ONE:They spent three days in the Artaut family, thankful for the rest, the quietness and the kindness they received. M. Artaut engaged a man he knew to take them on their journey, telling him that they were relations of his, and recommending them to his care. They set off accordingly, and, this journey was indeed a contrast to the last. Their driver took the greatest care of them, and they arrived in safety at the bridge of Beauvoisin, the frontier of France. TWO:CHAPTER XMme. de Genlis put Mademoiselle d��Orl��ans into mourning, telling her that it was for the Queen, which she must of course wear, and it was some time before she discovered the truth.

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ONE:��Que faites vous maintenant?�� TWO:Mme. de Genlis in her ��Memoirs�� denies this story, but goes on to say with that half candour, which is perhaps the most deceptive, that she cannot but confess that her ambition overruled her in this matter; that she thought what was said about Mme. de Montesson and M. de Valence might not be true, or if it were, this marriage would put an end to the liaison; and what seems contradictory, that she believed the reason her aunt was so eager for the marriage was, that she thought it would be a means of attaching to her for ever the man she loved. But that her daughter had great confidence in her, and would be guided by her in the way she should behave.

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ONE:The lavish, almost barbaric hospitality of the [131] great Russian nobles both at St. Petersburg and Moscow astonished Mme. Le Brun. Many of them possessed colossal fortunes and kept open house. Prince Narischkin, Grand Equerry, had always a table to sit five-and-twenty or thirty guests.When Mme. de Bouzolz had a baby, she nursed her devotedly, and took the deepest interest in the child. But the height of bliss seemed to be attained when soon after she had a daughter herself, with which she was so enraptured and about which she made such a fuss, that one can well imagine how tiresome it must have been for the rest of the family. She thought of nothing else, would go nowhere, except to the wedding of her sister, Mme. du Roure, with M. de Th��san; and when in the following spring the poor little thing died after a short illness, she fell into a state of grief and despair which alarmed the whole family, who found it impossible to comfort her. She would sit by the empty cradle, crying, and making drawings in pastel of the child from memory after its portrait had been put away out of her sight. But her unceasing depression and lamentation so worried M. de Beaune that, seeing this, she left off talking about it, and he, hoping she was becoming [198] more resigned to the loss, proposed that she should begin again to go into society after more than a year of retirement. She consented, to please him, for as he would not leave her his life was, of course, very dull. But the effort and strain of it made her so ill that the next year she was obliged to go to Bagn��res de Luchon. M. de Beaune, who was certainly a devoted father-in-law, went with her. Her mother and eldest sister came to visit her there; her husband travelled three hundred leagues, although he was ill at the time, to see how she was getting on, and in the autumn she was much better, and able to go to the wedding of her favourite sister, Rosalie, with the Marquis de Grammont. TWO:Meanwhile they stayed on at the convent, where Mme. de Saint-Aubin embroidered and wrote romances, one of which she sent to Voltaire, who wrote her several flattering letters; F��licit�� played the harp to amuse the nuns and to assist in the services of the chapel, made friendships in the convent, and adored the good sisters, who passed their time in devotion and charity, and amongst whom reigned the most angelic harmony and peace.

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ONE:The great picture of Marie Antoinette and her three children, which under Napoleon had been hidden away in a corner at Versailles, was taken out and exhibited at the Salon, where every one crowded to look at it. Again she painted the portraits of the royal family, contrasting the simple, gracious politeness of the Duchesse de Berri, of whom she did two portraits, with the vulgar, pretentious airs of Caroline Murat.Nattier TWO:

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