THREE:240 It was very interesting, because a humble private had been buried by his side.
FORE:This change in engineering pursuits has also produced a change in the workmen almost as thorough as in manipulation. A man who deals with special knowledge only and feels that the secrets of his calling are not governed by systematic rules, by which others may qualify themselves without his assistance, is always more or less narrow-minded and ignorant. The nature of his relations to others makes him so; of this no better proof is wanted than to contrast the intelligence of workmen who are engaged in what may be termed exclusive callings with people whose pursuits are regulated by general rules and principles. A machinist of modern times, having outgrown this exclusive idea, has been raised thereby to a social position confessedly superior to that of most other mechanics, so that shop association once so dreaded by those who would otherwise have become mechanics, is no longer an obstacle.It is possible, we think, to trace a similar evolution in the history of the Attic drama. The tragedies of Aeschylus resemble the old Ionian philosophy in this, that they are filled with material imagery, and that they deal with remote interests, remote times, and remote places. Sophocles withdraws his action into the subjective sphere, and simultaneously works out a pervading contrast between the illusions by which men are either lulled to false security or racked with needless anguish, and the terrible or consolatory reality to which they finally awaken. We have also, in his well-known irony, in the unconscious self-betrayal of his characters, that subtle evanescent allusiveness to a hidden truth, that gleaming of reality through appearance which constitutes, first the dialectic, then the mythical illustration, and finally the physics of Plato. In Aeschylus also we have the spectacle of sudden and violent vicissitudes, the abasement of insolent prosperity, and the punishment of long successful crime; only with him the characters which attract most interest are not the blind victims, but the accomplices or the confidants of destinythe great figures of a Prometheus, a Darius, an Eteocles, a Clytemnestra, and a Cassandra, who are raised above the common level to an eminence where the secrets of past and future are unfolded to their gaze. Far otherwise with Sophocles. The leading actors in his most characteristic works, Oedipus, Electra, Dejanira, Ajax, and Philoctetes, are surrounded by forces which they can neither control nor understand; moving in a world of illusion, if they help to work out their own destinies it is unconsciously, or even in direct opposition to their own designs.208 Hence in Aeschylus we have something324 like that superb self-confidence which distinguishes a Parmenides and a Heracleitus; in Sophocles that confession of human ignorance which the Athenian philosophers made on their own behalf, or strove to extract from others. Euripides introduces us to another mode of thought, more akin to that which characterises Aristotle. For, although there is abundance of mystery in his tragedies, it has not the profound religious significance of the Sophoclean irony; he uses it rather for romantic and sentimental purposes, for the construction of an intricate plot, or for the creation of pathetic situations. His whole power is thrown into the immediate and detailed representation of living passion, and of the surroundings in which it is displayed, without going far back into its historical antecedents like Aeschylus, or, like Sophocles, into the divine purposes which underlie it. On the other hand, as a Greek writer could not be other than philosophical, he uses particular incidents as an occasion for wide generalisations and dialectical discussions; these, and not the idea of justice or of destiny, being the pedestal on which his figures are set. And it may be noticed as another curious coincidence that, like Aristotle again, he is disposed to criticise his predecessors, or at least one of them, Aeschylus, with some degree of asperity.
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THREE:A plain man might find it difficult to understand how such extravagances could be deliberately propounded by the greatest intellect that Athens ever produced, except on the principle, dear to mediocrity, that genius is but little removed from madness, and that philosophical genius resembles it more nearly than any other. And his surprise would become much greater on learning that the best and wisest men of all ages have looked up with reverence to Plato; that thinkers of the most opposite schools have resorted to him for instruction and stimulation; that his writings have never been more attentively studied than in our own agean age which has witnessed the destruction of so many illusive reputations; and that the foremost of English educators has used all his influence to promote the better understanding and appreciation of Plato as a prime element in academic culturean influence now extended far beyond the limits of his own university through that translation of the Platonic Dialogues which is too well known to need any commendation on our part, but which we may mention as one of the principal authorities used for the present study, together with the work of a German scholar, his obligations to whom Prof. Jowett has acknowledged with characteristic grace.114Her voice sank to a thrilling whisper. Bruce touched her hand soothingly. The mere contact of his fingers seemed to madden her.
THREE:It is well for the reputation of Aristotle that he could apply himself with such devotion to the arduous and, in his time, inglorious researches of natural history and comparative anatomy, since it was only in those departments that he made any real contributions to physical science. In the studies which were to him the noblest and most entrancing of any, his speculations are one long record of wearisome, hopeless, unqualified delusion. If, in the philosophy of practice and the philosophy of art, he afforded no real guidance at all, in the philosophy of Nature his guidance has312 always led men fatally astray. So far as his means of observation extended, there was nothing that he did not attempt to explain, and in every single instance he was wrong. He has written about the general laws of matter and motion, astronomy, chemistry, meteorology, and physiology, with the result that he has probably made more blunders on those subjects than any human being ever made before or after him. And, if there is one thing more astounding than his unbroken infelicity of speculation, it is the imperturbable self-confidence with which he puts forward his fallacies as demonstrated scientific certainties. Had he been right, it was no slight or partial glimpses of the beloved that would have been vouchsafed him, but the fullest and nearest revelation of her beauties. But the more he looked the less he saw. Instead of drawing aside he only thickened and darkened the veils of sense which obscured her, by mistaking them for the glorious forms that lay concealed beneath.
