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TWO:Attention has already been called to the fact that Epicurus, although himself indifferent to physical science, was obliged, by the demands of the age, to give it a place, and a very large place, in his philosophy. Now it was to this very side of Epicureanism that the fresh intellect of Rome most eagerly attached itself. It is a great mistake to suppose that the Romans, or rather the ancient Italians, were indifferent to speculations about the nature of things. No one has given more eloquent expression to the enthusiasm excited by such enquiries than Virgil. Seneca devoted a volume to physical questions, and regretted that worldly distractions should prevent them from being studied with the assiduity they deserved. The elder Pliny lost his life in observing the eruption of Vesuvius. It was probably the imperial despotism, with its repeated persecutions of the ��Mathematicians,�� which alone prevented Italy from entering on the great scientific career for which she was predestined in after ages. At any rate, a spirit of active curiosity was displaying itself during the last days of the republic, and we are told that nearly all the Roman Epicureans applied themselves particularly to the physical side of their master��s doctrine.202 Most of all was Lucretius distinguished by a veritable passion for science, which haunted him even in his dreams.203 Hence, while Epicurus regarded the knowledge of Nature simply as a means for overthrowing religion, with his disciple the speculative interest seems to precede every other consideration, and religion is only introduced afterwards as an obstacle to be removed from the enquirer��s path. How far his natural genius might have carried the poet in this direction, had he fallen into better hands, we cannot tell. As it was, the gift of what seemed a complete and infallible interpretation of physical phenomena relieved him from the necessity of independent investigation, and induced him to accept the most preposterous conclusions as demonstrated truths. But we can see how105 he is drawn by an elective affinity to that early Greek thought whence Epicurus derived whatever was of any real value in his philosophy.When the belief in a future life assumes the form last mentioned, it is, as we have said, simply a survival of the most primitive animism, not testifying to any religious reaction at the time when it can be proved to have flourished. It is introduced in the present connexion merely to show what ideas were current among those classes to whose opinions Roman civilisation was gradually giving irresistible weight. How the minds of the richer and more educated classes were affected by this underlying stratum, is shown by the nature of the figured representations with which their last abodes were ornamented. Everyone has been made tolerably familiar with these through the sculptured sarcophagi preserved in our museums; but, from their symbolical character, the significance of the reliefs with which they are decorated is not obvious at first sight; and some of the mythical adventures thus embodied may have been wrought without any reference to the destination of the dark and narrow chamber which they enclosed, or may even have been intended to divert the imagination from sad thoughts by the luxuriance of rushing life and joy and victory which they displayed; but after making every possible deduction on this score, there remain many others offering a deeper source of consolation to the bereaved survivor by the pictured promise of future reunion with those whom he had loved and lost. One favourite subject is the visit of Diana to the sleeping Endymion, by which is clearly foreshadowed an awakening to divine felicity from the sleep of death. The rape of Proserpine, followed by238 her restoration to the upper world, conveys a similar intention; as also does the fate of Adonis, since he too was believed to have risen from the dead. The marriage of Bacchus and Ariadne unquestionably symbolises the exchange of an earthly for a heavenly life; and the scenes of Bacchic revelry with which the interior of some tombs is decorated, were, to the imagination of those who designed them, no unbecoming image of the joys awaiting a blessed soul in its celestial abode. An inscription of which we have already quoted the opening words expresses in terms that hope of companionship with the joyous band of Dionysus at which the plastic representations can but mutely hint. ��Now in a flowery meadow,�� says the mourning mother of Doxato to her child, ��the priestess marked with a sacred seal is enrolling thee in the troop of Bacchus, where the Naiads that bear the sacred baskets claim thee as their fellow to lead the solemn procession by the light of torches.�� At the same time, a tenderer or graver note is often struck. The stories of Adm��tus and Alcestis, of Protesilaus and Laodameia, point to a renewal of conjugal love beyond the grave. What were formerly supposed to be scenes representing the eternal farewell of husband and wife are, in the opinion of modern archaeologists, pictures of their restoration to each other��s arms. Rising higher still, Achilles among the daughters of Lycom��des probably typifies the liberation of an immortal spirit from the seductions of sense. The labours of Heracles recall his apotheosis, and seem to show that a life of noble effort shall be rewarded hereafter. The battle of the Amazons is an allegory of strife with and triumph over the temptations of earthly delight. Another often-recurring theme, the hunting of the Calydonian boar, may mean the soul��s victory over death; but this explanation is offered only as a conjecture of the present writer��s.