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Of course there were disputes and jealousies as time went on. It is of Tallien that is told the story of his complaint to his wife
Slider 1 ONE:Twice a week at a certain hour she went on pretence of taking the air to a place from whence she could see her three children, whom their tutor, devoted to her and her family, brought into the garden below. Now and then she received and sent notes to and from him, by one of which they [246] learnt that Adrienne was in the prison called Plessis, one of the worst.

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Slider 2 ONE:People were presented first to the King, then to the Queen, in different salons; of course magnificently dressed. The King, now that he was Louis XVI., very often did not speak but always made a friendly, gracious gesture, and kissed the lady presented, on one cheek only if she was a simple femme de qualit; on both if she was a duchess or grande dEspagne, or bore the name of one of the families who possessed the hereditary right to the honours of the Louvre and the title of cousin of the King.

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ONE:The history of Mme. de Genlis in the emigration differs from the other two, for having contrived to make herself obnoxious both to royalists and republicans her position was far worse than theirs.

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THREE:She had stopped to change horses and found that she could get none, as they were being sent all over the country to convey the news. She was consequently obliged to remain all night in her carriage, which was drawn up by the roadside close to a river, from which blew a bitterly cold wind.For the Duc dOrlans was aiming at the crown, and it is impossible to believe Mme. de Genlis was [414] not aware of it. He suggested to the Queen that Madame Royale should be married to his eldest son, which proposal Marie Antoinette decidedly refused, remarking afterwards that to marry her daughter to the Duc de Chartres would be to sign the death warrant of her son. [120]

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THREE:ROBESPIERRE was dead, and Tallien, for the time, reigned in his stead; and with him and over him, Trzia, or, as she may be called, Mme. Tallien, for although Tallien before spoke of her as his wife, it was only after the 9th Thermidor that some sort of marriage ceremony was performed. But the name she now received, amongst the acclamation of the populace, was Notre Dame de Thermidor. For it was she who had brought about the deliverance of that day; for her and by her the Terror had been broken up; and although the Thermidoriens, led by Tallien, Barras and Frron, had re-established or continued the Comit de Salut Public, the greater number of the blood-stained tyrants who ruled the Revolution still remained, and many horrors and tyrannies for some time longer went on; still there was at once an enormous difference. The revolutionary gang had, of course, [336] not altered its nature, those of whom it was composed were the same, cruel, remorseless, and steeped in crimes; but however much they wished it they could not continue to carry on the terrorism against which the anger of the populace was now aroused.

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THREE:In vain Mme. Le Brun tried to dissuade her from this deplorable marriage, the spoilt young girl, accustomed to have everything she chose, would not give way; the Czernicheff and other objectionable friends she had made supported her against her mother, the worst of all being her governess, Mme. Charot, who had betrayed the confidence of Mme. Le Brun by giving her daughter books to read of which she disapproved, filling her head with folly, and assisting her secretly in this fatal love-affair.

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THREE:Vien, who had been first painter to the King; Grard, Gros, and Girodet, the great portrait painters (all pupils of David), and her old friend Robert, were constant guests. With David she was not on friendly terms; his crimes and cruelties during the Revolution caused her to regard him with horror. He had caused Robert to be arrested, and had done all he could to increase the horrors of his imprisonment. He had also tried to circulate the malicious reports about Calonne and Mme. Le Brun, of whom he was jealous, though his real love for his art made him acknowledge the excellence of her work.

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ONE:Shortly afterwards, passing his father in the great gallery at Versailles, the Duc de Richelieu said to him

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THREE:What do you want with me? she asked coolly, I am not an enemy of the people; you can see by my cockade that I am a patriot.

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ONE:An amusing anecdote is related by Mme. de Bassanville [76] concerning the marriage of a certain Mlle. de Mirepoix, who belonged to that family, but apparently to a younger and poorer branch of it.

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THREE:Adieu, citoyenne, said Tallien, resuming his official manner. My aide-de-camp will go at once to the revolutionary tribunal, while I myself explain to the Comit the error of which you are the victim.

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THREE:Her dress was a caricature of the latest fashion, her manner was impertinently familiar. She first made a silly exclamation at being addressed as madame instead of citoyenne, then she turned [459] over the books on the table and when at length Mme. de Genlis politely explained that being very busy she could not have the honour of detaining her, the strange visitor explained the object of her visit.

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THREE:[35]

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THREE:

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TWO:CHAPTER VISeeing that attention was being attracted to them, the Chevalier in despair put his arm into that of the Marquis, saying

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ONE:Mme. S was carrying on a liaison with Calonne, who was very much in love with her and very often at her house; she was also sitting for her portrait to Mme. Le Brun, who looked upon her as a pretty, gentle, attractive woman, but thought the expression of her face rather false.

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She was happier now than she had been for a long time; she heard every now and then from her father and Rosalie, her husband was with her, and her love for the aunt, who was their good angel, ever increased. But still the terrible death of her mother, sister, and grandmother cast its shadow over her life, added to which was her uncertainty about Adrienne.Adieu, citoyenne, said Tallien, resuming his official manner. My aide-de-camp will go at once to the revolutionary tribunal, while I myself explain to the Comit the error of which you are the victim.You are the painter, Isabey?
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