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THREE:The lieutenant himself did neither, but he argued that his mind was never off it.The taste for Italian music was now every day increasing; singers of that nation appeared with great applause at most concerts. In 1703 Italian music was introduced into the theatres as intermezzi, or interludes, consisting of singing and dancing; then whole operas appeared, the music Italian, the words English; and, in 1707, Urbani, a male soprano, and two Italian women, sang their parts all in Italian, the other performers using English. Finally, in 1710, a complete Italian opera was performed at the Queen's Theatre, Haymarket, and from that time the Italian opera was regularly established in London. This led to the arrival of the greatest composer whom the world had yet seen. George Frederick Handel was born at Halle, in Germany, in 1685. He had displayed wonderful genius for music as a mere child, and having, at the age of seven years, astonished the Duke of Saxe Weissenfels��at whose court his brother-in-law was a valet��who found him playing the organ in the chapel, he was, by the Duke's recommendation, regularly educated for the profession of music. At the age of ten, Handel composed the church service for voices and instruments; and after acquiring a great reputation in Hamburg��where, in 1705, he brought out his "Almira"��he proceeded to Florence, where he produced the opera of "Rodrigo," and thence to Venice, Rome, and Naples. After remaining in Italy four years, he was induced to come to England in 1710, at the pressing entreaties of many of the English nobility, to superintend the opera. But, though he was enthusiastically received, the party spirit which raged at that period soon made it impossible to conduct the opera with any degree of self-respect and independence. He therefore abandoned the attempt, having sunk nearly all his fortune in it, and commenced the composition of his noble oratorios. Racine's "Esther," abridged and altered by Humphreys, was set by him, in 1720, for the chapel of the Duke of Chandos at Cannons. It was, however, only by slow degrees that the wonderful genius of Handel was appreciated, yet it won its way against all prejudices and difficulties. In 1731 his "Esther" was performed by the children of the chapel-royal at the house of Bernard Gates, their master, and the following year, at the king's command, at the royal theatre in the Haymarket. It was fortunate for Handel that the monarch was German too, or he might have quitted the country in disgust before his fame had triumphed over faction and ignorance. So far did these operate, that in 1742, when he produced his glorious "Messiah," it was so coldly received that it was treated as a failure. Handel, in deep discouragement, however, gave it another trial in Dublin, where the warm imaginations of the Irish caught all its sublimity, and gave it an enthusiastic reception. On its next presentation in London his audience reversed the former judgment, and the delighted composer then presented the manuscript to the Foundling Hospital, where it was performed annually for the benefit of that excellent institution, and added to its funds ten thousand three hundred pounds. It became the custom, from 1737, to perform oratorios[156] on the Wednesdays and Fridays in Lent. Handel, whose genius has never been surpassed for vigour, spirit, invention, and sublimity, became blind in his latter years. He continued to perform in public, and to compose, till within a week of his death, which took place on April 13, 1759. We love to be social,Catch Us On FORE:The boy explained that it was not that, and she let him go, in relief.141 FORE:��Please, sir, do that!�� urged Sandy. ��I can be sure it��s the one we found in the airplane fuselage, anyhow��I remember that little rusty stain in the cover.�� FORE:It dawned upon Cairness that this was rather more than a military machine after all, that he had underestimated it.In conclusion, a few words may profitably be devoted to the question whether the rationalistic movement of our own age is likely to be followed by such another supernaturalist reaction as that which made itself so powerfully felt during the first centuries of Roman imperialism. There is, no doubt, a certain superficial resemblance between the world of the Caesars and the world in which we live. Everywhere we see aristocracies giving way to more centralised and equitable forms of government, the authority of which is sometimes concentrated in the hands of a single absolute ruler. Not only are the interests and wishes of the poorer and less educated classes consulted with increasing anxiety, but the welfare of women is engrossing the attention of modern legislators to an even greater extent than was the case with the imperial jurists. Facilities for travelling, joined to the far-reaching combinations of modern statesmanship and modern strategy, are every day bringing Europe into closer contact with the religious life of Asia. The decay of traditional and organised theology is permitting certain forms of spontaneous and unorganised superstition to develope themselves once more, as witness the wide diffusion of spiritism, which is probably akin to the demonology and witchcraft of earlier ages, and would, no doubt, be similarly persecuted by the priests,��who, as it is, attribute spiritualistic manifestations to diabolical agency,��had they sufficient power for the purpose. Lastly, corresponding to the syncretism of the Roman empire, we may observe a certain mixture and combination of religious principles, Catholic ideas being avowedly adopted by even the most latitudinarian Protestants, and Protestant influences entering into Catholicism, much more imperceptibly it is true, but probably to an equal extent.