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THREE:But what to Mme. Le Brun was of great importance during her stay at Antwerp was a portrait by Rubens, the famous Chapeau de Paille, then in a private collection, where she saw and was fascinated by it. The effect of light and shade caused by the arrangement of the two different lights, the ordinary [50] light and the sunlight, was what chiefly struck her, and having studied the picture with deep attention she proceeded, on returning to Brussels, to paint her own portrait with the same kind of effect: wearing a straw hat with a wreath of wild flowers, and holding a palette in her hand.On those wild autumn days she would sit in the great tapestried room working while her mother read and discoursed to her of the great truths of religion, the power and mercy of God, and the faith and courage which alone could support them amidst the trials and perils gathering around them; of the sufferings and victories of the saints and martyrs; of the swiftly passing trials and shadows of this world, the glory and immortality of the life beyond. And Pauline hung upon her mother��s words, for [224] she knew that they might be the last she would ever hear from that beloved voice, and her courage failed when she tried to tell her of her approaching exile. Mme. d��Ayen would every now and then address her counsels and instructions to the little grand-daughter who adored her; and the mother and daughter would unite their prayers amidst the rushing of the tempests or the clamours of the Jacobin club set up close to the chateau. All around was changed and terrible; they thought anxiously of those absent, and looked sadly at the church where they no longer went, as the cur�� was asserment��; and as the time drew near for her mother��s departure Pauline continually resolved to tell her of her own, but she could never bring herself to do so.