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TWO:Joseph Mallord William Turner (born in 1775) has been pronounced as "essentially the great founder of English landscape painting, the greatest poet-artist our nation has yet produced. He excelled in everythingfrom the mere diagram and topographic map to the most consummate truth and the most refined idealism. In every touch of his there was profound thought and meaning." He was unrivalled in storms; as Napoleon said of Kleber, "He wakes on the day of battle." The remark of Admiral Bowles, when looking at Turner's "Wreck of the Minotaur," conveyed the highest compliment to his art"No ship could live in such a sea." His "Man Overboard" is a still higher effort of genius, in conveying an expression of horror and utter despair. He was the best illustrator of our national poets. He made known to Englishmen[432] the beauties of their native land, and made them acquainted with the picturesque on the Continent. He gave our young artists love for colour, and made us the Venetians of the modern school. From "The fighting Temeraire tugged to her last Moorings," to "Wilkie's Burial," and the "Burning of the Houses of Parliament," he let no event of his age pass without record or comment. He died in 1851.The Austrians being again expelled from Italy, Buonaparte, in his all-absorbing cupidity, determined to turn adrift the Pope, and add his little vineyard to his now cumbrously overgrown Ahab's domains. He had begun this spoliation in 1808, seizing on the greater part of the Pontiff's territories; sending away his cardinals, and reducing him to little better than a solitary prisoner in his own palace. This was an ungrateful return to the poor old Pope for making the long journey into France to crown him, and thus to give a sacred sanction to his usurpation of the imperial crowna sanction of immense effect throughout the Catholic world. Pius VII. had given Buonaparte great offence by refusing to declare war on Great Britain, and thus keeping up a breach in his system of exclusion of British commerce. He had, therefore, already taken military possession of Civita Vecchia and Ancona, but he now resolved to take the whole temporal dominion from the Pope, and abrogate, by virtue of his assumed heirship of Charlemagne's realm, the gift of Charlemagne to the Church. On the 2nd of February, 1809, General Miollis, by order of Buonaparte, took possession of Rome, disarmed and disbanded the Pope's guard, and marched his other soldiers to the north, telling them they should no longer remain under the effeminate rule of a priest. Miollis then gave the Pontiff the alternative to join the French league, offensive and defensive, or to be deposed. The Pope firmly refused to concede his rights to anything but absolute force. On the 17th of May, therefore, Napoleon's decree for the deposition of the Pope from his temporal power was proclaimed. It assumed the heirship of Charlemagne to be in Buonaparte; declared the union of the spiritual and temporal powers to be the source of all scandals and discords in the Catholic Church; that they were, therefore, at an endthe Roman State for ever united to the French Empire. On the 10th of June Pius issued a bull excommunicating Buonaparte and all who aided him in his sacrilegious usurpation of the patrimony of St. Peter; and this was followed, on the 6th of July, by General Radet forcing the gates of the Vatican, taking possession of it with his troops, entering the presence of the Pope, who was amid his priests, and clad in his pontificals, and demanding that he should instantly sign a renunciation of all the temporal estates attached to the see of Rome. Pius declared that he neither could nor would perform any such sacrilegious act. He was then informed that he must quit Rome. Pius was detained at Savona three years, and was then removed to Fontainebleau.

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THREE:
FORE:There was a number of lady dramatists of this period. Mrs. Cowley wrote "The Runaway," "The Belle's Stratagem," "More Ways than One," etc.; Mrs. Brooke, Miss Marshall, Mrs. Lennox, and Miss Sophia Lee, all wrote successful plays; Mrs. Sheridan, the author of the Eastern story, "Nourjahad," was the writer of the successful comedies of "The Discovery" and "The Dupe." But the chief dramatist of this period was Richard Brinsley Sheridan, her son (b. 1751; d. 1816). He was equally distinguished as a politician, an orator, and a critic. Like Murphy, Macklin, and Cumberland, he was an Irishman. His dramas placed him at the head of all the writers for the stage of his time. They abounded with humour, wit, the smartest action, and knowledge of life and human nature. His splendid comedy of "The Rivals," written when he was not twenty-five, did not at first augur much success; but "The Duenna," which appeared the same year, carried with it at once the highest public favour; and his "School for Scandal," acted in 1777, raised his reputation to the utmost. He also wrote the farces of "The Critic," "The Trip to Scarborough," and "St. Patrick's Day." All these were issued before 1780, and after that he was too much involved in political affairs to renew this style of writing. Amongst his other labours for the theatre was the adaptation of "Pizarro," one of[181] Kotzebue's numerous plays. Sheridan first appeared before the world as the translator of "Arist?netus."

