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ONE:The Marquis de Paroy, a royalist, whose father, a Girondist, had just been arrested, wrote to ask for an interview, sending an illustrated petition, in the taste of the day, to the ��goddess of Bordeaux,�� with a Cupid he called a sans-culotte, &c. Having received an invitation, he went to her house, where, in the ante-rooms, crowds were waiting with petitions in their hands. Presently folding doors were thrown open and T��r��zia appeared, exquisitely dressed, asked for the citoyen Paroy, and invited [312] him to come into her boudoir, which was filled with the traces of her pursuits. Music was upon the open piano, a guitar lay upon a sofa, a harp stood in a corner of the room, an easel, a half-sketched-out miniature, a table covered with drawings, colours, and brushes, an embroidery frame, a writing table piled with petitions, notes, and papers. After the first greeting she said��Never, she afterwards remarked, had she seen so many pretty women together as in the salon of Mme. de Thoum; but what surprised her was that most of them did needlework sitting round a large table all the evening. They would also knit in their boxes at the opera; but it was explained that this was for charity. In other respects she found society at Vienna very much the same as at Paris before the advent of the Revolution.