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THREE:In addition to its system of intermediate duties, the Stoic ethics included a code of casuistry which, to judge by some recorded specimens, allowed a very startling latitude both to the ideal sage and to the ordinary citizen. Thus, if Sextus Empiricus is to be believed, the Stoics saw nothing objectionable about the trade of a courtesan.65 Chrysippus, like Socrates and Plato, denied that there was any harm in falsehoods if they were told with a good intention. Diogenes of Seleucia thought it permissible to pass bad money,66 and to30 sell defective articles without mentioning their faults;67 he was, however, contradicted on both points by another Stoic, Antipater. Still more discreditable were the opinions of Hecato, a disciple of Panaetius. He discussed the question whether a good man need or need not feed his slaves in a time of great scarcity, with an evident leaning towards the latter alternative; and also made it a matter of deliberation whether in case part of a ship��s cargo had to be thrown overboard, a valuable horse or a worthless slave should be the more readily sacrificed. His answer is not given; but that the point should ever have been mooted does not say much for the rigour of his principles or for the benevolence of his disposition.68 Most outrageous of all, from the Stoic point of view, is the declaration of Chrysippus that Heracleitus and Pherecydes would have done well to give up their wisdom, had they been able by so doing to get rid of their bodily infirmities at the same time.69 That overstrained theoretical severity should be accompanied by a corresponding laxity in practice is a phenomenon of frequent occurrence; but that this laxity should be exhibited so undisguisedly in the details of the theory itself, goes beyond anything quoted against the Jesuits by Pascal, and bears witness, after a fashion, to the extraordinary sincerity of Greek thought.70

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

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Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede

THREE:A similar vein of thought runs through the moral and religious philosophy of Lucretius. If we look on him as a reformer, we shall say that his object was to free life from the delusions with which it had been disfigured by ignorance and passion. If we look on him as an artist, we shall say that he instinctively sought to represent life in the pure and perfect beauty of its naked form. If we look on him as a poet, we shall say that he exhibits all the objects of false belief no longer in the independence of their fancied reality, but in their place among other vital phenomena, and in due subordination112 to the human consciousness whose power, even when it is bound by them, they reveal. But while the first alternative leaves him in the position of a mere imitator or expositor who brings home no lessons that Epicurus had not already enforced with far greater success, the other two, and above all the last, restore him to the position of an original genius, who, instead of deriving his intuitions from the Epicurean system, adopts just so much of that system as is necessary to give them coherence and shape. It may, no doubt, be urged, that were life reduced to the simple expression, the state of almost vegetative repose, demanded by Lucretius, denuded of love, of ambition, of artistic luxury, of that aspiration towards belief in and union with some central soul of things, which all religions, more or less distinctly embody, its value for imaginative purposes would be destroyed; and that the deepest lesson taught by his poem would not be how to enjoy existence with the greatest intensity, but how to abandon it with the least regret. Now it is just here that the wonderful power of poetry comes in, and does for once, under the form of a general exposition, what it has to do again and again under the easier conditions of individual presentation. For poetry is essentially tragic, and almost always excites the activity of our imagination, not by giving it the assured possession of realities, but by the strain resulting from their actual or their expected eclipse. If Homer and the Attic tragedians show us what is life, and what are the goods of life, it is not through experience of the things themselves, but through the form of the void and the outline of the shadow which their removal or obscuration has produced. So also in the universal tragedy of the Roman poet, where the actors are not persons, but ideas. Every belief is felt with more poignant intensity at the moment of its overthrow, and the world of illusion is compensated for intellectual extinction by imaginative persistence as a conscious creation, a memory, or a dream. There is no mythological picture so splendidly painted as those in which Lucretius has shown us Mavors113 pillowed on the lap of Venus, or led before us the Idaean mother in her triumphal car. No redeemer, credited with supernatural powers, has ever enjoyed such an apotheosis as that bestowed by his worshipper on the apostle of unbelief. Nowhere have the terrible and mysterious suggestions of mortality been marshalled with such effect as in the argument showing that death no more admits of experience than of escape. What love-inspired poet has ever followed the storm and stress of passion with such tenderness of sympathy or such audacity of disclosure, as he to whom its objects were disrobed of their divinity, for whom its fancied satisfaction was but the kindling to insaner effort of a fatally unquenchable desire? Instead of being ��compelled to teach a truth he would not learn,�� Lucretius was enabled by the spirit of his own incomparable art to seize and fix for ever, in bold reversal of light and shade, those visions on which the killing light of truth had long before him already dawned.

Complimenten, bewonderend gefluit en lonkende blikken zijn enkele risico’s die The Garment Club met zichlaim meebrengt. Onze enige missiede