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Mme. de Genlis in her Memoirs denies this story, but goes on to say with that half candour, which is perhaps the most deceptive, that she cannot but confess that her ambition overruled her in this matter; that she thought what was said about Mme. de Montesson and M. de Valence might not be true, or if it were, this marriage would put an end to the liaison; and what seems contradictory, that she believed the reason her aunt was so eager for the marriage was, that she thought it would be a means of attaching to her for ever the man she loved. But that her daughter had great confidence in her, and would be guided by her in the way she should behave. Skip to main content
ONE:The theatreRaincyChantillyCalonneAttempt to ruin the reputation of Mme. Le BrunTwo deplorable marriagesFate of Mme. ChalgrinUnder the shadow of deathMme. Du Barry.
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FORE:Poppo.VENICE

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FORE:Tallien had stepped into the place of Guy de Kersaint, deputy of Versailles, who, though a revolutionist, objected to massacres. [97] He tried to explain and excuse them by the fury and excitement of the time when he perceived the horror with which they were regarded, not only by the civilised world at large, but by many of the revolutionists, even by some of his own colleagues. However, the brand of infamy remained attached to his name, notwithstanding his endeavours to clear himself from [299] the suspicion and accusation which have nevertheless always clung to him.Flicit and her mother took refuge in an apartment lent them by a friend in a Carmelite convent in the rue Cassette, where they received the visits of different friends in the parloir. Amongst the most assiduous was the Baron dAndlau, a friend of the late M. de Saint-Aubin, a man of sixty, very rich and of a distinguished family. He wished to marry Flicit, who refused him, but so great were the advantages of such an alliance that her mother desired her to reconsider the matter. As she still declined, he turned his attentions to her mother, and married her at the end of a year and a half.

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FORE:Now Mme. de Tess was an extremely clever, sensible person, who knew very well how to manage her affairs; and, unlike many of her relations and friends, she did not leave her arrangements and preparations until her life was in imminent danger, and then at a moments notice fly from the country, abandoning all her property, with no provision for the future, taking nothing but her clothes and jewels.

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FORE:As time went on and affairs became more and more menacing, Mme. Le Brun began to consider the advisability of leaving the country, and placing herself and her child out of the reach of the dangers and calamities evidently not far distant.
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FORE:At length the Duke of Orlans came back, and in consequence of the persuasions of Mme. de Genlis he arranged that his daughter should be ordered by the doctors to take the waters at Bath, and they set off; Mademoiselle dOrlans, Mme. de Genlis, Pamela, and Henriette de Sercey, with their attendants, furnished with a passport permitting them to stay in England as long as the health of Mademoiselle dOrlans required. They started October 11, 1791, slept at Calais, and remained a few days in London in the house the Duc dOrlans had bought there; they went to Bath, where they stayed for two months.

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FORE:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.The Comtesse dAdhmar, who held a post in the Queens household, received one day a note from the Duchesse de Polignac, Governess of the Children of France, asking her to go with her to consult a fortune-teller of whom every one was talking. For many persons who declined to believe in God were ready and eager to put confidence in witchcraft, fortune-telling, spiritualism, or any other form of occult proceedings.

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And she turned away, leaving the soldier in tears.In art, as in everything else, it was still the age of the artificial. The great wigs and flowing drapery of the last reign had given place to powder and paint, ribbons and pompons, pink roses, and pale blue satin or velvet, la Pompadour.
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