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THREE: FORE:M. de Saint-Aubin, meanwhile, whose affairs, which grew worse and worse, were probably not improved by his mismanagement nor by the residence of his wife and daughter in Paris, stayed in Burgundy, coming every now and then to see them. Mlle. de Mars had left them, to the great grief of F��licit��, who was now fourteen, and whom the Baron de Zurlauben, Colonel of the Swiss Guards, was most anxious to marry; but, as he was eighty years old, she declined his offer, and also another of a young widower who was only six-and-twenty, extremely handsome and agreeable, and had a large fortune.The Comte d��Artois appealed to the Queen and the Comte de Provence, who went to intercede for him with the King. Louis, irritated by the vehemence with which Marie Antoinette took the part of the Comte d��Artois, asked her whether she knew what he wanted the money for, and on her replying that she did not, proceeded to tell her. The Queen looked thunderstruck, gave way to a torrent of indignation against the conduct of the Comte d��Artois, and left the room. But Louis, instead of abiding by the decision he had so vehemently announced, allowed himself to be persuaded by the Comte de Provence and his aunts to revoke everything he had said, and do everything he had inveighed against. The Comte d��Artois was not punished and the disgraceful debts were paid.

THREE:When the Empress returned from Czarskoiesolo she desired Mme. Le Brun to paint the portraits of the Grand Duchesses Alexandrine and Helena, daughters of the Tsarevitch, then fourteen and thirteen years old, and afterwards that of the Grand Duchess Elizabeth, wife of Alexander, eldest grandson of the Empress, the young girl she had [134] seen on her first visit to Czarskoiesolo, by whom she was completely fascinated.Mme. de Fontenay became impatient, for the sittings appeared to be interminable, and at last M. de Fontenay begged several of his friends to go and look at the portrait of his wife and give their opinion while it was still in the studio. It was in consequence more crowded than usual one day when M. de Fontenay, being also present, was joining in a conversation going on about David and his pictures. FORE:

THREE:��It is you who will embrace me! Open the door! Open the door!�� FORE:But T��r��zia had nearly lost all hope. She had waited and waited, always expecting help��for Tallien was powerful among the leaders of the government. But when she was taken from the Carmes back to La Force, she knew that her time had come, and now the gaoler had told her that it [332] was not worth while to make her bed, as it was to be given to another.David, Chardin, the celebrated genre painter, Van Loo, G��rard, La Tour, Joseph Vernet, and many others were flourishing. Louis Vig��e was also an artist. He painted portraits in pastel, of which his daughter says that they were extremely good, many of them worthy of the famous La Tour; also charming scenes after the style of Watteau, in oil.