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FORE:With the Epicurean theory of Justice, the distortion, already sufficiently obvious, is carried still further; although we must frankly admit that it includes some aper?us strikingly in advance of all that had hitherto been written on the subject. Justice, according to our philosopher, is neither an internal balance of the soul��s faculties, nor a rule imposed by the will70 of the stronger, but a mutual agreement to abstain from aggressions, varying from time to time with the varying interests of society, and always determined by considerations of general utility.141 This is excellent: we miss, indeed, the Stoic idea of a common humanity, embracing, underlying, and transcending all particular contracts; but we have, in exchange, the idea of a general interest equivalent to the sum of private interests, together with the means necessary for their joint preservation; and we have also the form under which the notion of justice originates, though not the measure of its ultimate expansion, which is regard for the general interest, even when we are not bound by any contract to observe it. But when we go on to ask why contracts should be adhered to, Epicurus has no reason to offer beyond dread of punishment. His words, as translated by Mr. Wallace, are:����Injustice is not in itself a bad thing, but only in the fear arising from anxiety on the part of the wrong-doer that he will not always escape punishment.��142 This was evidently meant for a direct contradiction of Plato��s assertion, that, apart from its penal consequences, injustice is a disease of the soul, involving more mischief to the perpetrator than to the victim. Mr. Wallace, however, takes a different view of his author��s meaning. According to him,And here it was all out in the lurid light of day. Dramatic arrest of the Countess. The suicide and confession. It was flaring in the evening papers--the boys were yelling at the top of their voices in the street. The din of it filled Bruce's ears. "Confession of the crime." "The confession of the murder." "The mystery of the motor explained." "Dr. Bruce cleared of the cruel charge." It seemed strange to Gordon to hear his name yelled out like this in his own ears. He had a paper thrust into his hands.

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FORE:She did presently, keeping the Spanish figure in sight till the corner of the road was reached. There stood the black motor with its dull sides. The figure of the Countess sprang into it lightly. There was a touch of the lever, a click of metal, and then the swift machine was out of sight like a flash.The De Rerum Natura is the greatest of Roman poems, because it is just the one work where the abstract genius of Rome met with a subject combining an abstract form with the interest and inspiration of concrete reality; where negation works with a greater power than assertion; where the satire is directed against follies more wide-spread and enduring than any others; where the teaching in some most essential points can never be superseded; and where dependence on a Greek model left the poet free to contribute from his own imagination those elements to which the poetic value of his work is entirely due. By a curious coincidence, the great poet of mediaeval Italy attained success by the employment of a somewhat similar method. Dante represented, it is true, in their victorious combination, three influences against which Lucretius waged an unrelenting warfare��religion, the idealising love of woman, and the spiritualistic philosophy of Greece. Nevertheless, they resemble each other in this important particular, that both have taken an114 abstract theory of the world as the mould into which the burning metal of their imaginative conceptions is poured. Dante, however, had a power of individual presentation which Lucretius either lacked or had no opportunity of exercising; and therefore he approaches nearer to that supreme creativeness which only two races, the Greek and the English, have hitherto displayed on a very extended scale.

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