THREE:��Eh bien! va-t-en.��

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THREE:After her proceedings at the Bastille and the Cordeliers, and considering her connection with the revolutionary party, Mme. de Genlis (or Sillery, as she was also called) need not have expressed the surprise and indignation she did at the arrival of a body of police to search her house for arms, reported to be stored there. They were sent by La Fayette, who had done even more mischief than she had; but for some reason they did not like each other. The touchy, conceited Republican poet, Marie Joseph Ch��nier, who ranted against religion, royalty, and everything and everybody superior to himself, began to make love to Mme. de Genlis, and when she objected to his impertinent familiarity, said furiously: ��You are right; I am [418] neither a grand seigneur nor a duke!����which specimen of the manners of her party disgusted her extremely. In her ��M��moires�� she relates of this worthy that he was accused of having participated in the condemnation of his brother Andr��, also a poet, executed under the Terror. This was, however, almost certainly untrue, but it was said that he could have saved him if he had made use of the influence he possessed with the Terrorists, but that he either feared or did not care to do so. The celebrated actress, Mlle. Dumesnil, then old and infirm, received one day a visit from him, during which he tormented her to recite something for him. She was ill in bed, but nevertheless he went on begging that she would recite only one line that he might say he had heard her, when, turning towards him with a violent effort she said��

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THREE:In the fearful tragedy of the French Revolution, as in many earlier dramas in the history of that nation, one can hardly fail to be struck by the extreme youth of many, perhaps most, of the leading characters, good or bad. And the hero and heroine of this act in the revolutionary drama were young, and both remarkable for their beauty.

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THREE:Society was much smaller, people knew each other, or at any rate knew much more about each other, than could be the case after the revolution. The Comte d��Espinchal was the most extraordinary instance of this essentially social life. He passed his days and nights in going from one party or visit to another; he knew all about everything going [53] on, important or trivial. He appeared to know every one not only at the parties to which he went, but in all the boxes at the Opera, and nearly everybody he met in the streets, so that it was quite inconvenient for him to walk in them, as he was stopped every minute. Not only people at court and in society, but grisettes, employ��s of the theatres, persons of every class; but though a perfect mine of gossip, he never made mischief.

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