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THREE:But it was not merely in the writings of professed philosophers that the new aspect of Platonism found expression. All great art embodies in one form or another the leading conceptions of its age; and the latter half of the seventeenth century found such a manifestation in the comedies of Moli��re. If these works stand at the head of French literature, they owe their position not more to their author��s brilliant wit than to his profound philosophy of life; or rather, we should say that with him wit and philosophy are one. The comic power of Shakespeare was shown by resolving the outward appearances of this world into a series of dissolving illusions. Like Spinoza and Malebranche, Moli��re turns the illusion in, showing what perverted opinions men form of themselves and others, through misconceptions and passions either of spontaneous growth or sedulously fostered by designing hands. Society, with him, seems almost entirely made up of pretenders and their dupes, both characters being not unfrequently combined in the same person, who is made a victim through his desire to pass for what he is not and cannot be. And this is what essentially distinguishes the art of Moli��re from the New Comedy of Athens, which he, like other moderns, had at first felt inclined to imitate until the success of the Pr��cieuses Ridicules showed him where his true opportunities lay. For the New Comedy was Aristotelian where it was not simply humanist; that is415 to say, it was an exhibition of types like those sketched by Aristotle��s disciple, Theophrastus, and already prefigured in the master��s own Ethics. These were the perennial forms in a world of infinite and perishing individual existences, not concealed behind phenomena, but incorporated in them and constituting their essential truth. The Old Comedy is something different again; it is pre-philosophic, and may be characterised as an attempt to describe great political interests and tendencies through the medium of myths and fables and familiar domesticities, just as the old theories of Nature, the old lessons of practical wisdom, and the first great national chronicles had been thrown into the same homely form.572

"At vero eos et accusamus et iusto odio dignissimos ducimus qui blanditiis praesentium voluptatum deleniti atque corrupti quos dolores et quas molestias excepturi sint occaecati cupiditate non provident, similique sunt in culpa qui officia deserunt mollitia animi, id est laborum et dolorum fuga.

THREE:IX.

THREE:Meanwhile the morality of Stoicism had enlisted a force of incalculable importance on its behalf. This was the life and death of the younger Cato. However narrow his intellect, however impracticable his principles, however hopeless his resistance to the course of history, Cato had merits which in the eyes of his countrymen placed him even higher than Caesar; and this impression was probably strengthened by the extraordinary want of tact which the great conqueror showed when he insulted the memory of his noblest foe. Pure in an age of corruption, disinterested in an age of greed, devotedly patriotic in an age of selfish ambition, faithful unto death in an age of shameless tergiversation, and withal of singularly mild and gentle character, Cato lived and died for the law of conscience, proving by his example that if a revival of old Roman virtue were still possible, only through the lessons of Greek philosophy could this miracle be wrought. And it was equally clear that Rome could only accept philosophy under a form harmonising with her ancient traditions, and embodying doctrines like those which the martyred saint of her republican liberties had professed.

• Temporibus autem quibusdam
• Et aut officiis debitis aut
• Necessitatibus saepe eveniet
• Ut et voluptates repudiandae
• Molestiae non recusandae earum
• Rerum hic tenetur a sapiente delectus