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手机成人在线_亚洲理论成人在线下载_吾爱成人在线福利_欧美成人在线看片

Here are carvers of painted wooden toysred[Pg 10] and green dolls, wooden balls, nests of little boxes in varied and vivid colours.

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So, after waiting for the reply of the gentleman whose business it was to give me this free pass, seeing that he could not make up his mind, I left the town without it.When the gate to the platform was opened there was a stampede, a fearful rush to the train; then the cars, once filled, were immediately shut on the noisy glee of those who were going.
ONE:[Pg 25] FORE:Very gradually the measure quickened, the pitch grew shriller, and with faster and freer movements the bayadres were almost leaping in a sort of delirium produced by the increasing noise, and the constantly growing number of lights.A Sikh, an old soldier, not long since bought a few acres of land; to pay for it he produced 800[Pg 281] rupees in silver, and on his wives, whom he brought with him, were 3000 rupees' worth of jewels. FORE:
THREE:The plague-stricken man lay on a low bed struggling with anguish; large drops of sweat stood on his face, his throat was wrapped in wet bandages, and he spoke with difficulty, as in a dream.
THREE:Then, two and two, carrying on their shoulders heavy trays piled with presents, women mount the steps of the house, the bridegroom standing at the bottom. The bride's mother comes forth to meet them in a dress of pale-coloured China crape covered with a fine white saree. She waves her closed hand three times over the gifts, and then, opening it, throws rice on the ground. This action[Pg 16] she repeats with sugar and sweetmeats, and finally with a coco-nut. And each time she empties her hand a naked boy appears from heaven knows where, gathers up what she flings on the ground, and vanishes again, lost at once in the shadows of the garden.

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THREE:The country was nowhere deserted. Labourers in the rice-fields were transplanting the young seedlings or watering the taller growth that waved in delicate transparent verdure. Or again, there were the watchers perched on their platforms in the middle of the fields; fishermen pushing little nets before them, fastened to triangular frames, or grubbing in the mud in search of shell-fishsmall freshwater mussels, which they carried away in clay jars of Etruscan form. A motley crowd, with animated and graceful gesticulations; the women red or white figures in fluttering sarees, with flowers in their hair, and a few glittering bangles on their arms; the children quite naked, with bead necklaces and queer charms of lead or wood in their ears or their nose; the men slender and active, wearing light-coloured turbans made of yards on yards of twisted muslin, their brown skin hidden only by the langouti or loin-cloth.
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    THREE:The last train gone, all round the station there was quite a camp of luckless natives lying on the ground, wrapped in white cotton, and sleeping under the stars, so as to be nearer to-morrow to the train[Pg 20] which, perhaps, might carry them away from the plague-stricken city.In the prince's stables were a long row of brood mares and superb stallions; and then a hundred or so of colts were turned out into the yardmischievous, frisking things, romping against each other, suddenly stopping short, and wrapped ere long in white dust, which fell on us, too.

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THREE:Through the half-open doors in the courtyards bones were bleaching, almost buried under the fine powder that lies on everything. And from this dust, as we trod it, rose a sharp smell of pepper and smoke. Twisted branches drooped forlorn from the skeletons of a few trees that were left standing. Parasitic creepers had woven a flowing robe of tangle over a statue of Kali, left unbroken in front of a small temple in ruins; and all over the withered[Pg 198] and faded growth the fine white dust had settled in irregular patterns, a graceful embroidery rather thicker in the folds.
FORE:Music attracted us to where the cross-roads met, darboukhas struck with rapid fingers and a bagpipe droning out a lively tune. The musicians sat among stones and bricks, tapping in quick time on their ass's-skin drums, beating a measure for some masons to work to. Women carried the bricks men spread the mortar; they all sang and worked with almost dancing movements in time with the music, as if they were at play. FORE: FORE:At sunrise we reached Nandgaun, whence I went on towards Ellora in a tonga, the Indian post-chaise, with two wheels and a wide awning so low and so far forward that the traveller must stoop to look out at the landscape. A rosy haze still hung over the country, rent in places and revealing transparent blue hills beyond the fields of crude green barley and rice. The road was hedged with mimosa, cassia, and a flowering thorny shrub, looking like a sort of honeysuckle with yellow blossoms, and smelling strongly of ginger.Above the road lie dark cliffs; a rose-coloured waterfall of melted snow tumbled mixing with the claypink with lilac depths, and the foam iridescent in the sunbeams. The ruins of a large temple of green stone carved with myriads of fine lines stood in solitude at the edge of a wood, and the background was the mountain-range, the Himalayas, lost in the sky and bathed in blue light. Only a portico remains standinga massive, enduring frame for the infinite distance of snow-capped giants. The stones have lost their hue; they are darkly streaked by the rains and a growth of grey and purple mosses, and russet or white lichens have eaten into the surface.
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Shortly before sunset the dastour arrivesthe high priestin white, with a white muslin turban[Pg 15] instead of the wax-cloth cap worn by other Parsees.At night the sound of a remote tom-tom attracted me to a large square shaded by giant trees. In a very tiny hut made of matting, a misshapen statue of Kali, bedizened with a diadem, a belt, nanparas, and bangles made of beads and gold tinsel, stood over a prostrate image in clay of Siva, lying on his back. In front of this divinity, under an awning stretched beneath the boughs of a banyan tree, two nautch-girls in transparent sarees were dancing a very smooth sliding step to the accompaniment of two bagpipes and some drums. The Hindoo spectators sat in a circle on the grounda white mass[Pg 142] dimly lighted by a few lanternsand sang to the music a soft, monotonous chant.
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