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In the further room were four sufferers past all hope: one in the anguish of delirium that made him cry out the same words again and again, in a hoarse voice that was growing fainter. He was held by two attendants. Another lay with chattering teeth; a third was struggling violently, hidden under his coverlet; the fourth seemed unconscious, apathetic.On entering this portal, lo, a miraculous vision! At the end of an avenue of dark cypress trees stands the tomb of Mumtaj-Mahal, a dream in marble, its whiteness, crowned by five cupolas that might be pearls, mirrored in a pool edged with pink stone and borders of flowers.At a stopping-place a flock of sheep huddled together in terror, hens scuttered about clucking anxiously, the stable dogs crouched and slunk; high overhead a large eagle was slowly wheeling in the air.

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TWO:The young prince then goes on his way in search of the magical flower. He is about to rest awhile in a cavern, but at the moment when he lies down on a stone it is transformed into a monster made of bladder, which rears itself enraged in the air with a trumpet-cry. By good luck the king's son calls upon the aid of the prophet Suleiman, whom the dragon also reveres, and the pacified monster conveys Tazulmulook to the garden of Bakaoli, and, moreover, gives him a ring which will be a talisman in danger.[Pg 231]

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THREE:In the midst of a large room crowded with women in light-hued sarees, the bridegroom takes his seat between two tables, on which are large trays of rice. Facing him is a chair, and one is occupied by the bride, who is brought in by a party of girls. She is scarcely fourteen, all in white; on her head is a veil of invisibly fine muslin ten folds thick; it enfolds her in innocence, and is crowned with sprays of myrtle blossom.

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THREE:

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THREE:[Pg 201]

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THREE:The Rajah being absent we were allowed to see everything. On the upper floor is the Ranee's dressing-room. All round the large room were glass wardrobes, in which could be seen bodices in the latest Paris fashion, and ugly enough; and then a perfect rainbow of tender opaline hues: light silks as fine as cobwebs, shawls of every dye in Cashmere wool with woven patterns, and[Pg 53] gauze of that delicate rose-colour and of the yellow that looks like gold with the light shining through, which are only to be seen in Indiaroyal fabrics, dream-colours, carefully laid up in sandal-wood and stored behind glass and thick curtains, which were dropped over them as soon as we had looked. And crowding every table and bracket were the most childish thingsscreens, cups and boxes in imitation bronze, set with false stonesthe playthings of a little barbarian. A coloured photograph stood on the toilet-table between brushes and pomatum-pots; it represented the mistress of this abode, a slender doll without brains, her eyes fixed on vacancy.

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THREE:Squeezed in and crushed between houses that tower above it, rises the pointed dome of Biseshwar Matti, covered with leaves of chased gold; smaller cones surround the principal dome, bristling with tiny pyramids of gold, carved into flowers round statues of Kali with her eight arms, of Ganesa, and of peacocks with spread tails. Under this splendid cupola, dazzlingly bright against the sky,[Pg 156] the temple itself is quite small, and strictly closed against the unbeliever. Some pious hands had hung chains of jasmine and roses above the entrance, and they gave a touch of beauty to the stonework, very old, and soiled with large stains of oil. A sense of intense piety hangs about this sanctuary, subdues every voice, and bends the head of every passer-by in reverence of the mystery, and they all bring flowers.

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THREE:Opposite the hotel, beyond the tennis club, is a sort of no-man's-land, where carriages are housed under tents. Natives dust and wash and wipe down the carriages in the sun, which is already very hot; and the work done, and the carriages under cover, out come swarms of little darkies, like ants, who squall and run about among the tents till sunset.

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TWO:

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THREE:

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THREE:From the summit we looked down over a panorama of the town, set out in square blocks sunk in the verdure of palms, bamboos, and banyans. At our feet was the cupola of the temple of Siva, all gold, and covered with bosses, the edges of the mouldings catching the sun. Besides this a number of coloured domes, painted in pale shades faded by the sunshine, descended the almost perpendicular incline down to the bazaar, where the throng was beginning to stir like white ants, of slow gait and deliberate gestures, their light-hued dhoutis flitting about the stalls for drink and fruit. Far away, beyond the bright green rice-fields, and against the horizon of intensely blue hills, the rocks stand outFrench rocks and Golden rockswhere the treasure of the conquered natives was distributed to English soldiers. It might almost be fancied that a glow of metal still shines on the smooth stone, a warm, yellow stone bathed in sunshine.The temples were already closed, but my servant, Abibulla, diverted the attention of the gatekeeper, and I stole unseen into the outer precincts.

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THREE:

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TWO:The heat to-day has suddenly become stifling; the low clouds veil the colourless sun, and the flowers, which yesterday were still lovely, are now[Pg 278] withered and pallid, and only give out their scent in the evening, when it is cool again.The Jumna Musjid, in the middle of the bazaar, is a reminder of the mosque at Cordova. A thousand[Pg 63] unmatched columns stand in utter confusion of irregular lines, producing a distressing sensation of an unfinished structure ready to fall into ruins. Every style is here, and materials of every description, brought hitheras we are told by the inscription engraved over one of the lofty pointed doorwaysfrom the temples of the unbelievers destroyed by Shah Mahmoud Bogarat, the taker of cities, that he might, out of their remains, raise this mosque to the glory of Allah. In the centre of the arcade a large flagstone covers the Ja?n idol, which was formerly worshipped here; and my servant Abibulla, as a good Moslem, stamped his foot on the stone under which lies the "contemptible image." Some workmen were carving a column; they had climbed up and squatted balanced; they held their tools with their toes, just chipping at the marble in a way that seemed to make no impression, chattering all the time in short words that seemed all of vowels.

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The ground here and there is stained with large pink patches of a disinfectant, smelling of chlorine,[Pg 9] strewn in front of the house where anyone lies dead. And this of itself is enough to recall to mind the spectre of the plague that is decimating Bombay; in this excitement, this turmoil of colour and noise, we had forgotten it.Elephants came along, stepping daintily, but filling the whole width of the street, looking, with one little slanting eye cocked, as if they were laughing at the foot-passengers who were compelled to squeeze against the wall.First went six armed regulars, then a party on horseback, for the most part Persians, one of whom was carrying in his arms an enormous sheaf of roses, which hid him completely and drooped over the saddle.At our feet lay old Gwalior, sacked again and again, and as often rebuilt out of its own ruins;[Pg 202] and now the princely residences, all of marble wrought in almost transparent lacework, serve to shelter wandering cattle.In the distance we heard a sound of pipes, and the merchant hastened out to call the nautch-girls, who began to dance in the street just below us, among the vehicles and foot-passengers. There were two of them; one in a black skirt spangled with silver trinkets, the other in orange and red with a head-dress and necklace of jasmine. They danced with a gliding step, and then drew themselves up with a sudden jerk that made all their frippery tinkle. Then the girl in black, laying her right hand on her breast, stood still, with only a measured swaying movement of her whole body, while the dancer in yellow circled round, spinning as she went. Next the black one performed a sort of goose-step with her feet on one spot, yelling a so-called tune, and clacking her anklets one against the other. Then, after a few high leaps that set her saree flying, the dance was ended; she drew a black veil over her head, and turned with her face to the wall. The other boldly asked for backsheesh, held up her hands, and after getting her money, begged for cakes and sugar.
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