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ONE:Their carriage never came, so Mme. de Genlis had to take them home in hers, which appeared about two o��clock, and it was half-past three when she arrived at the h?tel de Puisieux, where everybody was up and in a fever of anxiety, thinking she was killed, for they knew what she did not, that hundreds, perhaps thousands, of persons had perished.CHAPTER IV TWO:As time went on T��r��zia found that her influence as well as that of Tallien was rapidly declining. Her salon was not at all likely to last long. Those of the court and of society before the Revolution had been of an entirely different order; held by women who, besides their beauty or other attractions, were in an assured position, surrounded by well-known connections and friends, forming an intimate society sure to be met at their houses, and always ready to carry on conversation, avoid all topics likely to give offence, and make themselves generally agreeable. Nobody was admitted there who [341] was not accustomed to the usages of the world or who would interfere with the harmony and general tone of the house. People went there, not to engage in political discussions or to make love to their hostess, but to spend a pleasant evening and meet the friends they knew and liked. These salons continued to be frequented by their usual guests year after year without any more change than the lapse of time inevitably brings.

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ONE:Tallien had saved her life twice, and she had given him her youth and beauty and fortune; she probably thought they were quits. Her connection with him had lasted five years, and now her passion both for him and for the Revolution had burnt [343] itself out, she was in all the splendour of her beauty and not more than five-and-twenty years old. Most of her life lay before her.��What is the use, if my hour has come?�� TWO:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.

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ONE:Capital letter TMADAME ROYALE TWO:��I am German, a composer of music, I see no harm in all that.��Weak character of Louis XVI.��Quarrels at Court��Mme. de Tess����Forebodings of Mme. d��Ayen��La Fayette��Saintly lives of Pauline and her sisters��Approach of the Revolution��The States-General��Folly of Louis XVI.��Scenes at Versailles��Family political quarrels��Royalist and Radical��Death of Pauline��s youngest child.

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ONE: TWO:Those who had dreaded the summoning of the States-General at a time when the public were in so inflamed and critical a state, were soon confirmed in their opinions by the disputes between the three orders, and the general ferment. Disloyal demonstrations were made, the King sent for more troops and dismissed Necker, who, like La Fayette, was unable to quell the storm he had raised; everything was becoming more and more alarming. Just before the fall of the Bastille, Pauline, who was not well at the time, was sent to Bagn��res again, where, after stopping at Toulouse to see her little orphan niece Jenny de Th��san, she arrived so dangerously ill that she thought she was going to die, and wrote a touching letter to her sister Rosalie, desiring that her children might be brought up by Mme. de Noailles, but commending them to the care of all her sisters.

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