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THREE:They had three or four hours to spare before sunset, and at once set about the business of sight-seeing. Their first visit was to the temple on the island, and they were followed from the landing by a crowd of idle people, who sometimes pressed too closely for comfort. There was an avenue of trees leading up to the temple, and before reaching the building they passed under a gateway not unlike those they had seen at the[Pg 406] temples in Kioto and Tokio. The temple was not particularly impressive, as its architectural merit is not of much consequence, and, besides, it was altogether too dirty for comfort. There was quite a crowd of priests attached to it, and they were as slovenly in appearance as the building they occupied. In the yard of the temple the strangers were shown the furnaces in which the bodies of the priests are burned after death, and the little niches where their ashes are preserved. There were several pens occupied by the fattest pigs the boys had ever seen. The guide explained that these pigs were sacred, and maintained out of the revenues of the temple. The priests evidently held them in great reverence, and Frank intimated that he thought the habits of the pigs were the models which the priests had adopted for their own. Some of the holy men were at their devotions when the party arrived, but they dropped their prayer-books to have a good look at the visitors, and did not resume them until they had satisfied their curiosity."In the first place, the bowl of plain porcelain is ground, so that the enamel will stick closely, which it would not do if the surface were glazed. Then the artist makes a design, on paper, of the pattern he intends putting on the bowl. When his design is finished, he lays it on a flat surface, and takes little pieces of brass wire which has been passed between rollers so that it becomes flattened; these he bends with pincers, so that they take the shape of the figure he wants to represent. Thus he goes over his whole design until every part of the outline, every leaf, flower, and stem��in fact, every line of his drawing��is represented by a piece of wire bent to the exact shape. The wire then forms a series of partitions; each fragment of it is a cell, or cloison, intended to retain the enamel in place and keep the colors from spreading or mingling. That is the first step in the work.