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ONE: TWO:Afternoon, in the bazaar, in the warm glow of the sinking sun, wonderfully quiet. No sound but that of some workmen's tools; no passers-by, no shouting of voices, no bargaining. A few poor people stand by the stalls and examine the goods, but the seller does not seem to care. Invisible guzlas vibrate in the air, and the piping invitation of a moollah falls from the top of a minaret.KOHAT

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ONE:

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THREE:In one room we heard musicguzlas, drums, and a vina. There were three dancing-girls. At first they only performed the Indian "goose-step," the slow revolutions growing gradually quicker. But urged by the soldiers who filled the room and beat time with their sticks on the floor, the nautch-girls marked their steps, wriggled with heavy awkward movements, and tried to dance a Highland jig, taught by two Scotch soldiers.

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THREE:But for once he was mistaken.

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THREE:Round a temple, with iron roofs ending in copper balls at the top, a crowd was watching, some seated on steps cut in the soil and some squatting on the hillside, here almost perpendicular. By the temple long white streamers, fluttering from bamboo poles, were covered with painted prayers. A Lama was enthroned in an armchair under an arbour of pine-branches; he wore a yellow robe, and above a face like a cat's he had a sort of brass hat surmounted by a coral knob; his little beard was quite white, and he turned his praying machine with a steady, dull movement, perfectly stolid. Two women stood by his side fanning him, dressed in close-fitting aprons of dark cloth bordered with a brighter shade, and opening over pale pink satin petticoats, on their heads crowns of flowers of every hue.A salesman of whom I had bought several things, wishing to do me a civility, called a tom-tom player, who was to escort me home rapping on his ass's[Pg 215] skin; and when I declined very positively, the poor man murmured with a piteous, crushed look:

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THREE:But this suburb is now no more than a heap of huts and hovels. The tombs, ruined and overthrown, are few and far apart, heaped with sand, and showing as arid hillocks amid the level of withered grass. The plain beyond, laid out in rice-fields of a tender green, furrowed with silver streamlets, spreads unbroken to the foot of a huge wall of the hue of red gold enclosing a hill; and on[Pg 99] entering the precincts, behold, in the bays of the thickness of the wall, a whole village where dwell the families of the soldiers who guard this citadel.A poor old fellow, behind a grating that shut him into a kind of hovel, called out to us, first beseeching and then threatening, rushing frantically to the back of his hut and at once coming forward again with fresh abuse. He was a dangerous madman, placed there to keep him out of mischief and to be cured by the Divinity.

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THREE:TUTICORINOne temple to Buddha only, on an elongated plan, ends in a vault forming a bulb-shaped cupola supported on massive columns, quite Byzantine in character and wholly unexpected. The dim light, coming in only through a low door and two small windows filled in with pierced carving, enhances the impression of being in some ancient European fane, and the Buddha on the high altar has a look of suffering and emaciation that suggests a work of the fourteenth century.

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THREE:Then, another day, the air was leaden, too heavy to breathe. The mountains of the gem-like hues had lost their glory; they were of one flat tone of dusky grey, and further away were lost to view, invisible in the dead monotony of the colourless sky. The silence was oppressive; there was not a bird in the air, and a strange uneasiness scared the beasts, all seeking a shady refuge.At mess there were two newly-arrived officers, come from Tochi; they had been attacked on the road in the night by sixteen men. The driver and the horse were killed; they themselves had not a scratch, and they told the story very much at their ease, relating the comic features of the incidenthow a bullet had lodged itself in a pot hanging to a mule's pack, and the frightened creature had kicked "like mad."

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ONE:

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We sailed past the holy city in a heavy, massive junk, the prow formed of a snake with its head erect and jaws yawning, down the Ganges, all rippled with rose and blue. Palaces, and more palaces, with thick walls and towers, that look like bastions, stand in perspective as far as the eye can see. Windows and balconies are cut in the ponderous masonry at the level of the third floor, and high above these rajahs' dwellings rise the domes of the temples, pointing skywards among tall trees that spread their shade on the russet stonework. At the foot of the palaces, steps lead down to the river, divided by little stages covered with wicker umbrellas that shine in the sun like discs of gold; under these, Brahmins, after bathing, were telling their beads. Now and again they dipped their fingers in the sacred waters and moistened their eyes, forehead, and lips.A smart affair altogether is this carriage! two very high wheels, no springs, a tiny cotton awning[Pg 269] supported on four sticks lacquered red, and sheltering the seat which has three ropes by way of a back to it. Portmanteaus and nosebags are hung all round, and even a kettle swings from the near shaft, adding the clatter of its cymbal to the Indian symphony of creaking wheels, the cracking whips, the driver's cries of "Cello, cello," and Abibulla's repeated "Djaldi," all intended to hurry the horse's pace.On the river-bank were some eagles devouring a dead beast. One of them fluttered up, but came back to the carrion, recovering its balance with some difficulty, its body was so small for its large, heavy wings. Then they all rose together straight into the air with slow, broad wing-strokes, smaller and smaller, till they were motionless specks against the sky, and flew off to vanish amid the snowy peaks.
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