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De Pierre, de Pierre, de Pierre.A wandering lifeThe tyrant is no moreMarriage of HenrietteHamburgBerlinAntwerpBrusselsReturns to FranceTerrible changesShattered fortuneLiterary successThe EmpireNapoleonMme. de Genlis and her friendsDeath of Mme. de Montesson.
ONE:

DANIEL PRATT

TWO:To which she replied, Comment donc! I have a horror of ingratitude. Of course I intend to go and see her. I owe her a great deal, and I will prove it by doing so. But you understand that I am obliged to consider appearances for the sake of my [346] family, and her reputation forces me to show a reserve which I regret. If you will ask her when I shall find her alone I shall go and see her at once.

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ONE:The beautiful and notorious Mlle. Duth was often to be seen, amongst others, attended by an Englishman who was not so scrupulous about appearances, and whom Mme. Le Brun saw again with the same person eighteen years afterwards at a theatre in London.
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ONE:Like Mme. Le Brun, Mme. de Genlis had no reason to fear poverty in exile, her writings would always be sufficient to provide for her; but she was just then short of money; and, unfortunately, in her haste, though she had brought with her a good many of her valuable possessions from Belle Chasse, she had left a great deal that she might have taken. Mme. de Valence went to Belle Chasse and saved her piano, some pictures, and various other things which her mother gave to her, the rest were mostly confiscated.tale en ce chateau sans crainte et sans effroi
THREE:So that one would be quite alone? No one could hear anything that went on there?

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THREE:In all her life she never lost the recollection of the enchantment of that day, and many years later, in her altered surroundings, would say to her children, Ah! that day was the fte de ma jeunesse!

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THREE:The Duc de Chartres came and joined them at Tournay, where Mademoiselle dOrlans was taken dangerously ill with a bilious fever. She recovered slowly, but in January, 1793, letters from France brought the news of the execution of Louis XVI., of the infamous part played by Philippe-galit, and of the imminent danger of M. de Sillery.

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ONE: THREE:Marat?CHAPTER V

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Of course she thought all these denunciations most unjust and astonishing. Why, she asked, should they call her a savage fury, and abuse her in this way?When the Empress returned from Czarskoiesolo she desired Mme. Le Brun to paint the portraits of the Grand Duchesses Alexandrine and Helena, daughters of the Tsarevitch, then fourteen and thirteen years old, and afterwards that of the Grand Duchess Elizabeth, wife of Alexander, eldest grandson of the Empress, the young girl she had [134] seen on her first visit to Czarskoiesolo, by whom she was completely fascinated.She had only to choose amongst the great personages who wanted their portraits painted; and she spent the time when she was not working in wandering amid the scenes to visit which had been the dream of her life. Ruins of temples, baths, acqueducts, tombs, and monuments of the vanished Empire, gorgeous churches and palaces of the Renaissance, huge never-ending galleries of statues and pictures, the glories of Greek and of medi?val art; Phidias and Praxiteles, Raffaelle, Michael Angelo, and Leonardo; the picturesque beauty of Rome, as it was then, the delicious gardens, since swept away by the greedy vandalism of their owners; the mighty Colosseum; the solemn desolate Campagna; all filled her mind and imagination and distracted her thoughts from France and the horrors going on there. At Rome in those days there certainly seemed to be everything that could be wished for to make life a paradise upon earth. Besides the natural beauty, the historical and arch?ological interest, and the treasures of art, the magnificence of the ecclesiastical functions, church services, stately processions, and entrancing music were a perpetual delight to her. There is no city in the world, she wrote to a [96] friend, in which one could pass ones time so deliciously as in Rome, even if one were deprived of all the resources of good society.
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<000005> Of course she thought all these denunciations most unjust and astonishing. Why, she asked, should they call her a savage fury, and abuse her in this way?When the Empress returned from Czarskoiesolo she desired Mme. Le Brun to paint the portraits of the Grand Duchesses Alexandrine and Helena, daughters of the Tsarevitch, then fourteen and thirteen years old, and afterwards that of the Grand Duchess Elizabeth, wife of Alexander, eldest grandson of the Empress, the young girl she had [134] seen on her first visit to Czarskoiesolo, by whom she was completely fascinated.She had only to choose amongst the great personages who wanted their portraits painted; and she spent the time when she was not working in wandering amid the scenes to visit which had been the dream of her life. Ruins of temples, baths, acqueducts, tombs, and monuments of the vanished Empire, gorgeous churches and palaces of the Renaissance, huge never-ending galleries of statues and pictures, the glories of Greek and of medi?val art; Phidias and Praxiteles, Raffaelle, Michael Angelo, and Leonardo; the picturesque beauty of Rome, as it was then, the delicious gardens, since swept away by the greedy vandalism of their owners; the mighty Colosseum; the solemn desolate Campagna; all filled her mind and imagination and distracted her thoughts from France and the horrors going on there. At Rome in those days there certainly seemed to be everything that could be wished for to make life a paradise upon earth. Besides the natural beauty, the historical and arch?ological interest, and the treasures of art, the magnificence of the ecclesiastical functions, church services, stately processions, and entrancing music were a perpetual delight to her. There is no city in the world, she wrote to a [96] friend, in which one could pass ones time so deliciously as in Rome, even if one were deprived of all the resources of good society.
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