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In the streets the people, all wrapped in long shawls of a neutral brown, were only distinguishable amid the all-pervading greyness by their white head-dress. Men and women alike wear the same costumea full robe of dirty woollen stuff with[Pg 258] long hanging sleeves, and under this they are perfectly naked. The rich put on several such garments one over another; the poor shiver under a cotton wrapper. And all, even the children, look as if they had the most extraordinary deformed angular stomachs, quite low downcharcoal warmers that they carry next their skin under their robe.

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Wherever the alleys cross in the bazaar, open cages are placed on pillars of carved marble or wood, and in these, charitable hands place grain for the birds; thus every evening, round these shelters there is a perpetual flutter of pigeons, minahs, and sparrows, pushing for places, and finally packed closely together, while the little lanterns flash out on all sides, giving a magical aspect to the shopfronts, turning copper to gold, fruit to flowers, and falling like a caress on the wayfarers in thin pale-hued robes.
  • ONE:Inside, the walls are panelled with mosaic of carnelian and chalcedony, representing poppies and funkias, so fragile-looking, so delicate, that they seem real flowers blooming in front of the marble. And marble screens, carved into lace-work, filling the high doorways and the windows, admit a tender amber-toned light.On the edge of a pool, where, like a huge, full-blown lotus flower, stands a kiosk of sculptured marble, dedicated to the Rajah's mother, we came upon the shoe market, the last survival of a time not so very long ago, when shoemakers, as working on the skins of dead beasts, dared not come within the precincts of a town. Read More
  • ONE:We went into the observatory, where the servants were sleeping in the open air on camp beds, lying across each other and blocking the entrance.[Pg 177] I went to gaze at the north star, looking very small, a tiny spangle of blue in the blue velvet sky, visible at the top of a crazy flight of steps that goes up to nowhere in the air from the topmost terrace. Read More
  • ONE:Three musicians in white, with red turbans, squatted down on the ground in front of us. One sang to the accompaniment of a viol with three strings and nine frets, and a darboukha; a drawling strain, all on the upper notes, and rising higher to a shrill monotonous wail, retarded, as it were, to a rhythm against the accompaniment; then by degrees more lively, faster and faster, ending with a sudden stop on a word of guttural consonants. But the man began again; he sang for a long time, varying the tunes, always returning to the first. But nothing of them remains in my mind, not even the rhythm, only a vague recollection, a singular echo, confused but [Pg 67]charming, in spite of the weirdness of the too high pitch. Read More
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"Let every children forced to be on street have education."

–Munzurul Hasan, Alor Bhubon

THREE:The rajah's sleeping-room has at one end a dais ascended by three steps; here the sovereign's bed used to be spread; and here, now, the judges of the Supreme Court have their seats. In the middle of the room was a confused array of benches and tables, and against the walls, also washed with yellow, hung a series of portraits of bewigged worthies.

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FORE:Then, from a bridge across the Ganges, for a moment we had a last glimpse of the sacred citythe gold-coloured umbrellas, the throng of bathers on the steps to the riverand then Abibulla gravely remarked, "If only India had three cities like Benares it would be impossible ever to leave it."

We Open in Jamalpur Branch in 2010

FORE:At last, when it was very late, the reciter lifted the heavy idol on to his head. A few worshippers followed him, carrying the flowers, the little jars and the baskets offered to the goddess, and the procession marched off towards the Ganges; while the nautch-girls went on with their performance, giving loud, sharp shrieks out of all time with the shrill but somnolent music.

We Open in Jamalpur Branch in 2010

FORE:In the streets the people, all wrapped in long shawls of a neutral brown, were only distinguishable amid the all-pervading greyness by their white head-dress. Men and women alike wear the same costumea full robe of dirty woollen stuff with[Pg 258] long hanging sleeves, and under this they are perfectly naked. The rich put on several such garments one over another; the poor shiver under a cotton wrapper. And all, even the children, look as if they had the most extraordinary deformed angular stomachs, quite low downcharcoal warmers that they carry next their skin under their robe.

We Open in Jamalpur Branch in 2010

FORE:The priests slowly mounted the stairs, the music died away in echoes more and more confused, ceasing at last, while the sacred animal, going off to the right at the foot of the steps, disappeared into its stable.

