FORE:From the Picture by T. R. HARDY.Napoleon's grand army had now dwindled down to twelve thousand men, with about thirty thousand stragglers, who added little to his strength. They were in Poland, and provisions were now more abundant; but they had still to cross the Beresina, and at this moment he heard of the fall of Minsk, and that Victor and Oudinot, instead of attacking Wittgenstein, had quarrelled about the manner of doing it, and so had not done it at all. Wittgenstein and Kutusoff were thus at liberty to attack his flanks, and Tchitchagoff to occupy the Beresina before him. On this, he turned from the route to Minsk and made for Borissov. At Borissov was a bridge of three hundred fathoms in length, and this he had sent Dombrowski to secure and hold; but now he heard of Dombrowski's defeat, that the bridge was in the hands of the Russians, and that they had broken it down. In his agony, he stamped his cane on the ground, and exclaimed, looking upwards"Is it, then, written that we shall commit nothing but errors?"
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FORE:Samuel Taylor Coleridge (b. 1772; d. 1834) published his earliest poems in association with his friends, Wordsworth, Charles Lloyd, and Charles Lamb. But his contributions, especially of the "Ancient Mariner," soon pointed them out as belonging to a genius very different. In his compositions there is a wide variety, some of them being striking from their wild and mysterious nature, some for their elevation of both spirit and language, and others for their deep tone of feeling. His "Genevive," his "Christabel," his "Ancient Mariner," and his "Hymn in the Vale of Chamouni," are themselves the sufficient testimonies of a great master. In some of his blank verse compositions the tone is as independently bold as the sentiments are philosophical and humane. Besides his own poetry, Coleridge translated part of Schiller's "Wallenstein," and[187] was the author of several prose works of a high philosophical character. Southey was as different from Coleridge in the nature of his poetical productions as Coleridge was from Wordsworth. In his earliest poems he displayed a strong resentment against the abuses of society; he condemned war in his poem on "Blenheim," and expressed himself unsparingly on the treatment of the poor. His "Botany Bay Eclogues" are particularly in this vein. But he changed all that, and became one of the most zealous defenders of things as they are. His smaller poems are, after all, the best things which he wrote; his great epics of "Madoc," "Roderick, the Last of the Goths," "The Curse of Kehama," and "Thalaba," now finding few readers. Yet there are parts of them that must always charm.
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FORE:
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