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FORE:Hardly had they arrived, when a discharge of cannon was heard. The Assembly was horror-struck; and the king exclaimed, "I assure you I have forbidden the Swiss to fire!" But he was interrupted by fresh reports of cannon, showing that a fierce conflict was taking place at the Tuileries. No sooner was the royal family gone than the gensdarmes and the National Guard fraternised with the people, and breaking open the chief gate with hatchets rushed into the court. They then formed in column, and turning the guns which had been left in the court on the palace, they called out to the Swiss within to give up the place to them, and they would be friends. The Swiss, to show their amicable disposition, threw cartridges out of the windows, but remained firm to their duty. Some of the mob, with long poles and hooks at the end, then dragged some of the Swiss out of the vestibule and murdered them. They next fired three of the cannon right into the palace, and the Swiss thereupon returned a smart fire of musketry. Those of the servants and courtiers that still remained in the palace now made haste to escape, if possible. Clry, one of the king's valets-de-chambre, who has left a vivid narrative of these events, escaped by dropping from a window upon the terrace. At the same moment the mob was breaking in at the grand entrance. They found a stout piece of timber placed as a barrier across the staircase, and the Swiss and some of the National Guard entrenched behind it; then commenced a fierce struggle; the barrier was forced, and the throng pushed back the Swiss up the staircase. These now fired a sharp volley, and the crowd fled, crying that they were betrayed. They were struck by another volley in their retreat, and the Swiss then descended into the court, made themselves masters of the cannon, and, firing, killed a great number. Had the Swiss followed their advantage and scoured the streets of the city, they would have completely trodden out this insurrection, releasing the royal family, and, had there been any one in command capable of it, he would have ended the Revolution as promptly as Buonaparte did afterwards. Buonaparte, then a poor lieutenant of artillery, was himself a spectator of the scene; and it was his opinion that the Swiss only wanted an adequate commander to crush the whole rebellion. But, by that fatality which attended all Louis XVI.'s affairs, at this moment arrived M. d'Hervilly from the Assembly with the king's order not to fire on the people, but to follow d'Hervilly to the Assembly. This was, in fact, to leave the palace at the mercy of the mob. Such as were in the court did follow d'Hervilly to the Assembly, where he promised them their lives and security under the protection of that body. At this sight the populace recovered their courage. The palace was attacked on both sides; the crowds every moment became greater, and the Swiss poured successive volleys upon them from the windows. Numbers fell dead before they forced an entrance; but this once effected, the crowd not only rushed in a dense mass up the great staircase, but dragged up cannon by main force to blow open the interior doors. For some time the Swiss made a stout stand against this raging mob; but being few against tens of thousands, and having exhausted their cartridges, they grounded their arms and called for quarter. They called in vain; the bloodthirsty sansculottes commenced a relentless massacre of them; women and children, armed with knives, assisted in their slaughter. The unhappy men, fixing their bayonets, drove the furious mass before them, resolving to cut their way through the Champs Elyses to Courbevoie, where was another detachment of their countrymen in barracks; but no sooner were they outside than they were surrounded and shot and cut down without mercy. Vainly did they cry for quarter; none was given. They then broke and fled in small parties, one of them seeking to gain the Assembly for protection; but they were butchered, nearly to a man, their heads stuck on pikes and paraded through the city.

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FORE:During this year little was done in America. General Bradstreet defeated a body of the enemy on the River Onondaga, and, on the other hand, the French took the two small forts of Ontario and Oswego.

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