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But I must explain to you how all this mistaken idea of denouncing pleasure andpraising pain was give complete.

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THREE:Amongst other old friends whom she now frequented was the Comtesse de S��gur, who equally disliked the alterations in social matters.Before parting, after a month spent together, the three sisters composed a beautiful litany to be said by them in remembrance of their mother, sister, and grandmother. It opened with that sublime passage of scripture beginning with the words, ��The souls of the righteous are in the hands of God; there shall no torment touch them.��

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THREE:��One autumn night, after ten o��clock, the beggar had not come in. They supposed the woman who took care of him had neglected to fetch him, and charitably waited till half-past. The sister cellarer sent for the keys, to take them, as usual, to the prioress, who would put them under her pillow. She was a demoiselle de Toustain, who, par parenth��se, had had the golden ball of her prioress��s staff engraved with the motto of her family, ��Tous-teints-de-sang�� (��All stained with blood��), which my aunt had thought out of place on an emblem of religious and pastoral office. She had remarked to the [372] Prioress, ��My dear daughter, a war-cry is always improper for a bride of Jesus Christ....��The two families therefore moved to Richmond, where they found themselves surrounded by old friends.

FORE:Lisette, to whom such an invitation was unfamiliar, accepted however; and the Countess then said��Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or f��te. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.

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FORE:To this she looked forward with some trepidation, being dreadfully afraid of Mme. de Puisieux, who at first did not like her, and was extremely stiff. She drove down to Versailles in her carriage alone with her, Mme. de Puisieux saying very little, but criticising the way she did her hair. They slept at Versailles, in the splendid apartment of the Mar��chal d��Etr��e, who was very kind and pleasant to F��licit��, and with whom she felt more at home. The next day she was obliged to spend such an enormous time at her toilette that by the time they started she was nearly tired out. Her hair was dressed three times over; everything was [376] the object of some tiresome fuss, to which policy obliged her to submit in silence.

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FORE:The life of luxurious splendour and open scandal Tallien led with his mistress irritated him nearly as much as the escape of the victims so frequently spared by his mercy, or rather by the all-powerful influence of the woman to whom all Bordeaux now looked for help and protection; besides which the popularity they both enjoyed at Bordeaux excited his jealous uneasiness.

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THREE:His career, however, was even now beginning; and not long after T��r��zia, in the height of her beauty and power with Paris at her feet, rejected his love-making but accepted his friendship, he was sent to Italy and began the series of triumphs which were to raise him to the throne of France.Indeed, many houses had been illuminated, such [145] was the terror he had inspired and the cruelty of his actions.

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THREE:David turned pale, made his escape, and for a long time would not go to the house for fear of meeting her. [49] She was afterwards told by Gros that David would like to go and see her, but her silence expressed her refusal. Soon after the return of Mme. Le Brun, Napoleon sent M. Denon to order from her the portrait of his sister, Caroline Murat. She did not like to refuse, although the price given (1,800 francs) was less than half what she usually got, and Caroline Murat was so insufferable that it made the process a penance. She appeared with two maids, whom she wanted to do her hair while she was being painted. On being told that this was impossible, she consented to dismiss them, but she kept Mme. Le Brun at Paris all the summer by her intolerable behaviour. She was always changing her dress or coiffure, which had to be painted out and done over again. She was never punctual, and often did not come at all, when she had made the appointment; she was continually wanting alterations and giving so much trouble, that one day Mme. Le Brun remarked to M. Denon, loudly enough for her to hear��It was in the days when the Queen was giving f��tes at Trianon, when the court quarrelled about the music of Gluck and Piccini, and listened to the marvels related by the Comte de Saint-Germain, when every one talked about nature, and philosophy, and virtue, and the rights of man, while swiftly and surely the Revolution was drawing near.