Here she finished the portrait of the young Princess von Lichtenstein, as Iris. As she was represented with bare feet, her husband told Mme. Le Brun that when it was hung in his gallery, and the heads of the family came to see it, they were all extremely scandalised, so he had placed a pair of little shoes on the ground under it, and told the grand-parents they had dropped off.
I was in an open carriage with Madame Royale by my side, [140] MM. de Cond were opposite; my brother and the Duc de Berri rode by us ... the Duc dAngoulme was still in the south.... I saw nothing but rejoicing and goodwill on all sides; they cried Vive le Roi! as if any other cry were impossible.... The more I entreated Madame Royale to control her emotion, for we were approaching the Tuileries, the more difficult [474] it was for her to restrain it. It took all her courage not to faint or burst into tears in the presence of all these witnesses.... I myself was deeply agitated, the deplorable past rising before me.... I remembered leaving this town twenty-three years ago, about the same time of year at which I now returned, a King.... I felt as if I should have fallen when I saw the Tuileries. I kept my eyes away from Madame Royale for fear of calling forth an alarming scene. I trembled lest her firmness should give way at this critical moment. But arming herself with resignation against all that must overwhelm her, she entered almost smiling the palace of bitter recollections. When she could be alone the long repressed feelings overflowed, and it was with sobs and a deluge of tears that she took possession of the inheritance, which in the natural course of events must be her own.
She posed as a victim, talked of jealousy, slander, ingratitude, &c., and went on with her intimacy with the Duc de Chartres, who was at that time engaged in the most abominable intrigues and secret attacks upon the Royal Family, especially the Queen; and whether rightly or wrongly, Mme. de Genlis was supposed to be mixed up with them.[140]Capital letter T
