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FORE:This process was conceived by Aeschylus as a conflict between two generations of gods, ending with their complete reconciliation. In the Prometheus Bound we have the commencement of the conflict, in the Eumenides its close. Our sympathies are apparently at first intended to be enlisted on behalf of the older divinities, but at last are claimed exclusively by the younger. As opposed to Prometheus, Zeus is evidently in the wrong, and seeks to make up for his deficiencies by arbitrary violence. In the Oresteia he is the champion of justice against iniquity, and through his interpreter, Apollo, he enforces a revised moral code against the antiquated claims of the Erinyes; these latter, however, ultimately consenting to become guardians of the new social70 order. The Aeschylean drama shows us Greek religion at the highest level it could reach, unaided by philosophical reflection. With Sophocles a perceptible decline has already begun. We are loth to say anything that may sound like disparagement of so noble a poet. We yield to none in admiration for one who has combined the two highest qualities of art��sweetness and strength��more completely than any other singer, Homer alone excepted, and who has given the primordial affections their definitive expression for all time. But we cannot help perceiving an element of superstition in his dramas, which, so far, distinguishes them unfavourably from those of his Titanic predecessor. With Sophocles, when the gods interfere, it is to punish disrespect towards themselves, not to enforce justice between man and man. Ajax perishes by his own hand because he has neglected to ask for divine assistance in battle. Laius and Jocast�� come to a tragic end through disobedience to a perfectly arbitrary oracle; and as a part of the same divine purpose Oedipus encounters the most frightful calamities by no fault of his own. The gods are, moreover, exclusively objects of fear; their sole business is to enforce the fulfilment of enigmatic prophecies; they give no assistance to the pious and virtuous characters. Antigon�� is allowed to perish for having performed the last duties to her brother��s corpse. Neoptolemus receives no aid in that struggle between ambition on the one hand with truthfulness and pity on the other which makes his character one of the most interesting in all imaginative literature. When Ath��n�� bids Odysseus exult over the degradation of Ajax, the generous Ithacan refuses to her face, and falls back on the consciousness of a common humanity uniting him in sympathy with his prostrate foe.Utilitarianism agrees with the ancient hedonism in holding pleasure to be the sole good and pain the sole evil. Its adherents also, for the most part, admit that the desire of the one and the dread of the other are the sole motives to action; but, while making the end absolutely universal and impersonal, they make the motive into a momentary impulse, without any necessary relation to the future happiness of the agent himself. The good man does his duty because doing it gives him pleasure, or because the failure to do it would give him pain, at the moment; although he knows that a contrary course would save him from greater pain or win him greater pleasure hereafter. No accurate thinker would call this acting from a selfish or interested motive; nor does it agree with the teaching of Epicurus. Were all sensitive beings to be united in a single organism, then, on utilitarian principles, self-interest, interpreted in the sense of seeking its own preservation and pleasure, would be the only law that the individualised aggregate could rationally obey. But the good of each part would be rigorously subordinated to the good of the whole; and utilitarian morality desires that we should act as if this hypothesis were realised, at least in reference to our own particular interests. Now, the idea of humanity as forming such a consolidated whole is not Epicurean. It belongs to the philosophy which always reprobated pleasure, precisely because its pursuit is associated with the dereliction of public duty and with bitter rivalry for the possession of what, by its very nature, exists only in limited quantities, while the demand for it is unlimited or, at any rate, far exceeds the supply. According to the Stoics, there was only one way in which the individual could study his private425 interest without abandoning his position as a social being, and this was to find it exclusively in the practice of virtue.575 But virtue and public interest remained mere forms scantily supplemented by appeals to the traditional morality, until the idea of generalised happiness, of pleasure diffused through the whole community, came to fill them with substance and life.