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THREE:Four women and two men wearing masks stretched in a broad grimaceone of the men in a red satin robe edged with leopard-skin, while the other had a squalid white shirt, intentionally soiled, over all his clothesthen began to dance round the priest, stopping presently to spin very fast on one[Pg 149] spot, and the girls' skirts floated gracefully in heavy folds, showing their under-skirts of bright satin embroidered with silver and gold. One of these women, who were not satisfied with painting their faces, by way of adornment, on the nose and cheeks with blackened pig's blood, took off her mask, showing her whole face smeared with it. She and the man in the dirty shirt played a number of mountebank's tricks to the great delectation of the spectators, and she finished amid thunders of applause by seating herself on the Lama's knee and stroking his beard.
FORE:There are women, too, in the throng of men, but fewer in number. Parsee ladies, draped in light sarees of pale-hued muslin bordered with black, which shroud them entirely, being drawn closely over the narrow skirt, crossed several times over the bosom, and thrown over the right shoulder to cover the head and fall lightly on the left shoulder. Hindoo women, scarcely clothed in red stuff, faded in places to a strong pink; a very skimpy bodice, the chol, embroidered with silk and spangles, covers the bust, leaving the arms and bosom free; a piece of thin cotton stuff, drawn round the legs and twisted about the waist, covers the shoulders and head, like a shawl. On their wrists and ankles are silver bangles; they have rings on their fingers and toes, broad necklaces with pendants, earrings, and a sort of stud of gold or copper, with coloured stones, through the left nostril. They go barefoot, pliant[Pg 8] forms avoiding the jostling of the crowd, and carrying on their head a pile of copper pots one above another, shining like gold, and scarcely held by one slender arm with its bangles glittering in the sun. The tinkle of the nanparas on their ankles keeps time with their swinging and infinitely graceful gait, and a scent of jasmine and sandal-wood is wafted from their light raiment. Moslem women, wrapped from head to foot in sacks of thick white calico, with a muslin blind over their eyes, toddle awkwardly one behind the other, generally two or three together. Native children beg, pursuing the passenger under the very feet of the horses; their sharp voices louder than the hubbub of shouts, bells, and gongs, which exhausts and stultifies, and finally intoxicates the brain."It is made at thirty-five, twenty, fifteen rupees."

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FORE:

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TWO:To the Chandni Chowkthe bazaar. In a miniature-painter's shop was a medley of ivories, of boxes inlaid with silver and ebony, and toys carved in sandal-wood.
THREE:GARHIThrough the half-open doors in the courtyards bones were bleaching, almost buried under the fine powder that lies on everything. And from this dust, as we trod it, rose a sharp smell of pepper and smoke. Twisted branches drooped forlorn from the skeletons of a few trees that were left standing. Parasitic creepers had woven a flowing robe of tangle over a statue of Kali, left unbroken in front of a small temple in ruins; and all over the withered[Pg 198] and faded growth the fine white dust had settled in irregular patterns, a graceful embroidery rather thicker in the folds.
FORE:More and yet more temples, seen through the mist of weariness, the nightmare of grimacing idols, the heavy vapour of the incense burnt in every chapel, and of the flowers brought by the pilgrims. A dark red pagoda, lighted by a mysterious blue gleam falling intermittently from somewhere in the roof, enshrined a white marble god, whose glittering gems seemed to rise and fall behind the cloud of perfume that floated about him.Far up the hill, and for a long time, the clanging brass and sharp cries followed me on my way all through the afternoon, and I could picture the dancing women, the Lama under his gleaming brass hat, turning his praying-wheel beneath his bower of branches and papers fluttering in the wind; and[Pg 150] not till dark did the whole party break up and go back to Darjeeling; the poorer women, on foot, all a little tipsy, danced a descending scale that ended occasionally in the ditch; the richer ladies, in thin dark satin robes with wide sleeves all embroidered in silk and gold, and their hair falling in plaits from beneath a fillet of red wood studded with large glass beads, fitting tightly to the head, rode astride on queer little horses, mostly of a dirty yellow colour, that carried them at a brisk amble. Their husbands, extremely attentive, escorted the dames, some of whom gave noisy evidence of the degree of intoxication they had reached. The least blessed had but one husband, or perhaps two; but the more fortunate had a following of as many as six eager attendants, whom they tormented with incessant scolding.

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THREE:The fog seemed to turn to solid smoke, impenetrably black, wrapping us in darkness which was suddenly rent by a red flash, blood-red, ending in a green gleam. The mist retained a tint of sulphurous copper for some time; then a second flash, and far away among the lurid clouds we had a glimpse of the Himalayas, pallid purple with green shadows against an inky sky. The[Pg 254] thunder, deadened by the masses of snow and very distant, rolled to and fro with a hollow sound, frightening the horses which struggled uphill at a frantic pace. And the dense fog closed round us once more, a dark green milkiness streaked with snow, which was falling in large flakes formed of four or five clinging together like the petals of flowers. Then it hailed, which completely maddened the horses, and then again snow, and it was literally night at ten in the morning when at last we reached this spot and the shelter of a bungalow.
THREE:As soon as the last customer's beard was trimmed, the barber took down the cage and carried the bird to another spot whence we could hear its scream.

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THREE:And then we came away from this hospital, where no sister of charity, no woman even, had brought some little consolation or the kindliness of a smile to these dying creatures, whose wandering or frantic black eyes haunted me.

