To the peasant girl declared to be the most virtuous and obedient to her parents.
ONE:In 1802 Mme. Le Brun revisited this enchanting place, or rather the ground where it used to be. It was entirely swept away; only a stone marked the spot where had been the centre of the salon.
ONE:Saturdayof Messidor! he exclaimed, when ordering the Moniteur to be dated on a certain day. We shall be laughed at! But I will do away with the Messidor! I will efface all the inventions of the Jacobins! [109]
TWO:Next morning she escaped to St. Germain, and then to Paris, leaving Joseph to take what care he could of her property, but the wine was all drunk out of the cellar, the garden and courtyard ravaged, and the house ransacked. To all remonstrances the Prussians replied that the French had [156] done much worse things in Germany; which was true enough.
THREE:THE year 1788 was the last of the old rgime. Mme. Le Brun was now thirty-two and at the height of her fame and prosperity. She had more commissions than she could execute, more engagements than she could keep, more invitations than she could accept, but her mind was full of gloomy presentiments. She passed the summer as usual between Paris and the country houses where she stayed.M. de Montyon, taking him for a valet de pied, called him an insolent rascal for daring to speak to him in such a manner; but no sooner were the words spoken than the young man snatched off his wig, rubbed it over his face and ran away with shouts of laughter.
THREE:It was impossible to spare much time to be absent from Paris, but Mme. Le Brun often spent two or three days at the magnificent chateaux to which she was invited, either to paint a portrait or simply as a guest.Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.
