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ONE:Westward likewise we soon were bickering. The morning sun shone high; the thin, hot dust blew out over the blackened ground of some forest "burn" or through the worm fence of some field where a gang of slave men and women might be ploughing or hoeing between the green rows of young cotton or corn. The level stretches were many, the slopes gradual, and to those sweet city-bird ladies everything was new and delightful; a log cabin!--with clay chimney on the outside!--a well and its well-sweep!--another cabin with its gourd-vines! They knew that blessed alchemy which turns all things into the poetry of the moment. Sweet they would have been anywhere to any eye or mind; but I was a homeless trooper lad, and sweeter to the soldier boy than water on the battlefield are short hours with ladies who love him for his banner and his rags."While we were looking at the audience there came half a dozen raps behind the curtain, as if two pieces of wood had been knocked together; and a moment after the rapping had stopped, the curtain was drawn aside. It was a common sort of curtain, and did not open in the middle like some of ours, or roll up like others; it was pulled aside as if it ran on a wire, and when it was out of sight we saw the stage set to represent a garden with lots of flower-pots and bushes. The stage was very small compared with an American one, and not more than ten or twelve feet deep; but it was set quite well, though not so elaborately as we would arrange it. The orchestra was in a couple of little boxes over the stage, one on each side, and each box contained six persons, three singers and three guitar-players. This is the regulation orchestra and chorus, so they say, in all the Japanese theatres, but it is sometimes differently made up. If a theatre is small and poor, it may have only two performers in each box, and sometimes one box may be empty, but this is not often.

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