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ONE:At night, in the crowded station, a guard of honour was waiting, composed of sepoys. There was shouting among the crowd, a fanatical turmoil, a storm of orders, and heavy blows. Some great[Pg 93] magnate got out of the train, surrounded by secretaries and officers. The soldiers, bearing torches, attended him to his carriage; they remounted their horses, following the vehicle, in which a light dress was visible. Very fast, and with a great clatter, they rode away into the silent night fragrant with rich scents; they were lost under the trees to reappear in the distance on a height, the torches galloping still and the smoke hanging in a ruddy cloud above the bright steel and the white cruppers. Then, at a turn in the road, they all vanished. THREE:The external decoration is broken by broad flat panels, incised in places so delicately that the patterns look like faded fresco, scarcely showing against the gold-coloured ground of yellow stone. In front of the Kailas stand two tall obelisks, carved from top to bottom with an extraordinary feeling for proportion which makes them seem taller still, and two gigantic elephants, guardians of the sanctuary,[Pg 42] heavy, massive images of stone, worm-eaten by time into tiny holes and a myriad wrinkles, producing a perfect appearance of the coarse skin of the living beast.

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ONE:There are women, too, in the throng of men, but fewer in number. Parsee ladies, draped in light sarees of pale-hued muslin bordered with black, which shroud them entirely, being drawn closely over the narrow skirt, crossed several times over the bosom, and thrown over the right shoulder to cover the head and fall lightly on the left shoulder. Hindoo women, scarcely clothed in red stuff, faded in places to a strong pink; a very skimpy bodice, the chol, embroidered with silk and spangles, covers the bust, leaving the arms and bosom free; a piece of thin cotton stuff, drawn round the legs and twisted about the waist, covers the shoulders and head, like a shawl. On their wrists and ankles are silver bangles; they have rings on their fingers and toes, broad necklaces with pendants, earrings, and a sort of stud of gold or copper, with coloured stones, through the left nostril. They go barefoot, pliant[Pg 8] forms avoiding the jostling of the crowd, and carrying on their head a pile of copper pots one above another, shining like gold, and scarcely held by one slender arm with its bangles glittering in the sun. The tinkle of the nanparas on their ankles keeps time with their swinging and infinitely graceful gait, and a scent of jasmine and sandal-wood is wafted from their light raiment. Moslem women, wrapped from head to foot in sacks of thick white calico, with a muslin blind over their eyes, toddle awkwardly one behind the other, generally two or three together. Native children beg, pursuing the passenger under the very feet of the horses; their sharp voices louder than the hubbub of shouts, bells, and gongs, which exhausts and stultifies, and finally intoxicates the brain.
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ONE:BOMBAY
THREE:

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THREE:Then the dancing began again, interrupted for a minute by the call of the night-watchman as he went past carrying a long bamboo. He paused for a moment to watch the performance, and then was lost in the darkness.

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FORE:Mystery broods over this ruined past; grandeur seemed to rise up in the sunset glow. We went[Pg 101] down the hill, while behind us a saffron haze veiled the Royal Hill, effaced every detail of architecture, and shed over all an amethystine halo.

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FORE:

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FORE:"It must be the tax-collector to bring such a mob together."At a stopping-place a flock of sheep huddled together in terror, hens scuttered about clucking anxiously, the stable dogs crouched and slunk; high overhead a large eagle was slowly wheeling in the air.

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FORE:Further yet lay the artificial lake of Meer Alam, reflecting the palace of Baradari and the russet plain, infinite as far as the eye could reach towards the north, where other superb mausoleums were visible in their whiteness.

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FORE:On the sloping bank to the river stood a large wooden mosque falling into ruins. In front of this building was a plot full of tombstones, some overthrown, some still standing on the declivity.

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FORE:HYDERABADDOMEL

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All the day long a quantity of medus? have surrounded the ship: white, as large as an ostrich's egg, with a pink or lilac heart, like a flower; others of enormous size, of a paler blue than the sea, fringed[Pg 2] with intense and luminous greena splash of light on the dusk of the deep. Others, again, white, blossoming with every shade of rose and violet. Then, towards evening, myriads of very small ones, thickening the water, give it a yellowish tinge, clinging to the ship's side, rolling in the furrow of its wake, a compact swarm, for hours constantly renewed; but they have at last disappeared, leaving the sea clear, transparent, twinkling with large flecks of phosphorescence that rise slowly from the depths, flash on the surface, and die out at once under the light of the sky.At sunset, when the glow fired the stones to a semblance of transparent, burning light, at the top of one of the flights of steps rising from the river to the town, and in front of a gate with large brass nails, glittering like sparks, the figure appeared of a holy beggar in yellow rags, with a copper jar blazing with reflected light; he was set in a halo of gold, and looked like the vision of some pagan god. He stood motionless for a[Pg 172] long time, and then, as the last sunbeam went out, he vanished beyond the fire-studded gate, while all the scene faded into rosy lilac, rapidly dying into blue night.The train, now travelling northwards again, ran for a long way across the scorched plain through groves of dead trees and sandhills covered with lichen, till, in the golden sunset close to Gwalior, suddenly, at the foot of a hill, we came upon the greenery of fine parks with palaces rising above cool marble tanks.
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