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His life at Vienna was that of a grand seigneur of the most illustrious order, and on New Years day and on his fte, the crowd that flocked to his house to congratulate him was so enormous that he might have been supposed to be the Emperor himself.
ONE:I have painted real princesses and they have never tormented or kept me waiting.Again the King let slip a golden opportunity, for he could have left that night in perfect safety with a strong escort, and placed himself and the royal [215] family in safety, if only he had taken advantage of the favourable disposition of the troops, but the chance was lost, the demonstration infuriated and alarmed the Revolutionists, who succeeded in corrupting part of the regiment de Flandre, made La Fayette head of the National Guards, and carried the King and royal family to Paris.
THREE:At the same time Tallien recognised the Marquise de Fontenay.
THREE:The last time Marie Antoinette ever sat to her was at Trianon, when she painted her head for the great picture in which the Queen is represented with her children, the first Dauphin, [20] Madame Royale, [21] and the Duc de Normandie, [22] which was [48] hung in the Salon of 1788, and excited universal admiration. It was afterwards taken to Versailles and hung in one of the salons through which the Queen always passed on her way to mass.ROBESPIERRE was dead, and Tallien, for the time, reigned in his stead; and with him and over him, Trzia, or, as she may be called, Mme. Tallien, for although Tallien before spoke of her as his wife, it was only after the 9th Thermidor that some sort of marriage ceremony was performed. But the name she now received, amongst the acclamation of the populace, was Notre Dame de Thermidor. For it was she who had brought about the deliverance of that day; for her and by her the Terror had been broken up; and although the Thermidoriens, led by Tallien, Barras and Frron, had re-established or continued the Comit de Salut Public, the greater number of the blood-stained tyrants who ruled the Revolution still remained, and many horrors and tyrannies for some time longer went on; still there was at once an enormous difference. The revolutionary gang had, of course, [336] not altered its nature, those of whom it was composed were the same, cruel, remorseless, and steeped in crimes; but however much they wished it they could not continue to carry on the terrorism against which the anger of the populace was now aroused.
THREE:One day, while she was sitting to Mme. Le Brun, Mme. S asked her to lend her carriage to her that evening to go to the theatre. Mme. Le Brun consented, but when she ordered the carriage next morning at eleven oclock she was told that neither carriage, horses, nor coachman had come back. She sent at once to Mme. S, who had passed the night at the h?tel des Finances and had not yet returned. It was not for some days that Mme. Le Brun made this discovery by means of her coachman, who had been bribed to keep silent, but [68] had nevertheless told the story to several persons in the house.
TWO:CHAPTER IIILong and touching were the conversations and confidences of the sisters when they were alone together.

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TWO:The Marquis de Choiseul had just married a very pretty American of sixteen years old, which did not prevent his entertaining a violent passion for Lisette, and trying to make love to her on all possible occasions, but greatly increased her indignation at his doing so.

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THREE:She had written to ask a refuge of her uncle, the Duke of Modena, who sent her some money, but said political reasons prevented his receiving her in his duchy. The poor child, naturally merry and high-spirited, had grown quiet and sad, though she bore without complaining the hardships of her lot.
THREE:Her mother was extremely beautiful, of rather an austere character, and very religious. With her the children attended High Mass and the other offices of the Church, especially during Lent; and upon the sensitive, impressionable girl the solemn beauty of the music, and especially the deep notes of the organ, produced an almost overpowering effect. Often as she sat or knelt by her mother the rich, [17] melodious tones echoing through choir and nave in the dim, religious gloom would throw her into a kind of rapture, and end in a passion of tears which she could not always conceal. This intense feeling for music, especially religious music, lasted all her life.M. de Rivire was also at Vienna, and took part in all the private theatricals and diversions going on.
THREE:CHAPTER IIMesdames Adla?de and Victoire set off early in 1791. Their whole journey was a perpetual danger. After getting their passports signed with difficulty by the Commune, they were denounced at Svres by a maid-servant, stopped by the Jacobins and accused of being concerned in plots and of taking money out of the country, and detained for a fortnight, when they managed to get permission to go on, and left at 10 oclock on a Saturday night, arriving on Sunday morning at Fontainebleau, where they were again stopped and threatened by the mob, who were just going to be joined by the gardes nationaux when a hundred Chasseurs de Lorraine, luckily quartered there, charged the mob, opened the gates, and passed the carriages on. At Arnay-le-Duc they were detained for eleven days, and only allowed to proceed when the Comte de Narbonne appeared with a permission extorted by [108] Mirabeau from the revolutionary government at Paris.
THREE:Poppo.In all her life she never lost the recollection of the enchantment of that day, and many years later, in her altered surroundings, would say to her children, Ah! that day was the fte de ma jeunesse!
THREE:Et Lisette les coutait.
THREE:

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The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the goddess of Bordeaux, with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and Trzia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she saidMme. de Montagu started first with her husband, leaving her boy with her aunt and her girl with a friend. As they were still on the proscribed list they travelled under the names of M. et Mme. Mongros. They took up their quarters in Paris at a small house kept by an old servant of M. de Thsan, where they found their cousin, the Duchesse de Duras and the Doudeauville, living under their own names, in little rooms very clean, but so scantily furnished that if any visitors arrived they had to borrow chairs from each other.One day the Baron de Talleyrand announced that [106] the Queen wished her to paint the portraits of her two eldest daughters, whose marriages she was just going to Vienna to arrange. [39]
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