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THREE:In every house a tiny lamp allowed us to see the women, squatting while they pounded millet, or cooked in copper pots. Then night suddenly fell, and I could no longer find my way about the dark alleys, stumbling as I went over cows lying across the path, till I suddenly found myself opposite a very tall pagoda, three storeys high. On the threshold the bonzes were banging with all their might on gongs and drums, alternately with bells. And on the opposite side of the street, in a sort of shed enclosed on three sides, but wide open to the passers-by, people in gay robes were prostrate before two shapeless idols, Krishna and Vishnu, painted bright red, twinkling with ornaments of tinsel and lead-paper, and crudely lighted up by lamps with reflectors. And then at once I was between low houses again, and going down tortuous streets to the river-bed,[Pg 48] whither I was guided by the sound of castanets and tambourines.
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TWO:[Pg 173]

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TWO:The external decoration is broken by broad flat panels, incised in places so delicately that the patterns look like faded fresco, scarcely showing against the gold-coloured ground of yellow stone. In front of the Kailas stand two tall obelisks, carved from top to bottom with an extraordinary feeling for proportion which makes them seem taller still, and two gigantic elephants, guardians of the sanctuary,[Pg 42] heavy, massive images of stone, worm-eaten by time into tiny holes and a myriad wrinkles, producing a perfect appearance of the coarse skin of the living beast.

ONE:A crowd of servants in red came down the flight of steps to the landing-place, and stood on each side, while at the top the Maharajah stood to receive me, in a tunic of yellow brocaded with silver, and silk trousers of various shades of violet and gold tissue; his turban was quite small, with an aigrette and a spray of diamonds.When I went away home to the fort, where I was living with my friend Lieutenant F, the sentinel's challenge, the tall grey walls casting sharp shadows on the courtyard silvered with moonlight, and another sentry's cry; and still, in contrast with the cheerful evening, I could remember nothing but the tonga post-horsea thing so frequent in this land of fanatics, so common that no one gives it more than a passing thought.

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ONE:The road from Cawnpore to Gwalior makes a bend towards central India across a stony, barren tract, where a sort of leprosy of pale lichen has overgrown the white dust on the fields that are no longer tilled. There is no verdure; mere skeletons of trees, and a few scattered palms still spread their leaves, protecting under their shade clumps of golden gynerium.

Songs Listened

ONE:At every street-corner there were blocks of salt,[Pg 298] which the cows and goats licked as they went past.And then seeing that I did not go, that on wakening again from his dream I was still there, he fixed his eyes on me and caught sight of a medal that I wear.

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ONE:The Rajah, a prisoner in his little state, a ruler only in name and deposed from his power, as I rose to take my leave, cast a glance of deep melancholy towards a last golden beam that quivered on the sacred hill, and seemed to awake from a dream.A prodigious palace has left the skeleton of its walls pierced with large windows, and in the blackened stone, almost at the top of the building, a balcony with a canopy over it, resting on fragile columns, is still uninjured; of a pale yellow, like lemon-tree wood, it looks as if it had come into existence only yesterday, a flower risen from the death of the ruins.

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THREE:Adjacent to this temple was the court-house, a hall of ancient splendour in the time of the kings of Kandy. It stood wide open, the walls lined with carved wood panels. The court was sitting under the punkhas that swung with regular monotony, the judges robed in red. One of the accused, standing in a sort of pen, listened unmoved to the pleading. A large label bearing the number 5 hung over his breast. Behind a barrier stood other natives, each decorated with a number, under the charge of sepoys. One of them, having been wounded in the murderous fray for which they were being tried, lay at full length on a litter covered with pretty matting, red and white and green, stretched on bamboo legs. A long robe of light silk enveloped his legs, and he alone of them all had charming features, long black eyes with dark blue depths, his face framed in a sort of halo of silky, tangled hair. He, like the man now being sentenced and those who had gone through their examination,[Pg 129] seemed quite indifferent to the judges and the lawyers. He mildly waved a palm leaf which served him as a fan, and looked as if he were listening to voices in a dream, very far away.There was not a sound, not a bird, excepting on the fringe of the forest. As we penetrated further there soon was no undergrowth even on the dry soil, between the ever closer array of trees; the creepers hung very low, tangled with clinging parasites; and between the stilt-like and twining roots and the drooping boughs, the path, now impracticable, suddenly ended in face of the total silence and black shade that exhaled a strong smell of pepper, while not a leaf stirred.
THREE:Down in the streets the houses looked ghostly blue in the moonlight, the cross roads, lighted with the warmer glow of a few lamps in red paper shades, alternating with the black darkness, in which it was just possible to discern cows and goats lying on the ground.The fort of Allahabad, the fort of the mutiny of 1857, is a complete citadel where, in the thickness of the walls, behind screens of acacia trees, lurk doors into palaces. Among the gardens there are clearings full of guns and ambulance waggons, and enormous barracks and huts for native soldiers. Then on the ponderous stonework of the ramparts rise little kiosks in the light Hindoo-Mussulman style, elaborate and slender, built by Akbar the [Pg 183]conqueror, who took Prayag and razed it, to build on the site a city dedicated to Allah. And now modern architecture is slowly invading it, adding to the flat walls which hide under their monotony the gems of stonework with their elegant decoration.

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Whenever there was a pause in the dance the performers, to amuse themselves, sang a scale, always the same, beginning on a very high note, or sometimes taken up from the lowest bass pitch, and marking time with their stamping feet.Out of doors, meanwhile, one funeral procession almost trod on the heels of the last; at the latest gleam of day, and out towards the west, above the Field of Burning, a broad red cloud filled all one quarter of the sky.A tall wide gate beyond the bridge opens into the ferocious fortress of Hyderabad.
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