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The ripe rice, in golden ears, is cut with sickles; a row of women in red gather it into sheaves, which men carry on their back, at once, to the next village, and there it is threshed out forthwith on floors but just swept.>At the top of Malabar Hill, in a garden with freshly raked walks and clumps of flowers edged with pearl-shells, stand five limewashed towers, crowned with a living battlement of vultures: the great Dokma, the Towers of Silence, where the Parsees are laid after death, "as naked as when they came into the world and as they must return to nothingness," to feed the birds of prey, which by the end of a few hours leave nothing of the body but the bones, to bleach in the sun and be scorched[Pg 30] to dust that is soon carried down to the sea by the first rains of the monsoon.Within the gateway, carved all over with foliage and rosettes, a footway, paved with bright mosaic, leads to the interior of the temple. All along a corridor, enormous prancing horses, mounted by men-at-arms, support the roof which is deeply carved all over, and at the foot of these giants a sacred tank reflects the sky. In front of us were gaps of black shadow, and far, far away, lamps, shrouded in incense, were twinkling behind the gratings. The fort, rising from a rock wall of rose-red sandstone, is reached by a series of drawbridges and bastions, now no longer needed and open to all comers."But rice is very good, and it is very dear, and some of them have been ill for three weeks.""It is made at thirty-five, twenty, fifteen rupees."They shoved it under water, but it presently rose to the surface and floated down the stream, followed by a flock of hawks that snatched at the burnt remains and fought over them in the air, while crocodiles below swam up and snapped at them, dragging them down in their enormous jaws, which appeared for a moment above the water.Under the archway by which we entered a cow crossed our path, her head decked with a tiara of peacock's feathers, and went her way alone for a[Pg 200] walk at an easy pace. Within the palace is a maze of corridors, and pierced carving round every room fretting the daylight. An inner court is decorated with earthenware panels set in scroll-work of stone. A slender colonnade in white marble is relieved against the yellow walls, and below the roof, in the subdued light of the deeper angles, the stone, the marble, the porcelain, take hues of sapphire, topaz, and enamel, reflections as of gold and mother-of-pearl. In a pavilion is a little divan within three walls, all pierced and carved; it suggests a hollow pearl with its sides covered with embroidery that dimly shows against the sheeny smoothness of the marble. The effect is so exquisitely soft, so indescribably harmonious, that the idea of size is lost, and the very materials seem transfigured into unknown substances. One has a sense as of being in some fairy palace, enclosed in a gem excavated by gnomes��a crystal of silk and frost, as it were, bright with its own light.

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