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All sorts of preposterous stories were circulated about it and about them. Some said M. de Calonne had given Mme. Le Brun a number of bonbons, called papillottes, wrapped up in bank-notes; others that she had received in a pasty a sum of money large enough to ruin the treasury: the truth being that he had sent her, as the price of his portrait, four thousand francs in notes in a box worth about twenty louis, and this was considered by no means a high price for the picture. M. de Beaujon had given her eight thousand francs for a portrait of the same size a short time before, without anybody finding the least fault. The character of Calonne was such that no woman who cared about her reputation would wish her name to be connected with his.

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The boy, however, drew on with unconcern, finished the body of the horse, drew the upper portion of the legs, and then with a few strokes of the pencil indicated water at the bottom of the sheet, and gave the impression of a horse bathing his legs and feet. [12]In this remote and delightful home they decided to stay for the present, and Pauline as usual spent much of her time looking after and helping the peasants, who followed her with their blessings as she went about.But it is confidently affirmed that Robespierre pursued Trzia, with even more than his usual vindictiveness. He begged the Marquis de la Valette, a ci-devant noble and yet a friend of his, to prevent the escape of this young woman whom they both knew, for the safety of the Republic. But M. de la Valette, although he was not ashamed so far to degrade himself as to be the friend of Robespierre, shrank from being the instrument of this infamy; and not only warned Trzia but offered her the shelter of his roof, which, for some reason or other, she declined. She was arrested and sent to La Force, one of the worst prisons of the Revolution, with the additional horror of being au secret. She had too many and too powerful friends to be sacrificed without difficulty and risk, and it was, in fact, his attack upon her that gave [321] the finishing blow to the tottering tyranny of Robespierre.
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It was on the 27th of July, 1794, that she started on a journey to see her father, who was living in the Canton de Vaud, near the French frontier. For two nights she had not slept from the terrible presentiments which overwhelmed her. Young de Mun went with her, and having slept at Moudon, they set off again at daybreak for Lausanne. As they approached the end of their journey they were suddenly aware of a char--banc coming towards [243] them in a cloud of dust, driven by a man with a green umbrella, who stopped, got down and came up to them. It was the Duc dAyen, now Duc de Noailles, but so changed that his daughter scarcely recognised him. At once he asked if she had heard the news, and on seeing her agitation, said hastily with forced calmness that he knew nothing, and told M. de Mun to turn back towards Moudon.When the Empress returned from Czarskoiesolo she desired Mme. Le Brun to paint the portraits of the Grand Duchesses Alexandrine and Helena, daughters of the Tsarevitch, then fourteen and thirteen years old, and afterwards that of the Grand Duchess Elizabeth, wife of Alexander, eldest grandson of the Empress, the young girl she had [134] seen on her first visit to Czarskoiesolo, by whom she was completely fascinated.The Comte dArtois did not hesitate to give 1,700 louis for a race horse, or to lose four or five hundred thousand francs in an evening at cards; and the Emperor Joseph II., when under the name of Count von Falkenstein he paid the celebrated visit to France and his sister, wherein he made himself so disagreeable and gave so much offence, was well justified in the contemptuous sarcasm with which he spoke of the squandering of the revenues in racing and gambling.The prison of the Carmes was a very different abode to Port Libre, and it was just at its worst time, but still Trzia used afterwards to declare that she, after a time, got accustomed to the horrors of the prison. The constant presence of death made them more and more callous, and they would play games together like children, even enacting the scenes of execution which they had every prospect of going through in reality. Their room, or cell, looked out into the garden, through a grating, into which, however, they could not go; a single mattress in a corner served for their bed.The late Dauphin was said to have regarded with especial affection the unlucky Duc de Berri, who was awkward, plain, brusque, and dull; but the favourite of Louis XV. was his youngest grandson, the handsome, mischievous Comte dArtois, in whom he recognised something of his own disposition, and upon whom he was often seen to look with a smile of satisfaction.
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