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Here, once more, is the spectre of the mutiny that broke out in the Residency, of which the ruins may be seen in the middle of a park intersected by watercourses, the English flag still proudly waving over them.

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All the men carry fighting quails in little cages made of a net stretched over a wooden tray and cone-shaped at top. Towards evening, in the shade of the houses, at the street corners, in the courtyardseverywhere, there is a group betting on the chances of a fight. The birds taken out of the cages at first turn slowly round each other, their beaks close together. Then a spring, a flutter of wings and flying feathers; the quails strike and peck, aiming at the head, and then suddenly they seem quite indifferent and turn round and round again, picking up grain from the ground. When a[Pg 284] bird is killed at the end of a battle, its eyes blinded and its breast torn open, it is considered a fine, a noble spectacle, and amateurs will talk of it for a long time. As a rule, after a few rounds one of the birds tries to get away. Then its owner pricks its neck with a knife, and the gasping creature dies slowly in the dust, the blood oozing drop by drop.In the twilight of the great galleries the gods are assembled in groups, standing or sitting, rigid or contorted into epileptic attitudes, and thin bodies of human aspect end in legs or arms resembling serpents or huge fins, rather than natural limbs: Kali, the eight-armed goddess, leaping in the midst of daggers, performing a straddling dance while she holds up a tiny corpse on the point of the short sword she brandishes; impassible Sivas wearing a tall mitre; Krishna playing the flute to the thousand virgins who are in love with him, and who fade into perspective on the panel. And every divinity has eyes of jade, or of white plaster, hideously visible against the pale grey stone softly polished by time.From the broad steps on the shore other narrower flights lead to archways and porticoes, or zigzag up to the lanes that make a gap of distant blackness in the light-hued mass of palaces and embankments.
ONE:On the very summit of the hill, all over the ravine which divided it from another, and which has been filled up at an enormous cost, and then on the top of that other hill beyond, temples are piled up, shining against the too-blue sky, with pointed roofs of stone, scorched by the sun or stained by the rain, and patterned with pale-hued lichens. Above each a spear stands up, impaling a metal ball. In infinite variety, differing in materials, style, and proportions, some quite small, as if they had sprouted round the base of others that are gigantic, there are here five thousand temples built by the faithful, who are incessantly erecting more, devoting great fortunes to the vanity of leaving a chapel that bears their name.

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TWO:In a central space was a hideous rajah, a benefactor, with his six wives, all gaudily coloured with jewels in coloured paper stuck on to the images, and all kneeling in attitudes of idiotic ecstasy, doubly absurd under the daubing of vermilion and indigo. These were greatly admired by my servant, a convinced connoisseur in Indian art. Further on we saw, on the ceiling of a polychrome corridor, monsters carved to fit the shape of squared beams ending in a griffin's or a bird's head.

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TWO:

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TWO:The bearer of Kali walked into the sacred river up to his knees, and then dropped the idol. The[Pg 143] Hindoos who had followed him fell prostrate in fervent prayer, hiding their face in their hands, and then flung after the goddess, now lost in the waters, all the baskets, jars, and flowers, to be carried down the stream. For a moment the silver paper crown which had floated up spun on the water that was spangled by the moon, and then it sank in an eddy.Then, as it began to grow a little cool, the inquiry was continued indoors, whither the table was removed with the papers and the weapons, and, with great care, the magistrate's "soda." The two culprits were brought in and out, and in and out again, sometimes alone, sometimes to be confronted with the witnesses, who, almost all of them, had the fresh stains of the festival on their garments.

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TWO:In the heart of Agra towards evening people were busy in the square of the Jumna Musjid stretching pieces of stuff over rather low poles to form a tent. Then in long file came the labourers from a famine-camp, with their sleep-walking gait, their glassy eyes, their teeth showing like those of a grinning skull. Rags in a thousand holes scarcely covered the horrors of their fleshless bodies.

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Children were selling whortleberries in plaited baskets; they came up very shyly, and as soon as they had sold their spoil hurried back to hide in their nook. Further on a little Afghan boy, standing alone and motionless by the roadside, held out three eggs for sale.The priests slowly mounted the stairs, the music died away in echoes more and more confused, ceasing at last, while the sacred animal, going off to the right at the foot of the steps, disappeared into its stable.The Rajah's residence, of plaster like the rest of the town, is pink too outside, but the interior is aggressive with paint of harsh colours. In the living rooms is shabby furniture, gilt chairs turned one over the other, as on the day after a ball. The curtains over the doors and windows are of silk,[Pg 214] but frayed and threadbare. In the shade of a marble court with carved columns, clerks are employed in counting moneyhandsome coins stamped with flowers and Indian characters, laid out in rows. They count them into bags round which soldiers mount guard.Immediately on entering we were in the maze of vaults, sanctuaries, great halls and arcades, where stall-keepers sell their goods, priests keep school, and flower-sellers wander. Statues, repeated in long rows, lead up to temples all alike, of a bewildering uniformity of architecture and identical decoration.
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