FORE:Henceforth, whatever our philosopher says about Matter will apply to extension and to extension alone. It cannot be apprehended by sight, nor by hearing, nor by smell, nor by taste, for it is neither colour, nor sound, nor odour, nor juice. Neither can it be touched, for it is not a body, but it becomes corporeal on being blended with sensible qualities. And, in a later essay, he describes it as receiving all things and letting them depart again without retaining the slightest trace of their presence.483 Why then, it may be asked, if Plotinus meant extension, could he not say so at once, and save us all this trouble in hunting out his meaning? There were very good reasons why he should not. In the first place, he wished to express himself, so far as possible, in Aristotelian phraseology, and this was incompatible with the reduction of Matter to extension. In the next place, the idea of an infinite void had been already appropriated by the Epicureans, to whose system he was bitterly opposed. And, finally, the extension of ordinary327 experience had not the absolute generality which was needed in order to bring Matter into relation with that ultimate abstraction whence, like everything else, it has now to be derived.It is well for the reputation of Aristotle that he could apply himself with such devotion to the arduous and, in his time, inglorious researches of natural history and comparative anatomy, since it was only in those departments that he made any real contributions to physical science. In the studies which were to him the noblest and most entrancing of any, his speculations are one long record of wearisome, hopeless, unqualified delusion. If, in the philosophy of practice and the philosophy of art, he afforded no real guidance at all, in the philosophy of Nature his guidance has312 always led men fatally astray. So far as his means of observation extended, there was nothing that he did not attempt to explain, and in every single instance he was wrong. He has written about the general laws of matter and motion, astronomy, chemistry, meteorology, and physiology, with the result that he has probably made more blunders on those subjects than any human being ever made before or after him. And, if there is one thing more astounding than his unbroken infelicity of speculation, it is the imperturbable self-confidence with which he puts forward his fallacies as demonstrated scientific certainties. Had he been right, it was no slight or partial glimpses of the beloved that would have been vouchsafed him, but the fullest and nearest revelation of her beauties. But the more he looked the less he saw. Instead of drawing aside he only thickened and darkened the veils of sense which obscured her, by mistaking them for the glorious forms that lay concealed beneath.
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FORE:Porphyry observes that the first series of essays show the immaturity of youtha period which he extends to what is generally considered the sufficiently ripe age of fifty-nine;the second series the full-grown power of manhood; and the last the weakness of declining years. The truth is that his method of criticism, at least in this instance, was to judge of compositions as if their merit depended on their length, and perhaps also with reference to the circumstance whether their subject had or had not been previously talked over with himself. In point of fact, the earlier pieces include some of the very best things that Plotinus ever wrote; and, taking them in the order of their composition, they form a connected279 exposition of Neo-Platonic principles, to which nothing of importance was ever added. This we shall attempt to show in the most effectual manner possible by basing our own account of Neo-Platonism on an analysis of their contents; and we strongly recommend them to the attention of all Greek scholars who wish to make themselves acquainted with Plotinus at first hand, but have not leisure to wade through the whole of his works. It may also be mentioned that the last series of essays are distinguished by the popular character of their subjects rather than by any evidence of failing powers, one of them, that on Providence,417 being remarkable for the vigour and eloquence of its style.
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- Justine Goliyad
- Justine Goliyad
- Justine Goliyad