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Legends have gathered round the Taj Mahal as about every old building in India, and this one seems to me not impossible in its barbarity.
THREE:At last the bridegroom goes up the steps. The mother-in-law repeats the circular wave of welcome over the young man's head with rice and sugar and an egg and a coco-nut; then she takes the garland, already somewhat faded, from his neck, and replaces it by another twined of gold thread and jasmine flowers, with roses at regular intervals. She also changes his bouquet, and receives the coco-nut her son-in-law has carried in his hand.[Pg 232]

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THREE:[Pg 25]To the right of the forecourt is the high priest's room; lustres, glass shades, gilt chairs, coloured photographs, incongruously surrounding an antique silk carpet, soiled and stained.

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THREE:After him came another little Hindoo, dragging a mongoose, very like a large weasel with a fox's tail. He took a snake out of a bag, and a battle began between the two brutes, each biting with all its might; the sharp teeth of the mongoose tried to seize the snake's head, and the reptile curled round the mongoose's body to bite under the fur. At last the mongoose crushed the serpent's head with a fierce nip, and instantly a hawk flew down from a tree and snatched away the victim.Outside the town of Delhi a road bordered by great trees leads across the white plain, all strewn with temples and tombs, to Khoutab, the ancient capital of the Mogulsa dead city, where the ruins still standing in many places speak of a past of unimaginable splendour. There is a colossal tower of red masonry that springs from the soil with no basement; it is reeded from top to bottom, gradually growing thinner as it rises, with fillets of letters in relief, and balconies on brackets as light as ribbands alternating to the top. It is an enormous mass of red stone, which the ages have scarcely discoloured,[Pg 219] and was built by Khoutab-Oudeen Eibek to commemorate his victory over the Sultan Pithri-Raj, the triumph of Islam over Brahminism.

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FORE:A marble balustrade, of flowing design and astounding delicacy, exquisitely harmonious and artistic, encloses the white sarcophagus, which is inlaid with mindi and basilic flowers in costly agate, linked by inscriptions looking like lacings of narrow black braid. This balustrade alone, in the Taj, under the marble pile which forms the tomb of the empress, and on which 20,000 craftsmen laboured for twenty years, would, in its indescribable beauty of workmanship, have amply fulfilled Shah Jehan's vow.A very solid structure, with walls like a fortress, contains the treasury of the sacred mount. Five guards in turn came to open as many padlocks, and at last the ponderous door turned slowly on its hinges. A car, an elephant, and a vehicle to which are harnessed two prancing horses, are all brought out to convey the idols when they go forth in a[Pg 81] procession. The animals are chased with almost artistic skill. The harness, starry with precious stones, all takes to pieces.

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FORE:In the evening, on my way to dine with a friend by Malabar Hill, I could hardly recognize some parts of the town: houses, a camp of little huts and tents, a whole district had been swept away.

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FORE:A road between ancient trees and green fields which are perpetually irrigated leads to Sicandra-Bagh. Here, at the end of a wretched village of huts and hovels, is the magnificence of a stately portal of red stone broadly decorated with white; and then, through a garden where trees and shrubs make one huge bouquet, behold the imposing mass of the tomb of Akbar the Great. The mausoleum is on the scale of a cathedral. There are two stories of galleries in pink sandstone crowned by a marble pavilion with lace-like walls; and there, high up, is the sarcophagus of white stone, covered with inscriptions setting forth the nineteen names of Allah.

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THREE:

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THREE:The Rajah being absent we were allowed to see everything. On the upper floor is the Ranee's dressing-room. All round the large room were glass wardrobes, in which could be seen bodices in the latest Paris fashion, and ugly enough; and then a perfect rainbow of tender opaline hues: light silks as fine as cobwebs, shawls of every dye in Cashmere wool with woven patterns, and[Pg 53] gauze of that delicate rose-colour and of the yellow that looks like gold with the light shining through, which are only to be seen in Indiaroyal fabrics, dream-colours, carefully laid up in sandal-wood and stored behind glass and thick curtains, which were dropped over them as soon as we had looked. And crowding every table and bracket were the most childish thingsscreens, cups and boxes in imitation bronze, set with false stonesthe playthings of a little barbarian. A coloured photograph stood on the toilet-table between brushes and pomatum-pots; it represented the mistress of this abode, a slender doll without brains, her eyes fixed on vacancy.[Pg 211]
THREE:

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A stone parapet runs along the river road, and below it the grassy bank slopes gently to the clear and limpid stream of the Ganges. On the shores[Pg 141] of the sacred river fine trees overshadow many idols, and fresh flowers are constantly laid at their feet."Here lies Jehangir, Conqueror of the World."At the polo-match in the evening the band played, and three ladies were present; in sign of the spring having come, a basket was hung to the branch of a tree, full of straw kept constantly wet by the coolies, and containing sundry bottles of soda-water.
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