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Its name comes from three words, "jin," meaning man; "riki," power; and "sha," carriage: altogether it amounts to "man-power-carriage." It is a little vehicle like an exaggerated baby-cart or diminutive one-horse chaise, and has comfortable seating capacity for only one person, though it will hold two if they are not too large. It was introduced into Japan in 1870, and is said to have been the invention of an American. At all events, the first of them came from San Francisco; but the Japanese soon set about making them, and now there are none imported. It is said that there are nearly a hundred thousand of them in use, and, judging by the abundance of them everywhere, it is easy to believe that the estimate is not too high. The streets are full of them, and, no matter where you go, you are rarely at a loss to find one. As their name indicates, they are carriages drawn by men. For a short distance, or where it is not required to keep up a high speed, one man is sufficient; but otherwise two, or even three, men are needed. They go at a good trot, except when ascending a hill or where the roads are bad. They easily make four and a half or five miles an hour, and in emergencies can do better than the last-named rate.

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In the interior of Japan a traveller on the great roads, and on the smaller ones too, will sometimes see a runner carrying a couple of open pans, slung at the ends of a pole over his shoulder. He will observe that these pans contain water, and that there is a single fish in each pan. The man goes at a rapid pace, and keeps his eyes on his burden, to make sure that the water is not spilled.It cost him a good deal to say that, but at every word his burden lightened, though his anxiety to know how she would deal with him increased.
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TWO:ANTICS OF THE HORSES. ANTICS OF THE HORSES. THREE:CHINESE PORCELAIN CLOISONN. CHINESE PORCELAIN CLOISONN.
TWO:Near the gateway was a pagoda or tower in seven stories, and it is said to be one of the finest in Japan. The Japanese pagoda is always built in an odd number of stories, three, five, seven, or nine, and it usually terminates, as does the one we are now contemplating, with a spire that resembles an enormous corkscrew more than anything else. It is of copper or bronze, and is a very beautiful ornament, quite in keeping with the edifice that it crowns. On its pinnacle there is a jewel, or something supposed to be one, a sacred emblem that appears very frequently in Japanese paintings or bronze-work. The edges of the little roofs projecting from each story were hung with bells that rang in the wind, but their noise was not sufficiently loud to render any inconvenience to the visitor, and for the greater part of the time they do not ring at all. The architecture of the pagoda is in keeping with that of the surrounding buildings, and thoroughly Oriental in all its features. THREE:As they walked away from the kosatsu they saw a group engaged in the childish amusement of blowing soap-bubbles. There were three persons in the group, a man and two boys, and the youngsters were as happy as American or English boys would have been under similar circumstances. While the man blew the bubbles, the boys danced around him and endeavored to catch the shining globes. Fred and Frank were much interested in the spectacle, and had it not been for their sense of dignity, and the manifest impropriety of interfering, they would have joined in the sport. The players were poorly clad, and evidently did not belong to the wealthier class; but they were as happy as though they had been princes; in fact, it is very doubtful if princes could have had a quarter as much enjoyment from the chase of soap-bubbles.
TWO:"No, but to-night I think you are taking that 'lower fork' you talk sometimes about. Of course, if you don't want to tell--" THREE:
TWO:"You mustn't do anything like that again," he muttered hoarsely. "Youmustletmeknowwhenyoufeel itcoming on."He bowed his head with a marvellous proud meekness, and left her. THREE:There was further delay. The bowler at the other end objected to the position of the Clockwork man. He argued, reasonably enough, that the non-participating batsman ought to stand quite clear of the wicket. The umpire had to be consulted, and, as a result of his decision, the Clockwork man was gently but firmly induced to move further away. He then remained, in the same attitude, at the extreme edge of the crease. His obtuseness was certainly remarkable, and comment among the spectators now became general and a trifle heated."But, darling, the Countess has been a good friend to me."
Top "Club that man over the head!" cried the sergeant of the guard, and one of his men swung a gun; but the Yankee sprang inside of its sweep, crying, "Sing her through, boys!" grappled his opponent, and hurled him back. In the same instant the sergeant called steadily, "Guard, ready--aim--"The Japanese lacquer of the present time is not so highly prized as that of the last or the previous century. It is not so well made, partly for the reason that the workmen have lost their skill in the art, and partly because labor is much more expensive now than formerly. The prices obtained for some of the specimens of this kind of work have been very high, but they are not enough to meet the advance that has been made in wages in the past few years. The manufacturers are anxious to turn their money as rapidly as possible, and consequently they do not allow their productions to dry thoroughly. To be properly prepared, a piece of lacquer should dry very slowly; and it used to be said that the best lacquer was dried under water, so that the process should not be too rapid. The article, whatever it may be, is first shaped from wood or papier-mach, and then covered with successive coatings of varnish or lacquer; this is made from the gum of a tree, or, rather, from the juice, and it is said to have the peculiar property of turning black from exposure to the air, though it is of a milky whiteness when it exudes from the tree. It can be made to assume various colors by the addition of pigments; and while it is in a fresh condition coatings of gold-leaf are laid on in such a way as to form the figures that the artist has designed. Every coating must be dried before the next is laid on; and the more elaborate and costly the work, the more numerous are the coatings. Sometimes[Pg 251] there may be a dozen or more of them, and pieces are in existence that are said to have received no less than fifty applications of lacquer. A box may thus require several years for its completion, as the drying process should never be hastened, lest the lacquer crack and peel when exposed to the air, and especially to heat. Good lacquer can be put into hot water without the least injury; but this is not the case with the ordinary article.Mr Keeling sat at one end of the varnished pitch-pine pew with his children in a row between him and their mother at the other end. There were large schedules of commandments on either side of the plain, bare table (miscalled an altar), so that everybody could see what was expected of him, while Dr Inglis told them what they could expect if they were not very careful. Next his father sat John, who, from the unfortunate accident of his being the youngest, went last into the pew, while Mr Keeling stood like an angry shepherd in the aisle to herd his family into the fold, just{3} above which rose the pulpit where Dr Inglis at this moment was speaking in a voice of icy conviction.Indeed, I hope you will do nothing so indelicate, said she.
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