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Her last and only constant love affair was with the poet Lemercier, whose devotion never changed until her death in 1820, when she was forty-two years of age.

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MARIE DE VICHY-CHAMBRON, MARQUISE DU DEFFANDThe childhood of LisetteExtraordinary talentThe conventThe household of an artistDeath of M. VigeDespair of LisetteBegins her careerRe-marriage of her motherThe Dauphine.The characters of the four heroines form as strong a contrast as their circumstances, principles, and surroundings.
ONE:All sorts of preposterous stories were circulated about it and about them. Some said M. de Calonne had given Mme. Le Brun a number of bonbons, called papillottes, wrapped up in bank-notes; others that she had received in a pasty a sum of money large enough to ruin the treasury: the truth being that he had sent her, as the price of his portrait, four thousand francs in notes in a box worth about twenty louis, and this was considered by no means a high price for the picture. M. de Beaujon had given her eight thousand francs for a portrait of the same size a short time before, without anybody finding the least fault. The character of Calonne was such that no woman who cared about her reputation would wish her name to be connected with his.

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THREE:Mme. de Genlis had before pointed out to him this danger, but he was very anxious to be with his sister, the only one of his nearest relations left to him, and she did not like to press the matter. But he soon saw that they must separate. The magistrates at Zug behaved very well, saying that the little family gave no reason for complaint, on the contrary were kind to the poor, harmless and popular.The Abbesse de Montivilliers was one of the greatest abbesses in France, and was at the time this happened Mme. du Froulay, whose niece, Mme. de Crquy, then a pensionnaire in the abbey, relates the story.

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THREE:He was then living in the Luxembourg, and having made all preparations, he went to bed as usual and drew the curtains; the valet-de-chambre, who always slept in a bed rolled into his room, went away to undress. When he was gone, the Comte de Provence got up, passed into his dressing-room, where his devoted friend and confidant, M. dAvaray, awaited him and helped him to dress. Passing out by a small door that was not guarded, they got into a carriage waiting for them in the courtyard of the Luxembourg and drove away.Mme. Le Brun painted the portraits and went to the parties of the chief Roman families, but did not form many intimate friendships amongst them, for most of her spare time was spent with the unfortunate refugees from France, of whom there were numbers in Rome during the years she lived there. Many of them were her friends who had, like herself, managed to escape. Amongst these were the Duke and Duchess de Fitz-James and their son, also the Polignac family, with whom Mme. Le Brun refrained out of prudence from being too much seen, lest reports should reach France that she was plotting with them against [97] the Revolution. For although she was out of the clutches of the Radicals and Revolutionists her relations were still within their reach, and might be made to suffer for her.

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THREE:The ill-luck which seemed to follow the Dauphin had not forsaken him; a terrible catastrophe marked the ftes given in honour of his wedding. Some scaffolding in the place Louis XV. caught fire. The flames spread with fearful rapidity, a scene of panic and horror ensued, hundreds were burned or trampled to death by the frantic horses or maddened crowd; and with this terrible calamity began the married life of the boy and girl, the gloom and darkness of whose destiny it seemed to foreshadow. [71]

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ONE:Pauline took refuge with Mme. Le Rebours who was just establishing herself there with her family. She found letters from her mother and sister, a month old, telling her of the death of her great aunt, the Comtesse de la Mark, and her grandfather, the Duc de Noailles. Here she also heard of the murder of the Queen, and all these hardships and shocks made her very ill.Whatever religious teaching she may have received she had thrown off its influence and principles, and ardently adopted the doctrines of the Revolution. Freedom, not only from tyranny, but from religion, law, morality, restraint of any kind, was the new theory adopted by her and by the party to which she belonged.

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THREE:
THREE:Potemkin cannot be judged as a commonplace favourite, exalted or destroyed by a caprice; he represented the ambition of Russia in the eighteenth century; after his death Catherine could never replace that splendid and supple intelligence. [47]

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THREE:Catherine was the daughter of Prince Christian of Anhalt-Zerbst, and was sixteen years old when she was brought from the old castle among the lakes and forests of Germany to be married to Peter, son of Charles Frederic, Duke of Holstein-Gottorp, and Anne, eldest daughter of Peter the Great; [43] who had been adopted as heir by the Empress Elizabeth, his aunt, youngest daughter of Peter the Great, with whose grandson, Peter II., [44] the male line had ended.

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THREE:Before parting, after a month spent together, the three sisters composed a beautiful litany to be said by them in remembrance of their mother, sister, and grandmother. It opened with that sublime passage of scripture beginning with the words, The souls of the righteous are in the hands of God; there shall no torment touch them.

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