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It was very difficult just then to get money from France, and she had even to advance some for Mademoiselle dOrlans. Remembering what had happened to La Fayette, she was very much afraid of falling into the hands of the Austrians; on the other hand she could not go into France [437] without a permission, which she was silly enough to ask for, but luckily for herself, could not get.

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The applause with which she was welcomed on entering the salon so overcame her that she burst into tears. Next day those of her friends who had survived the Revolution began to flock to see her. Her old friend, Mme. Bonneuil, was among the first, and invited her to a ball the following night given by her daughter, now the celebrated beauty, Mme. Regnault de Saint-Jean-dAngely, to which she went in a dress made of the gold-embroidered India muslin given her by the unfortunate Mme. Du Barry.
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FORE:The Queen, too indolent to write to them separately, on one occasion when she was at Compigne and they at Versailles, wrote as follows:

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FORE:Those sort of men are of no use except to revive vices. They inoculate the people with the licentiousness of the aristocracy. But patience; we will deliver the people from their corrupters, as we have delivered them from their tyrants. [100]

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FORE:

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FORE:As to the other daughter, Mme. de Valence, her marriage had turned out just as might have been [409] foretold by any one of common sense. M. de Valence did not change his conduct in the least, he was still one of the most dissipated men in Paris though he never stooped to the dishonour of Philippe-galit. He remained always the favourite of Mme. de Montesson, who at her death left her whole fortune to him.

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FORE:

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FORE:After his death, in order to distract her mind from the sorrow of it, she made a tour to Orlans, Blois, Tours, Bordeaux, &c., accompanied by her faithful Adla?de; after which she returned home and resumed her usual life, a happy and prosperous one, continually occupied by her beloved painting, surrounded by numbers of friends and adored by the two nieces, her adopted children. Eugnie Le Brun was like herself, a portrait painter, and although not, of course, of world-wide fame like [158] her aunt, she was nevertheless a good artist, and made a successful career, which gave an additional interest to the life of Mme. Le Brun.

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TWO:

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TWO:Financially, in spite of the large sums she gained, Lisette was at first unfortunate. She placed 45,000 francs in a bank which broke immediately afterwards.

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TWO:Mme. de Tess died in 1813, only a week after the death of her husband, without whom she said that she did not think she could live.

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ONE:For the same reason he had, at the beginning of his career, married Josphine, Vicomtesse de Beauharnais; it was true, as he afterwards declared that he loved her better than he ever loved any woman; but all the same he had decided that his wife must be of good blood, good manners, and good society; and although Josphine was by no means a grande dame, she was in a much better position than himself; and her childrens name, her social connections, her well-bred son and daughter, the charming manners and savoir faire of all three were then and for long afterwards both useful and agreeable to him.

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ONE:
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Twitter, Inc.
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P: (123) 456-7890
ONE:
Quite another sort of woman was the Duchesse de Fleury, with whom Lisette formed an intimate friendship. The Duchess, ne Aime de Coigny, was a true type of the women of a certain set at the old French court, and her history was one [98] only possible just at the time in which it took place.The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the goddess of Bordeaux, with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and Trzia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said
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