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At the time of the marriage of the young M. and Mme. dAyen, the Princesse Adla?de had to some extent, though never entirely, succeeded the Princesse Henriette in the Kings affection, and was now supposed to be his favourite daughter. She had, however, none of her elder sisters charm, gentleness, or beauty; being rather plain, with a voice like that of a man. She had a strong, decided character, and more brains than her younger sisters, Victoire, Sophie, and Louise; she was fond of study, especially of music, Italian, and mathematics.

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THREE:Alexander, afterwards Alexander I., resembled his mother in beauty and charm of character; but Constantine was like his father, whose eccentric, gloomy disposition seemed to foreshadow the fate which lay before him. His strange, unbalanced nature alternated between good and evil; capricious and violent, he was yet capable of kindness and generosity.He had been dead about four years when Mme. Le Brun arrived in Russia, but was still talked of as a sort of magician. His niece, the Countess Scawronska, said to her
FORE:This elegant trick was traced to the Duc de Chartres and his friends; and the good temper and general demeanour of Mme. de Genlis on this provoking occasion struck the Duke with [388] admiration and compunction. Philippe-galit, contemptible as his disposition undoubtedly was, had also been very badly brought up, and when he was fifteen his father had given him a mistress who was afterwards notorious as Mlle. Duth; he was always surrounded with a group of the fastest young men at court, the Chevalier de Coigny, MM. de Fitz-James, de Conflans, &c.

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FORE:Je nai point les chemisesMlle. Aime shall come to Paris to-night. Order the wedding presents, which must be most costly, as I am to act as the young ladys father on the occasion. I shall provide the dot and wedding-dress, and the wedding will take place as soon as the legal formalities can be arranged. You now know my wishes, and have only to obey them.

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FORE:

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FORE:Shortly afterwards, passing his father in the great gallery at Versailles, the Duc de Richelieu said to him

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FORE:The tone of society was entirely different during the Restoration from that of the Empire. The lavish expenditure in entertainments, dress, and daily life was no longer the fashion. An expensive toilette at any but a very great festivity was no longer correct, and even at court the extravagant splendour of the costumes of the Imperial court was not encouraged. The principal people were no longer those who possessed enormous fortunes which they were eager to spend; the [477] nobles and gentlemen whose names were the most distinguished at the court of Louis XVIII. being most of them nearly if not quite ruined.IN after life Mme. Le Brun used to say that her girlhood had not been like that of other young girls. And indeed it was not. By the time she was fifteen she was already not only a celebrated portrait painter, but very much sought after in society. A portrait of her mother, which she painted when she was not yet fifteen, excited so much admiration that the Duchesse de Chartres, who had often looked at her with interest from the gardens of the Palais Royal, opposite which she lived, sent for her to paint her portrait, and was so delighted with the pretty, gentle girl whose talents were so extraordinary that she spoke of her to all her friends.

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THREE:So it was on a volcano that they feasted and sang and danced and made love, and Trzia was the life and soul of the pandemonium which had taken the place of the graceful, polished, cultivated society of the ancien rgime. FORE:The provincial assemblies were sitting all over France in 1787-8 in preparation for the States-General which were soon to be summoned with such fatal results. The Duc dAyen was president of the assembly of Limousin, M. de Beaune of that of Auvergne; nearly all the men of her family sat in one or the other, and were eager for the reforms which, if they could have been properly carried out and had satisfied the nation, would have indeed been the beginning of a new era of prosperity and happiness.MARIE DE VICHY-CHAMBRON, MARQUISE DU DEFFAND
THREE:The theatreRaincyChantillyCalonneAttempt to ruin the reputation of Mme. Le BrunTwo deplorable marriagesFate of Mme. ChalgrinUnder the shadow of deathMme. Du Barry.It is true! I have not my cocarde! No doubt I must have forgotten it and left it on my night-cap.
FORE:Les bonnes m?urs et labondance. Lead Designer

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FORE:THE Duke of Orlans died 1785, and Mme. de Montesson, having been forbidden by Louis XVI. to put her household into mourning or assume the position of a Duchess Dowager of Orlans, retired for a few weeks into a convent and then returned to her usual life, having inherited a great fortune from the late Duke.Her mother having died in her early life, she was brought up by her father, the Comte de Coigny, at his chateau at Mareuil, an enormous place built by the celebrated Duchesse dAngoulme (whose husband was the last of the Valois, though with the bend sinister), who died in 1713, and yet was the daughter-in-law of Charles IX., who died 1574. [38] Serior Analyst

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FORE: Lead Developer

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199 ONE:
890 ONE:The Comte dArtois appealed to the Queen and the Comte de Provence, who went to intercede for him with the King. Louis, irritated by the vehemence with which Marie Antoinette took the part of the Comte dArtois, asked her whether she knew what he wanted the money for, and on her replying that she did not, proceeded to tell her. The Queen looked thunderstruck, gave way to a torrent of indignation against the conduct of the Comte dArtois, and left the room. But Louis, instead of abiding by the decision he had so vehemently announced, allowed himself to be persuaded by the Comte de Provence and his aunts to revoke everything he had said, and do everything he had inveighed against. The Comte dArtois was not punished and the disgraceful debts were paid.
THREE:E. H. BearneMme. de Genlis had friends amongst old and new, French and foreign. The Vernets, Mme. Le Brun, Mme. Grollier, Gros, Gerard, Isabey, Cherubini, Halvy, all the great singers and musicians were among her friends. She lived to see the first years of the brilliant, too short career of Malibran. Pasta, Grassini, Talma, Garat, and numbers of other artistic celebrities mingled with [481] her literary friends. The household of Isabey was like an idyl. He had met his wife in the Luxembourg gardens, a beautiful girl who went there to lead about her blind father. They married and were always happy though for a long time poor. But the fame of Isabey rose; he was professor of painting at the great school of Mme. Campan, where every one under the Empire sent their daughters. He painted Josphine and all the people of rank and fashion, and received them all at his parties in his own h?tel. Mme. Isabey lived to be eighty-eight, always pretty and charming. Her hair was white, she always dressed in white lace and muslin, and had everything white in her salon, even to an ivory spinning wheel.
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Dissatisfied with their answers, he said he suspected them of being emigrs and should take them to Valenciennes. Mme. de Genlis thought they were lost, but with admirable presence of mind, she put her arm within his and walked briskly by his side, chaffing him in an almost unintelligible jargon about his want of politeness, laughing, and appearing quite fearless and indifferent.
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