We Open in Jamalpur Branch in 2010

THREE:
THREE:[Pg 245]

"We believe in a world where no child ever has to live on the streets"

Over the past 45 years,we worked in over 4 District to provide youth with practical, hands-on-skills that they can apply to entrepreneurial endeavors and entry-level jobs. We do not believe in providing hand-outs. Our goal is to provide sustainable skills through education, which can be used over a long period of time. Through a unique Train-the-Trainer model, Street Kids provides educational workshops on relevant business skills to Master Trainers and Youth Workers based in developing countries.

TWO:Inland from Colombo it is pure enchantment to travel among the rich and tangled vegetation of every shade of green that grows by the margins of the pools, the rivers, and the rice-fields. At first, skirting the shallows, where men, standing to their waists in water, were fishing with large nets which[Pg 126] they managed but clumsily, the flat banks are overgrown with anthuriums, their broad leaves of dark velvet or of light gauze splashed with rose and white, mirrored in the channels that form a network to irrigate the rice-swamps. Then ferns, bamboos, and feathery reeds in every varying shade of gold; creepers clinging to the trunks of coco trees or ph?nix-palms bear bunches of pink or yellow blossoms between the palm-leaves, invading everything with their luxuriance, and forming a gaudy undergrowth below the tall treesa light but impenetrable thicket where the sun casts warm purple shadows.
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THREE:Behind a ponderous wall, dinted all over by shot, and showing broad, light patches once covered by earthenware tiles, is the palace of Runjeet Singh, inlaid with enamelled pictures in green, blue, and yellow of tiger-fights and horse-races, mingling with flowers and garlands of boughs. The durbar, the hall or presence chamber, opens by a verandah on a forecourt paved with marble; in its walls are mirrors and panels of coloured glass over a ground of dull gold, agate-like tints iridescent with a nacreous, silvery, luminous lustre.Above the mausoleum a fort with battlements towers over the pass, "an impregnable position," the guides tell us.

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FORE:Before daybreak, in the doubtful light of waning night, dim masses are visiblegrey and purple mountainsmountains shaped like temples, of which two indeed seem to be crowned with low squat towers as if unfinished.

At street level we strive to meet the immediate needs of children at risk on the streets and platforms of India today. We have created a number of ‘child friendly stations’ with the help and engagement of the people who work at them, who now look out for and help children alone and at risk.

FORE:We changed horses every five miles; ill-kempt little beasts, and only half fed, who got through their stage only by the constant application of the whip, and shouts from the sais standing on the step; when released from harness they stood forlorn and hobbled off, lame of every leg, to their stables with no litter. Day broke, a dingy grey, dark with woolly cloud and heavy rain; a wall of fog rose up around us, while the road was uphill towards the mountains.

At community level we work to make children on the streets visible to society and to help people understand the issues that cause children to run away and that face them on the streets and on the platforms. We invest time and skills in preventative intervention, with the aim of creating ‘safety nets’ within communities to catch children who are at risk of running away before they do so.

FORE:>At the top of Malabar Hill, in a garden with freshly raked walks and clumps of flowers edged with pearl-shells, stand five limewashed towers, crowned with a living battlement of vultures: the great Dokma, the Towers of Silence, where the Parsees are laid after death, "as naked as when they came into the world and as they must return to nothingness," to feed the birds of prey, which by the end of a few hours leave nothing of the body but the bones, to bleach in the sun and be scorched[Pg 30] to dust that is soon carried down to the sea by the first rains of the monsoon.[Pg 119]

At government level we work to persuade policy makers that children living on the streets should be higher on India’s political agenda and that government policies should provide greater protection and opportunity for them

