, in which there is much wit and humour, but not a trace of pathos or tenderness. There is none of that divine glow of love and human sympathy, mingled with the worship of beauty and truth, which courts our affections in the works of the greatest masters. When we are told that Swift's grossness is merely the grossness of the time, we point to "Robinson Crusoe," to "The Seasons" and "Castle of Indolence" of Thomson, and to the works of Addison, for the most admirable contrast. Swiftwho died in the famous year of the '45was one of the most vigorous writers of the age, but he was one of the most unamiable. He was the Mephistopheles of the eighteenth century.Life went on very much the same at the post when there was only the infantry left in possession. As there was nothing to do at any time, there was nothing the less for that. On the principle that loneliness is greatest in a crowd, Stanton was more isolated now[Pg 183] than Grant had been in the days when there had been no railroad west of Kansas. The railroad was through the southwest now, but it was a hundred miles away. It was unsafe to ride outside the reservation, there was no one for hops, the only excitement was the daily addition to the list of slaughtered settlers. Felipa spent most of her time with the Ellton baby. Miss McLane had been married to Landor's second lieutenant for a year and a half, and they were very happy. But Felipa in the knowledge of the strength of her own love, which gained new might each time that she wrestled with it and threw it back upon the solid ground of duty, found their affection decidedly insipid. Like the majority of marital attachments, it had no especial dignity. It was neither the steadfast friendship she felt for her husband, nor the absolute devotion she would have given Cairness.
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