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The Duke was at his wits end, there were [423] scenes and interviews and negotiations without end, but he and Mme. de Genlis were forced to give way.M. Le Brun was just then building a house in the rue Gros-Chenet, and one of the reports spread was that M. de Calonne paid for it, although both M. and Mme. Le Brun were making money enough to afford themselves much greater expenditure than that.Besides her delight in wandering through these galleries where she would stand before her favourite pictures, never tired of studying them, absorbed in their beauty, she copied heads from Rubens, Rembrandt, Vandyke, Greuze, and others, and although she was only fourteen years old, the portraits she painted were not only becoming known, but were the principal support of the family, besides paying for the school expenses, books, and clothes of her brother.
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    ONE:Madame Victoire was very pretty, all the rest except the two eldest, were plain; and her parents were delighted with her when she returned from the convent. The King and Dauphin went to meet her at Sceaux and took her to Versailles to the Queen, who embraced her tenderly. Neither she nor her younger sisters were half educated, but the Dauphin, who was very fond of them and had great influence over them persuaded them to study.
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ONE:Again that wretched madman! muttered the Chevalier. Is it Gods justice that puts him always in my way to destroy me? FORE:
FORE:In those days, as Mme. Le Brun remarks in one of her letters, people had both time and inclination to amuse themselves, and the love of music was just then so strong and so general that the disputes between the rival schools of Glück and Piccini sometimes even amounted to quarrels. She herself was a Glückist, but the Queen and many others preferred the Italian music to the German.

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FORE:Mme. Le Brun was present, having been expressly invited to the box of some friends who wanted to surprise her, and was deeply gratified and touched when all the audience rose and turned towards her with enthusiastic applause.

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ONE: FORE:Even then they had a third chance of escape, for when the announcement of what was intended arrived, the King was out hunting, the horses were just being put into the carriage of the Dauphin who was going out for a drive, and if the Queen, her children, and Madame Elisabeth had got into the carriage and joined him, they could have fled together. But the idea did not occur to them; they waited till the King returned, and were taken prisoners to Paris next day, escorted by La Fayette, who, though able to protect them from personal violence, was powerless to prevent the horrors and crimes committed by his atrocious followers.
FORE:The power, security, and prosperity of the throne and royal family of France seemed to be at that time absolute and unassailable; and although of the ten or eleven children of Louis XV. and Marie Leczinska, the Dauphin was the only son who had lived to grow up, the succession to the crown appeared to be in no danger, as he had already two boys, the Ducs de Bourgogne and Berri; the Comte de Provence was born in November, 1755, and his birth was followed by that of the Comte dArtois, besides the Princesses Clotilde and Elizabeth, who by the Salic law were excluded. The Queen, who was seven years older than the King, was already fifty-two. A woman of blameless character, she had never been pretty, attractive, or even sensible. DArgenson, writing in 1750, says of her that she was very stupid, made silly remarks, reproved her children for trifles, and passed over serious faults. They were all so fond of eating that Mesdames kept port wine, ham, and other [165] things in a cupboard, and ate and drank at all hours.

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FORE:How? A rose? You are to give a rose?

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FORE:The high rank, great connections, and splendid fortunes of the daughters of the Duc dAyen caused them to be much sought after, and many brilliant marriages were suggested for Pauline, amongst which they chose a young officer of the regiment of Artois, proposed to them by a relation of his, the Princesse de Chimay, daughter of the Duc de Fitzjames. The young Marquis Joachim de Montagu was then nineteen, had served in the army of Spain, and belonged to one of the most ancient families of Auvergne.

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THREE:Mme. de Bouzolz delighted in novels, balls, and all the amusements natural to her age; was affectionate, good-hearted, rather thoughtless, but with no harm in her. She soon became devoted to Pauline, and fell a great deal under her influence.When they were obliged to give up their rooms in this convent, they moved to that of St. Joseph, in which Mme. de Saint-Aubin hired an apartment.

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ONE:[352]She must come too, was the answer, she is on the list; I will go and tell her to come down.

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THREE:Yet his delineation of the society of the day was so true that somebody remarked about his play, Le Cercle, that Poinsinet must have been listening at the doors. He was drowned in Spain while crossing the Guadalquivir.
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ONE:Mme. Le Brun returned home and told the good news to her daughters governess. But while they were rejoicing over it they, in the evening, heard one of their servants singing below, a sullen, gloomy fellow who never used to sing, and whom they knew to be a revolutionist. Looking at each other in terror they exclaimed

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ONE:Sadly she returned to Aix-la-Chapelle, where the news which she had heard at Lige of the September [233] massacres had already arrived, and where, besides their own horror and grief, the emigrs had to listen to the disgust and contempt everywhere expressed by those of other nations for a country in which such atrocities could be perpetuated without the slightest resistance.

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The Duke was at his wits end, there were [423] scenes and interviews and negotiations without end, but he and Mme. de Genlis were forced to give way.M. Le Brun was just then building a house in the rue Gros-Chenet, and one of the reports spread was that M. de Calonne paid for it, although both M. and Mme. Le Brun were making money enough to afford themselves much greater expenditure than that.Besides her delight in wandering through these galleries where she would stand before her favourite pictures, never tired of studying them, absorbed in their beauty, she copied heads from Rubens, Rembrandt, Vandyke, Greuze, and others, and although she was only fourteen years old, the portraits she painted were not only becoming known, but were the principal support of the family, besides paying for the school expenses, books, and clothes of her brother.

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