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ONE:One cannot help seeing in the sentiments expressed and the manner of expressing them, the artificial, affected tone which with Mme. de Genlis had become her second nature, and which she had evidently inculcated into her daughter.
THREE:Those whose ideas of France in the eighteenth century are derived only from such books as Dickens Tale of Two Cities, or even from a casual acquaintance with a few of the histories and chronicles of the time, are apt vaguely to picture to themselves a nation composed partly of oppressed, starving peasants, and partly of their oppressors, a race of well-bred ruffians and frivolous, heartless women; all splendidly dressed, graceful, polite, and charming in their manners amongst themselves; but arrogant, cruel, and pitiless to those beneath them.
THREE:[58]
THREE:She married, in 1788, the Marquis de Grammont.[377]
TWO:When it was too late he ordered a carriage and tried to leave, but was stopped by the gardes-nationales and servants. La Fayette on his white horse rode with the cavalcade, full of uneasiness, for he saw that he could not control the followers with whom he had imagined himself to be all-powerful, their crimes and cruelties were abhorrent to him, and the fearful position of the King and royal family alarmed and distressed him.

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TWO:

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THREE:I call God to witness, mother, that I did not order this dreadful crime!
THREE:She wrote pages and pages to the Duchess, who would not answer the letters except by a few short lines, and refused to enter into the matter at all, but declined to receive Mme. de Genlis at the Palais Royal to dine as usual. Here is an example of what the Duchesse dAbrants and others have said about Mme. de Genlis having nothing of the dignity that she might have been expected to possess. Her behaviour contrasts strongly with that of the Duchesse dOrlans, who, however foolish and credulous she may have been, showed at any rate [422] that she was a Princess of France. It was not for her to discuss or dispute with Mme. de Genlis about her influence with her husband and children; it was for her to give orders and for the governess of her children to obey them. But these late proceedings were different and tangible, and Mme. de Genlis herself owns in her Mmoires, written long after, that the objections of the Duchess, which she then thought so exaggerated and unjust, were right and well-founded. She declares that she had no idea how far the Revolution would go, that she was strongly attached to the Monarchy and to religion, which latter was certainly true, and there is no reason to suppose she contemplated a Republic, while the horrors that took place were odious to her.They were in the habit of spending part of every summer at tioles, with M. le Normand, fermier gnral des postes, husband of Mme. de Pompadour, then the mistress of Louis XV. After one of these visits, when Flicit was about six years old, it having been decided to obtain for her and for one of her little cousins admission into the order of chanoinesses of the Noble Chapter of Alix; the two children with their mothers travelled in an immense travelling-carriage called a berline, to Lyon, where they were detained for a fortnight, during which the Comtes de Lyon examined the genealogical proofs of their noble descent. Finding them correct and sufficient for their admission into the order, they proceeded to Alix, at some distance from Lyon; where, with the huge abbey and church in the centre were, grouped, in the form of a semi-circle, the tiny houses, each with its [353] little garden, which were the dwellings of the chanoinesses.
THREE:
THREE:
THREE:The government of Fribourg had begun to annoy Mme. de Tess about her niece, objecting to her receiving her, and Pauline thought it best to go for a time to Constance. While she was [249] there the smuggler returned, having discovered Mme. de Grammont, who was safe in Franche Comt, and had with her the children of the Vicomtesse de Noailles and their faithful tutor. She had written to her father and sister on handkerchiefs sewn inside the smugglers waistcoat, and was thankful to find they were alive; but she could not, as they begged her to do, get out of France just then, as her husband was not sufficiently recovered from an illness to undertake a journey.The Duc de Chartres was horror-stricken at the crime, at his fathers share in it, and at the hypocritical letter in which he excused his baseness, speaking of his lacerated heart, his sacrifice to liberty, and the welfare of France, &c.
THREE:Tu seras peintre, mon enfant, ou jamais il nen sera. [9]The crimes and horrors of the Revolution had now reached their climax. Paris was a scene of blood and terror. No ones life was safe for an hour, houses were closed, the streets, once so full of life and gaiety, were now paraded by gangs of drunken ruffians, men and women, bent on murder and plunder, or re-echoed to the roll of the tumbrils carrying victims to the scaffold. The prisons were crammed, and yet arrests went on every day. The King, the Queen, and the gentle, saintly Madame Elizabeth, had been murdered; the unfortunate Dauphin, now Louis XVII., and his sister were kept in cruel captivity.

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ONE:Long and touching were the conversations and confidences of the sisters when they were alone together.

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She would not have her portrait done, saying that she was very sorry to refuse her aunts, but as she had renounced the world she could not have her picture taken. She had cut her hair short and her dress was very simple. The King looked nearly as pale and thin.The idea was suddenly suggested to the brother and sister by the book they were reading, and as she expected several people to supper, she arranged the rooms with draperies after the ancient Greek fashion, borrowed from the Comte de Parois, who lived in the house and had a collection of Greek things, all the vases, pitchers, pots, and cups she wanted, arranged the table in the same style, and as her friends arrived, proceeded to dress them one after another in Greek costumes, which she took from the mass of costumes and draperies in her studio.And why?A few minutes later the Countess said that Mme. Le Bruns painting blouse was so convenient she wished she had one like it; and in reply to her offer [120] to lend her one said she would much rather Mme. Charot made it, for which she would send the linen. When it was finished she gave Mme. Charot ten louis.
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