The French Ambassador, Count dEsterhazy, said that he would come at ten and take her to djeuner with his wife, who was just then living at Czarskoiesolo. For the first time during her wandering life from court to court, Lisette felt intimidated, and trembled. This was so different from any of her former experiences. At every other court she had been en pays de connaissance. Austrian society was very like Parisian, Rome was the centre of Christendom, the sovereigns of the lesser Italian states were the near relations of her own King and Queen, their religion was the same.
They were thankful indeed to find themselves at Schaffhausen, where they were joined by the Duc de Chartres. It was fortunate for his sister that she did not remain with him; he had been obliged to [443] fly with Dumouriez two days after she left, through firing and dangers of all kinds; and what would have become of a girl of sixteen, in a violent illness, with no one to look after her?THE theatre was a passion with Mme. Le Brun, and all the more interesting to her from her friendships with some of the chief actors and actresses, and her acquaintance with most of them, from the great geniuses such as Talma, Mlle. Mars, and Mlle. Clairon to the dbutantes like Mlle. Rancourt, whose career she watched with sympathetic interest. For Mme. Dugazon, sister of Mme. Vestris and aunt of the famous dancer Vestris, she had an unmixed admiration; she was a gifted artist and a Royalist heart and soul. One evening when Mme. Dugazon was playing a soubrette, in which part came a duet with a valet, who sang:She also met an acquaintance, M. Denon, who introduced her to the Comtesse Marini, of whom he was then the cavalire servente; and who at once invited her to go that evening to a caf.
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M. de Beaune was an excellent man, rather hasty-tempered, but generous, honourable, delighted with his daughter-in-law, and most kind and indulgent to her. He took the deepest interest in her health, her [195] dress, and her success in society, into which he constantly went, always insisting upon her accompanying him.Tallien had stepped into the place of Guy de Kersaint, deputy of Versailles, who, though a revolutionist, objected to massacres. [97] He tried to explain and excuse them by the fury and excitement of the time when he perceived the horror with which they were regarded, not only by the civilised world at large, but by many of the revolutionists, even by some of his own colleagues. However, the brand of infamy remained attached to his name, notwithstanding his endeavours to clear himself from [299] the suspicion and accusation which have nevertheless always clung to him.No, said the Marchal, if she must go I will tell her myself.They let him in, and he saw musicians with desks and instruments, practising for the infernal scene in Robert le Diable, which Meyerbeer was going to bring out, and which sufficiently accounted for the chains, groans, and cries of that celebrated chorus.One autumn night, after ten oclock, the beggar had not come in. They supposed the woman who took care of him had neglected to fetch him, and charitably waited till half-past. The sister cellarer sent for the keys, to take them, as usual, to the prioress, who would put them under her pillow. She was a demoiselle de Toustain, who, par parenthse, had had the golden ball of her prioresss staff engraved with the motto of her family, Tous-teints-de-sang (All stained with blood), which my aunt had thought out of place on an emblem of religious and pastoral office. She had remarked to the [372] Prioress, My dear daughter, a war-cry is always improper for a bride of Jesus Christ....
