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TWO:"Strange thing," said Balmayne to himself. "A most remarkable thing! Miss Lawrence, will you do a favour for me. I would not trust anybody else. But if you will give me your promise I shall be easy. There is only one thing I have done that I really am sorry for, and you can set it right for me."

TWO:The evolution of Greek tragic poetry bears witness to the same transformation of taste. On comparing Sophocles with Aeschylus, we are struck by a change of tone analogous to that which distinguishes Thucydides from Herodotus. It has been shown in our first chapter how the elder dramatist delights in tracing events and institutions back to their first origin, and in following derivations through the steps of a genealogical sequence. Sophocles, on the other hand, limits himself to a close analysis of the action immediately represented, the motives by which his characters are in91fluenced, and the arguments by which their conduct is justified or condemned. We have already touched on the very different attitude assumed towards religion by these two great poets. Here we have only to add that while Aeschylus fills his dramas with supernatural beings, and frequently restricts his mortal actors to the interpretation or execution of a divine mandate, Sophocles, representing the spirit of Greek Humanism, only once brings a god on the stage, and dwells exclusively on the emotions of pride, ambition, revenge, terror, pity, and affection, by which men and women of a lofty type are actuated. Again (and this is one of his poetic superiorities), Aeschylus has an open sense for the external world; his imagination ranges far and wide from land to land; his pages are filled with the fire and light, the music and movement of Nature in a Southern country. He leads before us in splendid procession the starry-kirtled night; the bright rulers that bring round winter and summer; the dazzling sunshine; the forked flashes of lightning; the roaring thunder; the white-winged snow-flakes; the rain descending on thirsty flowers; the sea now rippling with infinite laughter, now moaning on the shingle, growing hoary under rough blasts, with its eastern waves dashing against the new-risen sun, or, again, lulled to waveless, windless, noonday sleep; the volcano with its volleys of fire-breathing spray and fierce jaws of devouring lava; the eddying whorls of dust; the resistless mountain-torrent; the meadow-dews; the flowers of spring and fruits of summer; the evergreen olive, and trees that give leafy shelter from dogstar heat. For all this world of wonder and beauty Sophocles offers only a few meagre allusions to the phenomena presented by sunshine and storm. No poet has ever so entirely concentrated his attention on human deeds and human passions. Only the grove of Col?nus, interwoven with his own earliest recollections, had power to draw from him, in extreme old age, a song such as the nightingale might have warbled amid those92 inviolable recesses where the ivy and laurel, the vine and olive gave a never-failing shelter against sun and wind alike. Yet even this leafy covert is but an image of the poet��s own imagination, undisturbed by outward influences, self-involved, self-protected, and self-sustained. Of course, we are only restating in different language what has long been known, that the epic element of poetry, before so prominent, was with Sophocles entirely displaced by the dramatic; but if Sophocles became the greatest dramatist of antiquity, it was precisely because no other writer could, like him, work out a catastrophe solely through the action of mind on mind, without any intervention of physical force; and if he possessed this faculty, it was because Greek thought as a whole had been turned inward; because he shared in the devotion to psychological studies equally exemplified by his younger contemporaries, Protagoras, Thucydides, and Socrates, all of whom might have taken for their motto the noble lines��

TWO:Meanwhile the morality of Stoicism had enlisted a force of incalculable importance on its behalf. This was the life and death of the younger Cato. However narrow his intellect, however impracticable his principles, however hopeless his resistance to the course of history, Cato had merits which in the eyes of his countrymen placed him even higher than Caesar; and this impression was probably strengthened by the extraordinary want of tact which the great conqueror showed when he insulted the memory of his noblest foe. Pure in an age of corruption, disinterested in an age of greed, devotedly patriotic in an age of selfish ambition, faithful unto death in an age of shameless tergiversation, and withal of singularly mild and gentle character, Cato lived and died for the law of conscience, proving by his example that if a revival of old Roman virtue were still possible, only through the lessons of Greek philosophy could this miracle be wrought. And it was equally clear that Rome could only accept philosophy under a form harmonising with her ancient traditions, and embodying doctrines like those which the martyred saint of her republican liberties had professed.

TWO:"Upon my word, a most remarkable thing," he exclaimed.

TWO:

TWO:

TWO:I understood and respected the restraint of the Belgian primate, who went on then:(1.) What is principal among the details of steam machinery?��(2.) What has been the most important improvement recently made in steam machinery?��(3.) What has been the result of expansive engines generally stated?��(4.) Why has water proved the most successful among various expansive substances employed to develop power?��(5.) Why does a condensing engine develop more power than a non-condensing one?��(6.) How far back from its development into power can heat be traced as an element in nature?��(7.) Has the property of combustion a common source in all substances?

TWO:"5. Van Zuylen, senator."You mean that you have a clue, sir."