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After her proceedings at the Bastille and the Cordeliers, and considering her connection with the revolutionary party, Mme. de Genlis (or Sillery, as she was also called) need not have expressed the surprise and indignation she did at the arrival of a body of police to search her house for arms, reported to be stored there. They were sent by La Fayette, who had done even more mischief than she had; but for some reason they did not like each other. The touchy, conceited Republican poet, Marie Joseph Chnier, who ranted against religion, royalty, and everything and everybody superior to himself, began to make love to Mme. de Genlis, and when she objected to his impertinent familiarity, said furiously: You are right; I am [418] neither a grand seigneur nor a duke!which specimen of the manners of her party disgusted her extremely. In her Mmoires she relates of this worthy that he was accused of having participated in the condemnation of his brother Andr, also a poet, executed under the Terror. This was, however, almost certainly untrue, but it was said that he could have saved him if he had made use of the influence he possessed with the Terrorists, but that he either feared or did not care to do so. The celebrated actress, Mlle. Dumesnil, then old and infirm, received one day a visit from him, during which he tormented her to recite something for him. She was ill in bed, but nevertheless he went on begging that she would recite only one line that he might say he had heard her, when, turning towards him with a violent effort she said
TWO:I never carried on a single intrigue. I loved the Monarchy, and I spared no efforts to soften and moderate M. le Duc dOrlans, not realising that the way to escape suspicion was not to try to soften, but to have nothing to do with him; and that if she loved the Monarchy she had shown her affection in a very strange manner. But she was a strange mixture of great talents and many good qualities with frivolity, inconsistency, and shallowness. For example, when she was told that the Monarchy (which she says she loved) had fallen, and the Republic been declared, her first exclamation was
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THREE:CHAPTER IV

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THREE:Her last and only constant love affair was with the poet Lemercier, whose devotion never changed until her death in 1820, when she was forty-two years of age.

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THREE:Tell her, said Mme. Tallien, that I am dsole not to be able to receive her, but I am never alone, because I am always surrounded by those to whom I have had the happiness to be of use.

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THREE:From her earliest childhood Flicit had shown a remarkable talent for music and acting, of which her mother was so proud that she did her best to spoil the child by bringing her forward on every occasion to display her talents. She learned to sing, to play the harp, to recite verses; she was dressed up as an Amour or a Hebe, she acted Iphigenia and Hector and Zaire, and the constant flattery and notice she received evidently and naturally turned her head and laid the foundation of that vanity and self-satisfaction which appears so conspicuously in the records of her life.Though several members had voted against the murder of the King, he was the only one who had had the courage of his opinions. Condorcet gave as a reason that he disapproved of all capital punishment, the rest made different excuses.

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THREE:
THREE:The King regarded them with nearly, if not quite, as great affection as his legitimate children, and even tried, though in vain, to alter the laws of succession in their favour, and allow them to inherit the crown failing his lawful issue.
THREE:
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THREE:
THREE:The Princess had therefore, as soon as she could get away from Austria, joined her uncles and aunts and married the Duc dAngoulme, concentrating all her affection upon those remaining members of her family, who received her with the deepest joy and tenderness.
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    Mme. de Genlis put Mademoiselle dOrlans into mourning, telling her that it was for the Queen, which she must of course wear, and it was some time before she discovered the truth.And Barras pleased her. His distinguished appearance and manners contrasted with those of her present surroundings, and recalled the days when she lived amongst people who were polite and well-bred, knew how to talk and eat and enter a drawing-room, and behave when they were in it; and who wore proper clothes and did not call each other citoyen, or any other ridiculous names, and conversation was delightful, and scenes and memories of blood and horror unknown. It may well have been at this time that she began to yearn after that former existence she had been so rashly eager to throw away.In Mme. Tallien we have a woman exactly opposite to the other two in character, principles, and conduct. Differing from both of them in birth and circumstancesfor she was the daughter of a Spanish banker of large fortunewith extraordinary beauty, the hot, passionate blood of the south, a nature, habits, and principles undisciplined by authority and unrestrained by religion, she was early imbued with the creed of the revolutionists, and carried their theories of atheism and licence to the logical consequences.
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