THREE:At Jan the pagodas are of red stone. The largest, conical in shape, covers with its ponderous roof, overloaded with sculptured figures of gods and animals, a very small passage, at the end of which two lights burning hardly reveal a white idol standing amid a perfect carpet of flowers. Round the sacred tank that lies at the base of the[Pg 45] temple, full of stagnant greenish-white water, are flights of steps in purple-hued stone; at the angles, twelve little conical kiosks, also of red stone and highly decorated, shelter twelve similar idols, but black. And between the temples, among the few huts that compose the village of Jan, stand Moslem mausoleums and tombs. Verses from the Koran are carved on the stones, now scarcelyl visible amid the spreading briars and garlands of creepers hanging from the tall trees that are pushing their roots between the flagstones that cover the dead.
THREE:An old-world Indian city with nothing of modern flimsiness and tinsel. The arcades and balconies of the houses in the bazaar are carved out of solid wood, polished by ages to tones of burnished steel and warm gold. Copper nails in the doors shine in the sun. Along the quiet streets, where nothing passes by but, now and then, a slow-paced camel, Hindoos make their way, draped in pale pink, or in white scarcely tinged with green or orange colour; little naked children, with necklaces, bangles and belts of silver, looking like ribbons on their bronze skin. In front of the shops is a brilliant harmony of copper, sheeny fruits, and large pale green pots. A glad atmosphere of colour surrounds the smiling people and the houses with their old scorched stones.

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THREE:The sarcophagus rests in the depths of a vaulted crypt lighted only by narrow latticed loopholes, and it is shrouded in a mysterious glimmer, a mingling of golden sunbeams and the reflections from the marble walls inlaid with precious stones.

Munzurul Hasan

Founder,Alor Bhubon

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Munzurul Hasan

Founder,Alor Bhubon

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Munzurul Hasan

Founder,Alor Bhubon

Lorem ipsum dolor sit amet, consectetur adipiscing elit. In lobortis, ante interdum vehicula pretium, dui enim porta lectus, non euismod tortor ante eu libero. Aenean blandit luctus tortor vitae interdum. Etiam egestas purus lorem, eget tempus odio placerat id.

Munzurul Hasan

Founder,Alor Bhubon

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THREE:"Kali?" he asked.There were people performing their devotional ablutions below stream from the place of burning, and one old man took a few drops of water in the hollow of his hand and drank it, quite close to a shapeless black mass at which a kite was pecking as it floated by.

Volunteer, Porshee Foundation

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THREE:The other victim, the night watchman of a neighbouring village, was suspected of treachery towards the hill-tribes in a recent skirmish. One ball through the head had killed him, and his arms had been cut off.On the stone ceiling of almost every temple four large women's faces and certain crouching[Pg 75] gnomes appear in fresh red paint. In the very dim twilight that comes in through the narrow windows hung with blue gauze, the idols are visible behind lattices: white Buddhas blazing with sparkling gems that hang on their wrists and ankles, or form a perfect breastplate; and every one, without exception, has an enormous glittering imitation diamond in his forehead.

Volunteer, Porshee Foundation

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Micheal Smith

Volunteer, Porshee Foundation

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NEWS

25 MAY 2015

Why do children end up on the streets?

Children end up on the streets for a mixture of reasons, though poverty is usually at the heart of the problem. In the countries where we work, conflict and poverty combine to force children onto the streets. In many cases a child's family can no longer afford to care for them properly or may need their help to supplement the family income and help put food on the table.

Hasan

01 DECEMBER 2014

BeReviews was a awesome envent in dhaka

With a blow from the top-maul Ahab knocked off the steel head of the lance, and then handing to the steel

Litoon Dev

03 NOVEMBER 2014

Play list of old bangle music and gajal countries

With a blow from the top-maul Ahab knocked off the steel head of the lance, and then handing to the steel

Rabbani

CONTACT ALOR BHUBON

Contact Info

252, Elephant Road, Al-Baraka Tower, Kataban Road, Dhaka, Bangladesh Phone Number: 01918-009393

Then at Peshawur again in the evening, girls, with groups of soldiers in red jackets or Scotch kilts; the common women were horrible, whitened,[Pg 251] with loose shirts and tight-fitting trousers. One alone sat at her window wreathed about with mindi flowers in the crude light of a lamp. The others accosted the passer-by, laughing and shouting in shrill tones.[Pg 245]In the harbour, where there was a light breeze blowing, the little outrigged canoes had hoisted large sails, white edged with black, and vanished into the distance, skimming like winged things over the intensely blue water.
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