ONE: FORE:Colonel C���� went out shooting wild duck on a pool close to Bunnoo with a native, whose horse, led by a servant, came after them. But when they came to the native gentleman's village he mounted, and returned the civility of the salaaming people, who till then had avoided recognizing him, [Pg 282]regarding the fact that a kshatriya had come on foot as sufficient evidence that he wished to pass incognito. Then, when they were out of the village, the native gentleman dismounted and walked on with the colonel.Then there were races of baggage-mules, and competitions of speed in harnessing horses and in striking the tents. Finally the English officers rode a race, and then the prizes were distributed��money to the men and blue pugarees with gold thread to the native officers.

ONE:Near the sepoys' tents long lines of mules picketed by their feet stood by the guns; and further on baggage-camels, lying down, were hardly distinguishable from the russet grass and the scorched ochre sand. FORE:The four sons of the king presently come to a town. They ring at the door of a house inhabited by a woman who, as the little English translation tells us, carries on a foul trade, and Dilbar the dancing-girl appears.At the polo-match in the evening the band played, and three ladies were present; in sign of the spring having come, a basket was hung to the branch of a tree, full of straw kept constantly wet by the coolies, and containing sundry bottles of soda-water.

ONE:Only one entrance to the temple remains, built of polished red stone mingled harmoniously with marble, toned by time to a warm golden hue almost rose-colour. All the profusion of Indian design is lavished on this gateway framing the marvel erected by Pal. Tangles of interlacing letters incised and in relief, mingling with trails of flowers as lissom as climbing plants, and supporting figures of gods; while a fine powdering of white dust over the dimmed warm yellow of marble and sandstone softens yet more the carved flowers and sinuous patterns, amid which the images sit in tranquil attitudes.The draught-oxen all had their horns painted[Pg 134] in gaudy colours, generally one horn blue and the other green.

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THREE:

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ONE:

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THREE:One of these mausoleums served us for a bungalow. The distance was visible from the window openings, which were fringed with cuscus blinds[Pg 39] that would be pulled down at night: the spreading dark plain, broken by gleaming pools, and dotted with the lamps in the temples to Vishnu, of which the cones were visible in silhouette, cutting the clear horizon.

ONE:The south-western side of the great rock of Gwalior is hewn into temples sheltering gigantic statues of Tirthankar; there are the usual bas-reliefs all over the walls, idols squatting under canopies and pagodas, slender columns supporting arches, standing out in contrast with the ochre-coloured stone. Other temples, vast halls as at Ellora��a vale of pagodas, "the happy valley"��have all disappeared under the picks of engineers, to make a dusty road to the new town of bungalows all adobe and straw thatch.

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A woman on the river-bank was flinging into the water, with devout unction, scraps of paper on which the name of Rama was written, rolled up in a paste made of flour. Not far from her another woman was praying; she stopped to wash her copper cooking-pots, then prayed again; gave her baby a bath, and then, squatting on the lowest step, prayed once more, and for a long time, after which she picked up her pots and her little one and went her way.

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In the afternoon the soldiers tilted on horseback, four on a side. They tried to unhorse each other; two or three would attack one, succeeding at last in rolling him off under his charger, while they in their turn were attacked by others, ending in a m��l��e, where the victors and the vanquished left fragments of their thin shirts.

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