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Thus time passed on till she was six-and-twenty, when she formed an intimate friendship with the Marquise de Fontenille, a widow who had come to live in the convent. M. Ducrest, then de Champcry, a good-looking man of thirty-seven, who had lately left the army, was a relation of Mme. de Fontenille, and often came to the parloir to see her. He also saw Mlle. de Mzires, with whom he fell in love, and whom he proposed to marry. He had a few hundreds a year, the small castle of Champcry, and a little property besides; while Mlle. de Mzires had less than two thousand pounds, her mother having seized all the rest of the fortune of her father. But such was her unnatural spite against her daughter that she refused her consent for three months, and although she was at last obliged to give it, she would give neither dot, trousseau, nor presents, all of which were provided by the good Abbess.

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TWO:What? A painter ambassador? Doubtless it must have been an ambassador who amused himself by painting. THREE:Sister of Charity, is that it? No, no; you must take a more active part; you must stand in the tribune, and kindle the sacred fire in those who are not already burning with the religion of the Revolution. Already I can feel the fire of your words. And he drew nearer to her.At this he rose, his legs seeming to tremble under him, and taking his hat he left the room and was seen no more, for in consequence of this he was excluded from all the best houses.
TWO:It had great success at the Salon, was engraved by Müller, and was one of those amongst her works which decided Joseph Vernet, shortly after her return, to propose her as a member of the Royal Academy of Painting. She was duly elected, in spite of the opposition of M. Pierre, who was painter to the King, and a very bad painter too. THREE:Mme. dAyen had left property in the department of Seine-et-Marne to the children of the Vicomtesse de Noailles, the estate and castle of Lagrange to Mme. La Fayette, an estate between Lagrange and [257] Fontenay to the daughter of Mme. de Thsan, the old castle and lands of Fontenay to Mme. de Montagu, and an estate called Tingri to Mme. de Grammont.
TWO:It is probable that she deceived herself more than she did other people, and her life in fact, between the Duke and Duchess and their children, could not have been anything but a constant course of deception.They left Rome late in April, 1792, and travelled slowly along by Perugia, Florence, Siena, Parma, and Mantova to Venice, where they arrived the eve of the Ascension, and saw the splendid ceremony of the marriage of the Doge and the Adriatic. There was a magnificent fte in the evening, the battle of the gondoliers and illumination of the Piazza di San Marco; where a fair as well as the illumination went on for a fortnight. THREE:
TWO:They, therefore, removed to the little town of Zug, on the lake of that name, professing to be an Irish family and living in the strictest retirement. To any one who has seen the little town of Zug, it must, even now, appear remote and retired, but in those days it had indeed the aspect of a refuge forgotten by the world. Sheltered by the mighty Alps, the little town clusters at the foot of the steep slope covered with grass and trees, along the shores of the blue lake. A hundred years ago it must have been an ideal hiding place.And a few days afterwards upon the same monument: THREE:
Top [448]In Mme. Le Brun, the most gifted of all, we see a beauty, a genius, and a woman unusually charming and attractive, thrown, before she was sixteen, into the society of the magnificent, licentious court of Louis XV. Married to a dissipated, bourgeois spendthrift, for whom she had never cared; sought after, flattered, and worshipped in all the great courts of Europe; courted by fascinating, unscrupulous men of the highest rank, without the protection of family connections and an assured [viii] position; yet her religious principles, exalted character, and passionate devotion to her art, carried her unscathed and honoured through a life of extraordinary dangers and temptations.Eh! What! Then Athalie will never be played any more; that masterpiece will be lost to the French stage!And amidst all the oppression, vice, and evil of which we hear so often in France of the eighteenth century, there was also much good of which [10] we hear little or nothing. The reason is obvious. Good people are, unfortunately, seldom so amusing to write or read about as bad ones. Has any one ever met with a child who wanted to be told a story about a good little girl or boy? And is it not true, though lamentable, that there are many persons who would rather read a book about a bushranger than a bishop?
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