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TWO:Still more impressive, if we consider the writings of Plotinus on their personal side, and as a revelation of their author��s mind, is the high and sustained purity, the absolute detachment and disinterestedness by which they are characterised throughout. No trace of angry passion, no dallying with images of evil, interferes to mar their exalted spirituality from first to last. While the western world was passing through a period of horror and degradation such as had never been known before, the philosopher took refuge in an ideal sphere, and looked down on it all with no more disturbance to his serenity than if he had been the spectator of a mimic performance on the stage.504 This, indeed, is one of340 the reasons why the Enneads are so much less interesting, from a literary point of view, than the works of the Roman Stoics. It is not only that we fail to find in them any allusions even of the faintest kind to contemporary events or to contemporary life and manners, such as abound in Seneca and Epict��tus, but there is not the slightest reference to the existence of such a thing as the Roman empire at all. One or two political illustrations occur, but they are drawn from old Greek city life, and were probably suggested by Plato or Aristotle.505 But this tremendous blank is so perfectly in keeping with the whole spirit of Neo-Platonism as to heighten instead of lowering its aesthetic effect. In studying the philosophy of the preceding centuries, to whatever school it may belong, we have the image of death always before our eyes; and to fortify us against its terrors, we are continually called upon to remember the vanity of life. This is the protest of thought against the world, just as in Lucian and Sextus we hear the protest of the world against thought. At last the whole bitter strife comes to an end, the vision of sense passes away,

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TWO:Another noteworthy circumstance is that the last centuries of Paganism were on the whole marked by a steady literary decline. To a literary man, this meant that civilisation as a whole was retrograding, that it was an effete organism which could only be regenerated by the infusion of new life from without; while, conversely, the fresh literary productivity of mediaeval and modern Europe was credited to the complete renovation which Christianity and the Barbarians were supposed to have wrought. A closer study of Roman law has done much to correct this superficial impression. It has revealed the existence, in at least one most important domain, of a vast intellectual and moral advance continued down to the death of Marcus Aurelius. And the retrograde movement which set in with Commodus may be fairly attributed to the increased militarism necessitated by the encroachments of barbarism, and more directly to the infusion of barbarian elements into the territory of the empire, rather198 than to any spontaneous decay of Roman civilisation. The subsequent resuscitation of art and letters is another testimony to the permanent value and vitality of ancient culture. It was in those provinces which had remained least affected by the northern invasion, such as Venetia and Tuscany, that the free activity of the human intellect was first or most fruitfully resumed, and it was from the irradiation of still unconquered Byzantium that the light which re-awakened them was derived.Soon Jeff dropped low, diminished the throb of the engine, cruising while Larry kept watch.